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All The President’s Men

by James McNally on September 18, 2007

in DVD

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All The President's Men

All The President’s Men (Director: Alan J. Pakula): I was seven years old when the Watergate scandal broke in 1972, and I learned about it mostly from reading Mad magazine, believe it or not. Still, 35 years later, I’m not exactly sure exactly what happened, and I seriously believe that nobody under 50 even cares. But what Watergate showed us is that the abuse of power in a democracy is not new, but that stupid and evil people sometimes don’t get away with their crimes. That is, if the media is doing its job.

All The President’s Men was originally a book published by the two men responsible for breaking the story, Carl Bernstein and Bob Woodward, both reporters for the Washington Post at the time of the scandal. Pakula’s film teamed up two of the era’s hottest actors, Dustin Hoffman and Robert Redford, and attempted to dramatize the story of perhaps the biggest political scandal of the 20th century. But though the film scooped four Oscars (including an adapted screenplay Oscar for writer William Goldman), I don’t think it’s aged well.

Audiences approaching the film today with little background knowledge will come away baffled, since the story moves along at breakneck pace, with names being tossed out with no context. The filmmakers may have assumed that in 1976, people would still be familiar with the story, since it occupied the newspapers for months on end. But without that background, it can seem pretty opaque. As well, we learn next to nothing about any of the characters, most notably our intrepid journalists. Worst of all, despite a running time well over two hours, the conclusion of the film is remarkably weak. A final roadblock seems to be wrapped up hastily and the ending disappoints with nothing but a teletype machine informing us of several indictments. There’s not even any archival footage of Nixon talking about the scandal, nor of his resignation.

Mad Magazine, December 1974

Despite its obvious weaknesses, I still feel this is an important film, because it inspires the belief that journalism’s function is to empower democracy by speaking the truth to power. It’s outrageous that increasing corporate ownership and consolidation of the media landscape has left our democracy weaker and less accountable. My only wish would be for someone to make a strong documentary about Watergate to educate a younger generation. Maybe they could even recycle some of Mad’s satirical Watergate songs.

7/10(7/10)

Deep Water

by James McNally on September 4, 2007 · 3 comments

in DVD, Documentaries

Deep Water

Deep Water (Directors: Louise Osmond and Jerry Rothwell): I’m not sure how I managed to miss this one until now. Ten years ago, the teacher responsible for any HTML knowledge I might possess shared a quirky and incredible story with our class. Donald Crowhurst was an inexperienced sailor from England who in 1968 entered, at the last minute, a race to sail around the world alone. Despite his lack of preparation and inexperience, his regular reports seemed to have him leading the race. And then suddenly his reports stopped. Some time later, his boat was found drifting in the North Atlantic, completely off course and on the other side of the world from his last reported position. Crowhurst wasn’t on board, but investigators discovered that he’d been keeping two sets of logbooks and trying to deceive the race organizers into thinking he was winning. As his true and reported courses diverged, Crowhurst seemed to lose his sanity and his last entries are heartbreaking in their confusion. At the time I heard the story, the only book written on the subject, The Strange Last Voyage of Donald Crowhurst, was long out of print, but I was able to find a copy a few years later through eBay. Happily, the book is now back in print along with another book called A Voyage for Madmen that covers the rest of the race participants in more depth. To make a long story short, the aspiring documentary filmmaker in me always thought this would be an amazing film, and I even toyed with the idea of trying to buy the rights. It seems someone has beaten me to the punch. And that’s a very good thing.

This is an incredible story and I absolutely cannot wait to see this film. It opened theatrically in Britain last December and is now in limited release in the US but there is no planned theatrical release in Canada at this point. Pity.

UPDATE (December 31, 2007): Alliance Atlantis will be releasing the film on DVD in Canada on January 8th. Here’s my review of the DVD:

After my disappointment at the film’s lack of a theatrical release in Canada, my elation at the DVD release could only have been expected. This unbelievable story needs to be known by more people, and I’m glad to report that Osmond and Rothwell’s film does a great job of telling it. Not only that, but for those with no background at all about the Crowhurst story, it builds the suspense carefully and doesn’t reveal the mystery right away. If you’ve read this far in my review, you’ll know that I’ve already spoiled that mystery by telling you all about it above, but you will want to see this film to try to understand what drove this decent and mild-mannered man over the edge to madness and suicide.

