Ironweed

Small Town Gay Bar

Small Town Gay Bar (Director: Malcolm Ingram, USA, 2006): This film was part of the June 2007 release from Ironweed Film Club, and fea­tures two short films as well that I haven’t yet watched. I missed this when it played ori­gin­ally at this year’s Inside Out fest­ival, so was glad to see it on DVD so soon.

While my own exper­i­ence with gay bars has been pretty lim­ited, I under­stand that they serve a vital social func­tion within the com­munity, serving as sanc­tu­aries from a world that is very often hos­tile to gay people. The situ­ation is even more dire in the rural South, where pre­ju­dice has been tol­er­ated and even encour­aged for a long time. This small film keeps its focus tightly on a very spe­cific area, north­eastern Mississippi, and on the pat­rons of a bar called Rumors, loc­ated in tiny Shannon, pop­u­la­tion 1,726. In rural com­munities where everyone knows everyone else, it’s not unusual for gay people to stay “in the closet” and so the bar becomes the only place where they can actu­ally be them­selves. However, since Mississippi is in the middle of the “Bible Belt,” the bars are often tar­getted by con­ser­vative church groups and forced out of busi­ness. Part of the film covers the his­tory of gay bars in this part of the state, and Crossroads, once loc­ated in larger Meridian (pop. 39,000), seemed to be just the sort of place that con­ser­vat­ives would want to close. As one former patron put it, the sense of des­per­a­tion was so strong that it became a sort of circus, a place where “any­thing went” and so local law enforce­ment found a way to close it. Happily, this same former patron bought the prop­erty and reopened it as a much more con­genial place, recog­nizing that people were being forced to drive sev­eral hours to Memphis for lack of a local place to go. I found myself reminded very much of British pub cul­ture while watching the film, where the bar is not only a place to drink and meet romantic part­ners, but a hub of inform­a­tion and a sur­rogate family. Ingram’s film does a great job of cap­turing a sense of place and of the very unique people who pop­u­late it.

Perhaps the only weak­ness I found in the film was in its choice of counter-voices. Reverend Fred Phelps (of GodHatesFags.com fame) was born in Meridian, so I can see why the film­maker wanted to fea­ture him, but giving this nutbag so much screen time was unne­ces­sary. Ingram also inter­viewed Tim Wildmon of the American Family Association, another extreme organ­iz­a­tion with their headquar­ters in nearby Tupelo. While this gen­er­ated lots of sparks, I was rather hoping to hear more from local reg­ular people and even local pas­tors instead of people whom the majority of Americans would view as raving lun­atics. As well, it would have been inter­esting to hear why the pat­rons of Rumors and the other bars haven’t just given up and moved to larger cities where they could live more openly.

As a side note, I was intrigued when I heard so many Toronto bands on the soundtrack (Metric, The Hidden Cameras, Broken Social Scene) and guessed, right­fully, that dir­ector Malcolm Ingram was indeed from Toronto. I’d love to hear what drew him so far from home to tell this story.

Official site for the film

7/10(7/10)

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Blue Vinyl

Blue Vinyl (Directors: Daniel B. Gold and Judith Helfand, USA, 2002): After seeing and enjoying Helfand and Gold’s latest film Everything’s Cool at Hot Docs this year, I was looking for­ward to seeing this, their first film. Let’s just say that the pair have developed quite a bit as doc­u­ment­arians in the past five years. Though the film explores an important sub­ject, the tox­icity of the vinyl used in siding and other products, the tone and pro­duc­tion values were ulti­mately dis­tracting for me.

Helfand is very much involved in the film, since the pro­ject grew out of her con­cern that her par­ents’ install­a­tion of vinyl siding on their house would lead to health prob­lems and other envir­on­mental damage. She does a decent job invest­ig­ating the vinyl industry’s record of decep­tion and coverups, but she’s just a little too gim­micky. She reminded me too much of Michael Moore, put­ting her­self into every scene, and even car­rying around a piece of vinyl siding throughout the film. In a few places, her inex­per­i­ence as an inter­viewer is obvious, and although she tries to play it for laughs, it falls flat.

One sub­ject that I wanted to hear more about was the search for altern­ative building mater­ials. She does talk to a number of people at a California con­ven­tion, but doesn’t provide enough inform­a­tion about the innov­a­tion going on in the con­struc­tion industry. The film aims for a light tone but has a hard time main­taining it when we hear about how many people have become sick or died from working with vinyl and PVCs. This is a decent first effort, but I’m glad that in their latest film, Helfand gen­er­ally stays off screen. As well, they chose to make a more pos­itive film focus­sing on solu­tions, which suits their style better.

Note: Ironweed fea­tured this film on their April 2007 Earth Day edi­tion. They’ve posted a good col­lec­tion of resource links about vinyl siding.

Official site for the film

6/10(6/10)

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Ironweed Film Club

While I’m going on about films, I’d be crazy not to men­tion Ironweed Film Club. This is a monthly ser­vice, a bit sim­ilar to Film Movement (except they’ll actu­ally deliver to Canada!), but the films are mostly doc­u­ment­aries with a pro­gressive view­point. The price is US$14.95/month, and all the films I’ve received so far have been excel­lent and thought-provoking. Here are some of the films they’ve fea­tured over the past few months:

The way I dis­covered them was while searching for a DVD of “The Education of Shelby Knox,” an amazing doc­u­mentary I saw at Hot Docs in 2005. Another bonus is that even when some of these films are avail­able on DVD else­where, Ironweed’s are almost always cheaper and often include bonus films.

FULL DISCLOSURE: If you click the Ironweed link above and sign up with them, I get a free month. But my desire to get lots of free months should tell you how much I really value a ser­vice like this. Please sign up!

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The Education of Shelby Knox

The Education of Shelby Knox (USA, 2005, Directors: Marion Lipschutz and Rose Rosenblatt, 76 minutes): This film fol­lows the life of 15-year-old Shelby Knox, a teen living in con­ser­vative Lubbock, Texas. Though from a con­ser­vative Christian Republican family, Shelby is a feisty and com­pas­sionate cam­paigner for sex edu­ca­tion in the public school system, feeling that their “abstinence-only” policy is ignoring the obvious, including higher than average rates of teen preg­nancy and sexu­ally trans­mitted dis­eases. The film fol­lows her over a period of three years, as she begins to ques­tion the easy answers offered by her church, her school, and her com­munity. She works with a city-funded group, the Lubbock Youth Commission, but when local politi­cians force the group to tone down its act­ivism, she quits and begins working with a group of gay teens to help them start a Gay Straight Alliance group at school. Despite the fact that Shelby her­self has pledged to remain a virgin until mar­riage, she recog­nizes that not everyone in her com­munity wants (or in the case of the gay stu­dents, is able) to make the same choice. This film is a bal­anced and com­pas­sionate look at one young woman’s polit­ical and spir­itual awakening. In light of the cur­rently raging cul­ture wars, it’s a must-see for people on all sides of these issues.

10/10(10/10)

UPDATE: The film is avail­able on DVD from the excel­lent Ironweed Film Club. The film is on the May 2006 DVD.

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