December 2011

Kevin Courrier

Now before you think that I’m breaking out of my writer’s block with a ven­geance, based on that title, I’ll have to let you down ever so easily. It’s actu­ally the title of a really inter­esting film lec­ture series coming up at the Miles Nadal JCC. Each Monday night from January 16 through March 26, from 7:00 until about 9:00, critic and author Kevin Courrier (Critics at Large) is going to examine this meaty-sounding sub­ject with a selec­tion of film clips. The films under dis­cus­sion make this sound fascinating:

  • Monday January 16: The Kennedy Era (The Godfather, Part II, The Manchurian Candidate, JFK assas­sin­a­tion news coverage)
  • Monday January 23: The Johnson Era (Bonnie and Clyde, Dr. Strangelove, In the Heat of the Night, Cool Hand Luke, Night of the Living Dead, The Wild Bunch, Bullitt)
Midnight Cowboy
  • Monday January 30: The Nixon Era (Midnight Cowboy, Easy Rider, Alice’s Restaurant, Dirty Harry, Billy Jack)
  • Monday February 6: The Carter Era (The Conversation, All the President’s Men, Taxi Driver, Winter Kills, Who’ll Stop the Rain, Nashville, Coming Home, The Deer Hunter, Star Wars)
  • Monday February 13: The Reagan Era (Invasion of the Body Snatchers, Blow Out, Pennies from Heaven, Diner, The Border, The Survivors, Moscow on the Hudson, Under Fire)
  • Monday February 20: No class
  • Monday February 27: The Bush Era (Field of Dreams, True Believer)
Primary Colors
  • Monday March 5: The Clinton Era (Primary Colors, Forrest Gump, JFK, In the Line of Fire, Love Field, Three Kings, The Contender, Wag the Dog, The West Wing (TV))
  • Monday March 12: No class
  • Monday March 19: The GW Bush Era (We Were Soldiers, Tears of the Sun, The 25th Hour, Team America: World Police, Fahrenheit/Fahrenhype 9/11)
  • Monday March 26: The Obama Era (Rachel Getting Married, Definitely, Maybe, No Country for Old Men, Charlie Wilson’s War, The Hurt Locker, The Visitor)

Tickets are $12 for each class ($6 for stu­dents) or $100 for the entire series, and are avail­able in person at the Miles Nadal JCC inform­a­tion desk (750 Spadina Ave. at Bloor St.). Hope to see you there!

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Shorts That Are Not Pants

I know things have been pretty quiet around here since my big philo­soph­ical post last month. And while I’m still exper­i­en­cing writer’s block when it comes to reviewing indi­vidual films, I haven’t been sit­ting around feeling sorry for myself. In fact, I’m busier than ever. In addi­tion to coordin­ating the second edi­tion of the CAST Awards (look for an announce­ment early in the new year), I’ve decided to take my long-gestating idea for a shorts screening public.

I’ve always enjoyed short films, but seeing them out­side of fest­ivals has never been easy. In fact, even at fest­ivals, they’re usu­ally bundled together in unprom­ising sounding pack­ages like “Canadian Shorts 1″ or “Programme 6.” And the problem at the spec­tac­ular Worldwide Short Film Festival, where they group the films them­at­ic­ally, is just over­load. I’ve always wanted to curate a reg­ular pro­gram of films that would be some­thing like a mix­tape, and in 2009, I started doing it on a small scale.

I’d been a huge fan of Wholphin, a DVD “magazine” of short films from the people behind McSweeney’s, ever since the first one came out in 2005. By 2009, I was still amazed that hardly anyone I knew had heard of it, so I decided to screen a selec­tion of films for a small group of friends at my apart­ment. It was a hit, and not only because of the cup­cakes my wife thought­fully provided. After run­ning a few more of these nights, I wanted to share my enthu­siasm and some great films with the rest of the city. Starting last winter, I began researching venues and licensing fees and pos­sible part­ners, and I’m very happy to announce that we’re finally launching!

On January 13, 2012, at 7pm, Shorts That Are Not Pants will screen our inaug­ural pro­gram of inter­na­tional and Canadian shorts at the NFB Mediatheque (150 John St. at Richmond). I’ll refer you to the site for more details, but I sin­cerely hope you’ll join us at the start of this new adventure.