There is ample background material on the Sunday Times Golden Globe Round the World Race, a competition to become the first person to sail around the world alone and without stopping. This was something like the first reality television show, albeit broadcast in the pages of a newspaper, and it attracted an enormous amount of attention. In the end, nine men entered the race, and most had had much more sailing experience than Donald Crowhurst, who was a late entry and considered something of a dark horse. Of course, the media played up that angle and when it emerged that Crowhurst was setting sail in an innovative self-designed trimaran, the journalists portrayed him as something of a genius. In reality, he was the struggling proprietor of a business that sold navigational instruments for boats, and his real ambition was to pull himself out of some dire financial difficulties. In his desperation to get funding to build his boat, he signed a restrictive contract that would punish his early withdrawal from the race by making him liable for the costs. As the deadline to set sail approached, the boat was nowhere near ready to sail, but he found himself pressured into launching anyway. A short test journey didn’t augur well, though. At the ceremonial launch, the champagne bottle didn’t break when crashed against the hull (a bad omen) and the journey took two weeks instead of the expected three days, thus eating further into his scarce preparation time. In addition to mechanical problems with the boat, Crowhurst was also woefully inexperienced as a sailor, something he was keen to hide from his sponsor and the press.

The race offered two prizes. The Golden Globe trophy for the first boat to arrive back in England, and a £5,000 cash prize for the fastest time. These were separate things because the race rules allowed the sailors to leave anytime between the beginning of June and the end of October. Needless to say, Crowhurst was the last to launch, on October 31, 1968, and due to the boat’s unfinished condition, he quickly ran into trouble. After only a few weeks, he knew that the boat wouldn’t withstand the wild seas in the Southern Ocean. But because of the precarious financial situation he was in, he realized that dropping out would ruin him, even though continuing might kill him. It is with this dilemma in mind that he formulated what he thought was a way out. He began sending back reports in which he claimed to have covered much greater distances than he had in actuality. The problem became worse when his actual and reported positions grew further and further apart. In the end, he kept two separate logbooks and created a fictional voyage in which he was gaining on his competitors. His plan was simply to sail around the south Atlantic and wait for the rest of the field to actually circumnavigate and sail north from Cape Horn. By the time the other boats had caught up to his actual position, he hoped to join them again and slip in around fourth or fifth place, where no questions would be asked. He might not win the fame or fortune he was after, but he could save face.

Unfortunately for him, the race had claimed many of the other boats, and after Robin Knox-Johnston had claimed the first home prize on April 22, 1969, and his nearest competitor, Frenchman Bernard Moitessier had abandoned the finish line and decided to keep sailing, it looked like Donald Crowhurst might be in line to win the fastest time award. When the boat of Nigel Tetley, the only boat ahead of him, sank on May 21st, Crowhurst knew that if he finished the race at all, he would be welcomed as a hero and subjected to media scrutiny. In his mentally unbalanced state, he left the boat sailing very slowly north, writing increasingly unhinged reports in his logbooks. The last entry is from July 1st and is for all intents and purposes a suicide note. The boat was found drifting with no one on board on July 10th, and Crowhurst’s deception was quickly discovered and jumped on by the press. Knox-Johnston had received both prizes as the only sailor to complete the race, and he donated the cash to Crowhurst’s family.

The filmmakers were fortunate for several reasons. Because the race was such a media circus, lots of archival film and audio recordings exist, including film and audio Crowhurst made himself during the voyage. As well, most of the race participants (or their family members) contributed interviews, including Crowhurst’s widow Clare and several of his children. Perhaps the most moving of all the interviews was with his best friend Ron Winspear, who even now is quick to jump to his friend’s defence. After praising his courage for even attempting something so dangerous, he tearfully recalls, “In my mind, I gave him a hero’s burial.” Though the inexperienced Crowhurst seemed at the beginning to be very different from the rest of the sailors, by the end, we see that he possessed the same ambition, the same courage, and perhaps most heartbreakingly, the same determination not to give up.

I was reminded several times of another recent documentary about brave and single-minded men, a film about the Apollo astronauts called In The Shadow of the Moon (review). One of the journalists interviewed actually does compare the sailors to the astronauts, considering that they were newsworthy at the same period in time. Our relentless hunger for heroes, however, does lead to some casualties, and that in itself makes the film a must-see.

I have only one tiny criticism of the film, and that is that the titles/subtitles are in a font that is far too small and difficult to read. Since quite a bit of information is conveyed this way, it detracted just a bit from the experience.

The DVD includes some wonderful special features, including extra footage telling the stories of some of the other race competitors, as well as fuller interviews with Crowhurst’s family and the journalists who covered the race itself. As well, there is an interactive feature allowing the viewer to explore the cabin of Crowhurst’s boat, the Teignmouth Electron.

Buy Deep Water from Amazon.ca

Buy Deep Water from Amazon.com

Trailer
Official Site

9/10(9/10)

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Small Town Gay Bar

Small Town Gay Bar (Director: Malcolm Ingram, USA, 2006): This film was part of the June 2007 release from Ironweed Film Club, and features two short films as well that I haven’t yet watched. I missed this when it played originally at this year’s Inside Out festival, so was glad to see it on DVD so soon.

