Perfume (Director: Tom Tykwer): Based upon the bestselling novel by Patrick Suskind, Perfume certainly sounded intriguing. In 18th-century France, Jean-Baptiste Grenouille (Ben Whishaw) is born with a uniquely keen sense of smell. But as the orphaned son of a fishwife, he grows up illiterate and unable to articulate his gift and the overwhelming desire it creates in him to preserve scent, especially the scent of beautiful young women. Before long, he’s become a sociopathic serial killer in his pursuit of the perfect perfume. Tykwer, known for the kinetic and economical thriller Run Lola Run takes the exact opposite approach here, stretching the film out to an excruciating 147 minutes. To make matters worse, Perfume’s episodic structure means that characters introduced early in the film play their parts and then disappear forever (and I’m not just talking about the victims of our serial killer). Worst of all, the film is burdened with a ponderous voiceover, articulating all that Grenouille cannot, and making it clear that this story functioned much better as a book. Having someone offscreen tell us about Grenouille’s inner monologue fails to turn him into a real character, never mind one for whom we’d feel any sympathy.
In contrast to Whishaw’s almost autistic performance as Grenouille, Dustin Hoffman (as an Italian perfumier who teaches Grenouille his art) and Alan Rickman (as a nobleman whose beautiful daughter is a target of the killer) wildly overplay their characters, especially Hoffman. The portrayals of the separate classes in French society is almost cartoonish, with the foppish nobles lounging about in their powdered wigs while Grenouille carries out his grim murders dressed in rags. Their inept pursuit of the killer is played for a kind of comedy that removes us from the horror of the crimes. Perhaps the voiceover contributes as well, distancing us from the time period and from the characters as real people, and allowing us to treat the whole thing as an intellectual curiosity rather than as the confusing (for Grenouille) or horrifying (for the townspeople) situation it would have been in reality.
There are some ravishing visuals, as might be expected from such a sensual story. Each scent that arouses Grenouille’s nose needs to dazzle the audience’s eyes, and regular Tykwer cinematographer Frank Griebe is able to make sight a passable stand in for scent, at least in the early scenes. Near the end of the film, a technically impressive but rather dull orgy scene takes place in a village square, but by that time, the story had entered unbelievable territory and only left me snickering. In the end Perfume’s lingering aroma isn’t a pleasant one.
(6/10)
Tagged as:
basedonthenovel
Alliance is releasing Greenberg on DVD in Canada on Tuesday July 13, 2010.
Greenberg (Director: Noah Baumbauch): As a director, Noah Baumbach isn’t afraid to show us characters who are, shall we say, less than sympathetic. In recent films like The Squid and the Whale and Margot at the Wedding, he was nevertheless able to make us sympathize with protagonists who were self-centred and needy. With Greenberg, he allows Ben Stiller to bring another of these nasty people to life, and Stiller brings his own comic gifts to bear, making Roger Greenberg someone who makes you laugh even as you secretly agree with him. The signature line of the film is found in the trailer, where his friend Ivan (Rhys Ifans) laments that youth is wasted on the young. Taking it further, Greenberg blurts out that “life is wasted on…people.” He should know.
Released from hospital after a nervous breakdown, Greenberg returns to an L.A. he abandoned years before to house-sit for his more successful brother who’s taken his family on vacation to Vietnam. He is about to turn 41 and though he is working as a carpenter, he plans to spend some time “doing nothing.” As he looks up old friends like Ivan, we find out that years before, they had been in a successful band. On the brink of signing a record deal, Greenberg balked and the band broke up. Despite his protestations to the contrary, it’s clear that he’s regretted that decision ever since. He destroyed not only his own dreams of success, but those of his bandmates. Eager not to show weakness, he’s become a bitter and narcissistic man who projects his issues onto other people, bloviating in the language of psychiatry.
The unexpected occurs when he meets and falls for his brother’s personal assistant Florence (Greta Gerwig). She’s also a bit lost, lamenting that she’s been out of college now for as long as she was in it, and not sure what she wants out of life. It’s not a fairytale romance, to say the least. Greenberg treats her appallingly, and at first she’s willing to put up with it.
In the end, it’s Ivan who teaches Greenberg how to embrace this life he never planned. He’s left his own rock star dreams behind to embrace his new role as a husband and father, not without some sadness. Thankfully, things aren’t tied up with a neat bow, and Greenberg continues to exhibit some outrageously selfish behaviour right up to the end of the film, but a very small act of sanity in the last act provides just a glimmer of hope that he will finally grow up.
Stiller is wonderful playing this bitter and aimless narcissist, but I wish the other roles had been a little more substantial, especially Florence, who too often comes across as an airheaded doormat. Nevertheless, Greenberg is a sharply-observed comedy of (bad) manners that unfortunately rings true, even outside of Los Angeles.
DVD special features are disappointing, just three short (sub 2:00) bits which look like they were taken directly from the film’s EPK (electronic press kit).
(8/10)
Tagged as:
losangeles,
narcissism
Alliance released The Girl with the Dragon Tattoo in a DVD/Blu-ray combo pack in Canada on Tuesday July 6, 2010.
