October 2008

Dear Zachary: A Letter to a Son About His Father

Dear Zachary: A Letter to a Son About His Father (2008, Director: Kurt Kuenne): Messy and unapo­lo­get­ic­ally manip­u­lative, Dear Zachary feels quite a bit like the grieving pro­cess itself. Equal parts schmaltz and rage, it accur­ately reflects the feel­ings of its cre­ator, still coming to terms with the loss of his child­hood friend.

Kurt Kuenne’s ori­ginal plan for the film was to doc­u­ment his friend Andrew Bagby’s life for Bagby’s young son Zachary. Andrew, a prom­ising young med­ical doctor, was gunned down by an ex-girlfriend and col­league, Dr. Shirley Turner, who then fled to her native Canada to avoid pro­sec­u­tion. Some time later, she revealed that she was preg­nant with Andrew’s child. If that bizarre setup wasn’t enough, the tale soon becomes even more strange as Andrew’s grieving par­ents move from the US to Newfoundland to be near their grandson, hoping that they’ll be able to obtain cus­tody when Turner is even­tu­ally con­victed of the crime.

To say that things don’t go as expected would be a huge under­state­ment. By the end, the film will leave you emo­tion­ally drained, angry, and grieving, along with Kuenne and Andrew’s amazing par­ents. This is an intensely per­sonal film, with a few warts, but it’s heart­felt and honest, and as a tribute to his friend, is some­thing that Kuenne can be proud of.

UPDATE: I had the hardest time writing about this film back when I first saw it at Hot Docs in the spring. I wanted to bring your atten­tion to it now that it’s get­ting a the­at­rical release. Watch for it in New York City tomorrow, October 31, with a rol­lout to some other US cities in the weeks to follow. No word on a Canadian release yet.

Official site for the film

Interview with dir­ector Kurt Kuenne

6/10(6/10)

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Roger’s Rules of Order

by James McNally on October 30, 2008

in Critics

The legendary Roger Ebert has posted a lengthy but hil­arious diatribe in the form of his “little rule book” for film critics. I nervously glanced through to make sure I hadn’t com­mitted any of the sins men­tioned, and can truth­fully tell you that (so far), I’m still fairly right­eous. Though it’s a funny piece, it does have a ser­ious intent behind it:

“We can’t be too careful. Employers are eager to replace us with Celeb Info-Nuggets that will pimp to the mouth-breathers, who under­line the words with their index fin­gers whilst they watch television.”

Luckily, or unluckily, I don’t work for anyone, so I’m in no danger of being replaced. But I do want to main­tain my self-respect, which is why secretly I think I avoid set­ting up inter­views with the actors and dir­ectors whose work I love in fear of coming across like a fanboy.

(via Karina, who dishes up some dirt on the target of Ebert’s sermonizing)

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Trouble the Water
Editor’s Note: Doc Soup is a monthly doc­u­mentary screening pro­gramme run by the good folks at Hot Docs. It gives audi­ences in Toronto (and now Calgary and Vancouver!) their reg­ular doc fix each year from the fall through to the spring, leading up to the Hot Docs fest­ival itself.

Trouble the Water (2008, Directors: Carl Deal and Tia Lessin): Hurricane Katrina dev­ast­ated the city of New Orleans and much of the Gulf Coast more than three years ago now, but many of the city’s most impov­er­ished neigh­bour­hoods have yet to be rebuilt. Kimberley Rivers Roberts and her hus­band Scott Roberts lived in the Lower Ninth Ward, and doc­u­mented the hurricane’s impact with a cheap video camera they had pur­chased “on the street” for $20. When dir­ectors Deal and Lessin’s planned film about the return of National Guard troops from Iraq to New Orleans fell through, they found them­selves talking to evacuees looking for another angle on the tragedy. Kimberley and Scott offered not only their footage, but them­selves as sub­jects. Mixing the shaky and low-quality Hi-8 stuff shot by Kimberley and her friends and family during the storm with news footage and newly-shot material, the dir­ectors have assembled a dev­ast­ating indict­ment of gov­ern­ment indif­fer­ence and incom­pet­ence in the face of a large-scale dis­aster. But due entirely to the incred­ible strength of char­acter on dis­play from this young hus­band and wife, the film emerges even more as a record of ordinary people dis­cov­ering courage and decency they didn’t even know they possessed.