My plan is to make this a quarterly event, and we hope to be working with a variety of part­ners. For the first screening, we’re showing the entirety of the Future Shorts Pop Up Festival lineup, as well as a couple of won­derful anim­ated Canadian shorts from the National Film Board. But I’m excited by the fact that there is such a wealth of great material out there that has either never been screened before in Toronto, or was buried amongst hun­dreds of other films at fest­ivals. I’m looking for­ward to dis­cov­ering and sharing films with you, live and on the big screen. Hopefully we’ll even get a group together after the screen­ings to dis­cuss the films over a drink. Short films are worthy of your atten­tion, and I hope to demon­strate that to a larger audi­ence than just the dozen I’ve been cram­ming into my apart­ment. I hope you’ll join us!

You can buy tickets for just $8 in advance. At the door, tickets will be $10, or $5 if you’re crazy enough to show up in shorts. Even if you can’t make it and want to sup­port the series, buy a ticket and just let me know that’s your inten­tion. Of course, men­tioning us on Twitter (follow us here), Facebook (we have a page) or any­where else online or off would be helpful, too. I’m cer­tainly not hoping to make money on this, but it would be great if I didn’t lose too much. :)

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Blind Spots

Every time I get together with other film blog­gers here in Toronto, some­body inev­it­ably gasps in horror as someone else admits that they haven’t seen a par­tic­ular movie. This has always been amusing to me, because, you know, everyone has their cine­matic blind spots. Though there is no Official Canon of Films You’re Supposed to Have Seen™, some­times we act as if there is. And there are def­in­itely films that, as a cinephile, I know I should have seen by now, but just have never gotten around to. Hence the idea for the Blind Spot series.

I shared this idea with Ryan McNeil a few weeks back and he’s already gotten the jump on me in posting his list, but the gist of the idea is that I’m going to list a dozen films below. Films I feel somehow guilty or silly for not having seen yet. I’ve some­times nodded along to dis­cus­sions of these films, hoping nobody would ask me my opinion. By the end of 2012, I will be armed with my own opin­ions on them, along with a small sense of accomplishment.

My hope is to watch and post some­thing about each film on this list during 2012. Though I have many many more than 12 on my blind spot list, for this first attempt, I’m going to try to bal­ance Hollywood films with for­eign and doc­u­mentary films. Ideally, I’ll post once a month, but I’m not holding myself to that and neither should you. Here goes (and no gasping!):

  • Raging Bull (1980, Director: Martin Scorsese)*
  • Knife in the Water (1962, Director: Roman Polanski)*
  • Nashville (1975, Director: Robert Altman)
  • L’Atalante (1934, Director: Jean Vigo)*
  • Gone with the Wind (1939, Director: Victor Fleming)
  • Psycho (1960, Director: Alfred Hitchcock)
  • Blue Velvet (1986, Director: David Lynch)*
  • The Conformist (1970, Director: Bernardo Bertolucci)*
  • Jules and Jim (1962, Director: Francois Truffaut)
  • Grey Gardens (1975, Directors: Albert and David Maysles with Ellen Hovde and Muffie Meyer)
  • Cabaret (1972, Director: Bob Fosse)
  • Tokyo Story (1953, Director: Yasujirô Ozu)

Films marked with an asterisk (*) are ones I have actu­ally owned on DVD for quite a while now.

You are more than wel­come to join me in this enter­prise. Come up with your own list, post in the com­ments and/or on your blog, and let’s keep each other account­able for expanding our know­ledge of cinema next year!

Thanks to Flickr user atomische (Tom Geibel) for making his image avail­able under a Creative Commons license.

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Animation Express 2

by James McNally on December 2, 2011

in DVD

Animation Express 2 Blu-ray

Animation Express 2 (Directors: Various): It’s hard to believe it’s been two years since the National Film Board of Canada released the ori­ginal Animation Express col­lec­tion. I raved about that col­lec­tion, and although sequels are usu­ally not as good as the ori­ginal, this second col­lec­tion is just as stuffed with treas­ures as the first.

Particular favour­ites include the exper­i­mental CMYK, where printer’s marks dance around the screen to the music of the Quatuor Bozzini quartet, and Wild Life in which an Englishman trades his bowler hat for a cowboy hat, coming to Alberta in 1909 to try his hand at ranching. It doesn’t quite work out in this whim­sical and yet haunting film.

The DVD con­tains 20 more (and the Blu-ray 26 more!) and while I don’t like all of them quite as much as the two above (I par­tic­u­larly didn’t like the Meryl Streep and Forest Whitaker-voiced Higglety Pigglety Pop! or There Must Be More to Life), this col­lec­tion con­tinues to gather the very best in Canadian anim­a­tion, some of the most-awarded work in the world.

P.S. Though I’ll be posting more about this later, you can see both CMYK and Wild Life on the big screen as part of a new shorts screening series I’m launching in January. Behold Shorts That Are Not Pants. Hope you can join us!

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