The Girl with the Dragon Tattoo (Director: Niels Arden Oplev): Though I’m not usually susceptible to the marketing hype that surrounds publishing “phenomenons” like the Harry Potter, Twilight, or DaVinci Code books, I do have a bit of a soft spot for Scandinavian crime thrillers. My initial enjoyment of Stieg Larsson’s book has cooled a little after reading the second in the series, but I still found it an enjoyable read. The film version, now more than a year old, has finally been released on DVD and Blu-ray in English Canada after a belated theatrical run earlier this spring. Strangely, Alliance released the film in Quebec in 2009, and I believe all three films in the “Millennium” series have already come and gone to cinemas in La Belle Province. My theory is that Alliance was waiting to see what was happening with the planned English-language (Hollywood) remakes, and decided there was still time to make a little money before those came out. I’m not being cynical. Foreign-language films are a hard sell in English Canada, even if they are based on hugely successful books. The timing of the DVD release coincides nicely with the theatrical release of the second film in the trilogy, The Girl Who Played With Fire, which opened here in Toronto this past weekend. But that’s enough preamble, what did I think of the film?
Well, for such a plot-heavy book, The Girl with the Dragon Tattoo also manages to introduce an interesting cast of characters. Though journalist Mikael Blomkvist (played in the film by Michael Nyqvist) and hacker Lisbeth Salander (a chiselled Noomi Rapace) are clearly the focus, I enjoyed a number of the minor characters and felt that their relationships with Mikael and Lisbeth helped fill out the story. Unfortunately, with all the plot elements to cover, the film has dispensed with many of the other characters and even jettisoned some important storylines. For instance, in the book, Mikael is carrying on an open affair with his magazine’s publisher, Erika Berger, who at one point visits him at his cabin on the island of Hedeby. He also carries on a sexual relationship with Cecilia Vanger, a member of the extended family he’s investigating. These relationships provide some insight into Blomkvist’s personality and his self-image as a bit of a ladies’ man and add some tension to his budding relationship with Lisbeth. Both characters are in the film, but just barely.
Lisbeth is a mysterious young woman with a troubled past. In the book, she has two important supporters. Dragan Armansky, the head of Milton Security, gives Lisbeth a job and looks out for her. Holger Palmgren is her appointed guardian and trustee before a debilitating stroke leads to his replacement by the sinister Nils Bjurman. Neither of these important characters appears in the film.
These are unfortunate omissions, but I can’t say that they’re unexpected. The plot of the book is more than enough to fill out the film’s nearly 150 minute running time, but as a result, it rather simplifies the story, leading to an enjoyable film that fades from the memory much more quickly than the book. Granted, books are immersive worlds that can fill weeks of our lives at a time, so my quibbles are true of just about all book-to-film adaptations. I can say that I’m still planning to catch the second installment, hopefully while it’s still in theatres. Helpfully, Alliance has included a “sneak peek” look at The Girl Who Played With Fire on the Blu-ray portion of the combo pack, as well as interviews with star Noomi Rapace and producer Soren Staermose. Perhaps indicating the beginning of a trend, the special features are not included on the DVD disc.
(7/10)
Tagged as:
basedonthenovel,
sweden
I’m a huge fan of Wholphin, a quarterly DVD filled with short films published by the fine folks behind McSweeney’s and The Believer magazines. It’s one of the chief reasons why my appreciation for short films continues to grow. So I was delighted to discover that Wholphin’s founder and editor Brent Hoff would be in Toronto to attend the Worldwide Short Film Festival. He graciously agreed to talk with me about the “magazine” and his passionate belief that films should be free to be just the right length. Extra credit for sitting down with me after spending 4.5 hours in the hot sun watching the Blue Jays win a 15-inning nailbiter.
An added bonus was the presence of Sundance Film Festival shorts programmer Jon Korn, who pipes in now and then. I’ve actually been promised a fuller interview with Jon soon so look for that in the weeks or months to come.
Special thanks to AJ Schnack for granting permission to use his photo of Brent enjoying himself at the 2008 True/False Film Festival.
[click to continue…]
Tagged as:
#wsff10,
shorts,
wholphin
Surely one of the most successful book-to-film adaptations ever, director Peter Jackson’s trilogy of films finally makes its way to Blu-Ray on April 6th. The theatrical cuts of all three films are being packaged together in a single box set. The nine-disc set (!) breaks down as follows: each film on its own Blu-Ray disc. Special features for each film (in standard definition) on its own DVD, and digital copies of each film on its own DVD. So it’s not quite the Blu-Ray equivalent of “One Ring to rule them all.” I expect that the extended versions of each film will be released separately in the future, but if you don’t mind double-dipping (by now, it’s more like quadruple-dipping), you’ll find that these films still look incredible. It’s actually hard to believe that the films were released between 2001 and 2003, which seems like so long ago. The special effects still look great, even in higher-definition. And you’ll want to see and hear all the battle scenes (well, except maybe the dwarf-tossing bit) in full 1080p and uncompressed surround sound.
Buy the Lord of the Rings Trilogy on Blu-Ray from Amazon.ca