While my own experience with gay bars has been pretty limited, I understand that they serve a vital social function within the community, serving as sanctuaries from a world that is very often hostile to gay people. The situation is even more dire in the rural South, where prejudice has been tolerated and even encouraged for a long time. This small film keeps its focus tightly on a very specific area, northeastern Mississippi, and on the patrons of a bar called Rumors, located in tiny Shannon, population 1,726. In rural communities where everyone knows everyone else, it’s not unusual for gay people to stay “in the closet” and so the bar becomes the only place where they can actually be themselves. However, since Mississippi is in the middle of the “Bible Belt,” the bars are often targetted by conservative church groups and forced out of business. Part of the film covers the history of gay bars in this part of the state, and Crossroads, once located in larger Meridian (pop. 39,000), seemed to be just the sort of place that conservatives would want to close. As one former patron put it, the sense of desperation was so strong that it became a sort of circus, a place where “anything went” and so local law enforcement found a way to close it. Happily, this same former patron bought the property and reopened it as a much more congenial place, recognizing that people were being forced to drive several hours to Memphis for lack of a local place to go. I found myself reminded very much of British pub culture while watching the film, where the bar is not only a place to drink and meet romantic partners, but a hub of information and a surrogate family. Ingram’s film does a great job of capturing a sense of place and of the very unique people who populate it.

Perhaps the only weakness I found in the film was in its choice of counter-voices. Reverend Fred Phelps (of GodHatesFags.com fame) was born in Meridian, so I can see why the filmmaker wanted to feature him, but giving this nutbag so much screen time was unnecessary. Ingram also interviewed Tim Wildmon of the American Family Association, another extreme organization with their headquarters in nearby Tupelo. While this generated lots of sparks, I was rather hoping to hear more from local regular people and even local pastors instead of people whom the majority of Americans would view as raving lunatics. As well, it would have been interesting to hear why the patrons of Rumors and the other bars haven’t just given up and moved to larger cities where they could live more openly.

As a side note, I was intrigued when I heard so many Toronto bands on the soundtrack (Metric, The Hidden Cameras, Broken Social Scene) and guessed, rightfully, that director Malcolm Ingram was indeed from Toronto. I’d love to hear what drew him so far from home to tell this story.

Official site for the film

7/10(7/10)

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Men At Work (Kargaran mashghoole karand)

Kargaran mashghoole karand (Men At Work) (Director: Mani Haghighi, Iran, 2006): Kargaran mashghoole karand (Men At Work) begins with four middle-aged men driving home to catch an important football match on television. Three of them are talking and joking around while the other naps. He wakes up and bugs them until they finally pull over and allow him to make a pit-stop on the side of the road on the edge of a canyon. While they are stopped, they discover a tall, narrow rock formation sticking out of the ground. This film is about their attempts at trying to figure out how it got there, but ultimately how to knock it down.

It doesn’t sound like a very intriguing story, but somehow it is. And funny. The situation these men impose upon themselves can surely be a metaphor for any kind of obstacle that one may face in life, or it could really just be about how difficult it is to dislodge a big rock from the earth.

Through alternating moments of silence, comedic and almost slap-stick antics, emotional outbursts and acts of desperation, we learn of these mens’ relationships with women (two of which conveniently show up, join the challenge for a while, and then leave) and each other, but mainly we see how differently they each deal with this “problem.”

Men At Work (Kargaran mashghoole karand)

I have seen a few Iranian films from the past few years, and most of them are about women and their struggles within their culture. This film, however, may focus on the possibly neglected point of view of the men, and perhaps this is why the offensive rock is quite, well, phallic. Is this a commentary on the different attitudes that some Iranian men may have about their male-dominated society? If so, then how does one explain the relatively passive attitudes of the women who show up? (One can make a metaphor of anything, I suppose.)

In the end, after periods of working together and then literally giving up and leaving someone behind, the four friends learn that sometimes problems can solve themselves.

Rize

by Jay Kerr on July 9, 2007 · 1 comment

in DVD, Documentaries

Rize

Rize (Director: David LaChapelle, USA, 2005): David LaChapelle is mostly known for his photography and music videos. If you haven’t seen this documentary film, then you’re probably not familiar with clowning and krumping, a dancing subculture in Los Angeles.

The film looks at the dance movement known as clowning which was started in south central LA by Tommy The Clown. Tommy took a job dressing up as a clown to entertain kids at birthday parties in the hood. He incorporated dance into his show and krumping was born.

In the film Tommy drives around in his green 5.0. Now, how can you not like a guy like that drives a green Mustang, dresses up like a clown and creates an entire dance movement?!

The dancing in this film is incredible. The music is also great and you’ll want to jump off the sofa and bust a move but don’t. You’ll just look like an idiot.

Do rent this film. It’s extremely entertaining and you’ll thank me for the recommendation later.

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