Before Katrina, Kimberley and Scott got by by dealing drugs in their neigh­bour­hood, and so they sur­prise not only the audi­ence but them­selves by emer­ging as genuine heroes during the storm, res­cuing, shel­tering and finally evac­u­ating a group of more than 25 people, all of whom had no way to evac­uate before the hur­ricane hit. This heroism emerges pre­cisely because the res­id­ents of this part of the country knew, even before Katrina, that they would have to take care of each other, that no gov­ern­ment was going to do any­thing for them. One of the film’s most powerful moments comes after Kimberley recovers a CD she recorded as an aspiring rapper. As she sings along to the track, we can almost see the depths of both pain and determ­in­a­tion that have sus­tained her from well before this latest calamity. She’s a sur­vivor and a fighter, and a par­tic­u­larly good rep­res­ent­ative of the sort of people that have always been mar­gin­al­ized by the larger society. She and Scott call them­selves “born hust­lers” and that’s helped them to sur­vive. Even the canny way that they enlisted the film­makers to not only tell their story, but to help them rise above it, is a test­a­ment to their street smarts.

Trouble the Water

The bright side of the tragedy for them was that they real­ized their lives pre-Katrina were going nowhere. Seeing that they were cap­able of much more, they’ve been able to turn things around. Kimberley’s music career is pro­gressing, and Scott is learning the con­struc­tion trades as he helps rebuild houses in his own neighbourhood.

If there are any flaws in this film, they’d be rel­at­ively minor. The quality of the Roberts’ footage, obvi­ously, isn’t great. As well, their accents and dia­lect had many in the post-screening Q&A beg­ging for sub­titles. Finally, the editing together of so many dif­ferent sources cre­ates a slightly con­fusing timeline. But as a doc­u­ment of both a great tragedy and a per­sonal resur­rec­tion, Trouble the Water is pretty powerful.

UPDATE: The film will be released the­at­ric­ally in Toronto in January 2009, and is being dis­trib­uted by E1 Films.

Official site of the film
Trailer
Born Hustler Records

Here is the Q&A with dir­ectors Carl Deal and Tia Lessin from after the screening:

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the latest ver­sion here. You also need to have JavaScript enabled in your browser.

Duration: 25:55

8/10(8/10)

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Mutant Chronicles

Mutant Chronicles (2008, Director: Simon Hunter): Take Starship Troopers and strip out all that messy polit­ical satire. Combine with equal parts Alien and Fellowship of the Ring, then sprinkle with The Dirty Dozen. Reuse every cliche and plot device and for­tu­nate coin­cid­ence, baste with a coat of trendy “steam­punk” and then half-bake. Mutant Chronicles was actu­ally pretty fun for the first 45 minutes, as we’re intro­duced to a future war waged between the four cor­por­a­tions that now con­trol the Earth. Looking a lot like World War I, the sets and art dir­ec­tion are pretty inter­esting. The cam­er­a­work and effects are slick, and the char­ac­ters and story are tired but watch­able. Ron Perlman as a monk with a bad Irish accent was fun for a few minutes, but after the nov­elty wears off, and the plot and dia­logue just keep piling on the dumb, I was ready to get to the ludicrous end as quickly as pos­sible. An extra point for some good effects on a lim­ited budget.

Official site of the film
Trailer

6/10(6/10)

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Watchmen

The buzz con­tinues to build for the film adapt­a­tion of Alan Moore and Dave Gibbons’ acclaimed graphic novel Watchmen. The above “teaser poster” was released today, even though the film isn’t sched­uled for release until March. My friend Brent has been urging me to read it for years and years so I’ve finally begun doing just that. Though I’m def­in­itely not a fan of the usual super­hero movies, Watchman prom­ises to be an order of mag­nitude more inter­esting for me, and I look for­ward to seeing more as the film’s release nears.

Watch the film’s teaser trailer in HD at Apple’s site

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