April 2006

A Hip-Hop Head Weighs In On Manhood In Hip-Hop Culture

Beyond Beats: A Hip-Hop Head Weighs In On Manhood In Hip-Hop Culture (USA, 2006, Director: Byron Hurt, 62 minutes): Byron Hurt is a former col­lege quar­ter­back and a huge hip-hop fan. But after he begins a job as a col­lege coun­selor con­ducting pro­grams for men about viol­ence against women, he begins to look at his beloved music in a new light. This film is a record of his attempt to under­stand why hip-hop is so obsessed with images of viol­ence, miso­gyny and homo­phobia. Hurt uses the meta­phor of a box to describe the narrow image of mas­culinity in which black men are trapped, and he backs this up with numerous inter­views with aca­demics, hip-hop artists, and fans. Also inter­esting (and actu­ally hil­arious) are his decon­struc­tions of rap videos, which are filled with the same ridicu­lous cliches repeated again and again.

I applaud him for trying to take on so many con­tro­ver­sial issues in rap music, but it was dis­cour­aging to see so many people unwilling or unable to engage him on these sub­jects. When he brings up the issue of homo­phobia with Busta Rhymes, for instance, the rapper gets up and leaves. An exec­utive from BET refuses to answer his ques­tions, and hip-hop mogul Russell Simmons gives him only evasive answers. All in all, it’s clear that most people don’t see these issues as prob­lems, espe­cially when rap music is making them all so much money.

The only flaw in this film is that it was too short. I’d love to see a longer ver­sion, or even better, a longer series about these issues where the film­maker could pursue some answers over an extended period. Gadflies like Byron Hurt will need to be patient if they want to see any­thing change, and I hope that he can doc­u­ment the pro­cess even more com­pre­hens­ively. It’s def­in­itely worth watching.

Visit the director’s web site

9/10(9/10)

NOW Toronto: NNN (out of 5) (review)
EYE Weekly: ***** (out of 5) (review)

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Heavy Metal Jr.

Heavy Metal Jr. (Scotland, 2005, Director: Chris Waitt, 24 minutes): Hatred are a heavy metal band from Scotland. And they’re all under 13 years old. This hil­arious film fol­lows the band as they pre­pare for their first ever live per­form­ance. In the weeks before their show, their bassist quits, and they have to write some ori­ginal songs to per­form. One of the best parts of the film was watching their man­ager (the drummer’s father) show them some showbiz moves of his own. Along the way, we get some insight into band dynamics that wouldn’t seem out of place in a film like This Is Spinal Tap, except with par­ents as stand-ins for man­agers and girlfriends.

By the end, though, I was really pulling for the lads, and watching them per­form their three ori­ginal songs (including a catchy little ditty entitled “Satan Rocks”) in front of an audi­ence of pen­sioners and teenybop­pers dressed in pink was actu­ally heart­warming. The sight of them signing auto­graphs after­ward just rein­forced for me why all boys get into rock bands anyway: for the chicks.

8/10(8/10)

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The Railroad All Stars

The Railroad All Stars (Spain, 2006, Director: Chema Rodriguez, 91 minutes): The film tells the story of an unlikely soccer team made up of Guatemalan pros­ti­tutes, formed to draw atten­tion to the con­stant har­ass­ment and viol­ence they suffer. Although this sounds des­per­ately sad, the film was filled with moments of humour and even joy. Shot on a tiny budget, the actual soccer scenes were hard to watch, both for the jerky camera move­ments and the neces­sity of watching sub­titles. But this film was filled with mem­or­able char­ac­ters, from Marina, the one-eyed ex-prostitute alco­holic and her devoted hus­band, to Valeria, the beauty with the gang member boy­friend in prison for murder.

La Linea is the railway line that runs through their poor neigh­bour­hood, and so they name their team Estrellas de la Linea and begin taking on teams all over the country, including a team of female police officers. The whole idea of these women forming a uni­fied group is remark­able in itself, since the very nature of their work makes them rivals with each other. And indeed the team and its polit­ical pro­gram is short-lived, but we do get a sense that many of these women want to change their lives.

Unfortunately, the situ­ation in Guatemala remains bad, with viol­ence against women (espe­cially pros­ti­tutes) con­tinuing to rise. The hope for real change is dim, but at least in the lives of these par­tic­ular women, we see some rays of light.

PDF and link to story from The Global Game from November 2004

NPR story from January 2005 on the team

8/10(8/10)

NOW Toronto: NNN (out of 5) (review)
EYE Weekly: *** (out of 5) (review)

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Hot Docs 2006

The Hot Docs 2006 Poster (pho­to­graphy by Rannie Turingan)

I think this is my third year attending the Hot Docs Documentary Film Festival. I like it because in com­par­ison to the huge Toronto International Film Festival, it’s cheap, access­ible, ego-free and consciousness-expanding. So once again, I’m off to see a bunch of real-life true stories (beware the fol­lowing links: they’re to popup pages that have no nav­ig­a­tion back to the Hot Docs site):

The fest­ival takes place from April 28-May 7, and right in the middle of that is the huge wine tasting that I help organize every year. I am a crazy person.

You might notice that I’ve picked a couple of sports doc­u­ment­aries, two about soccer and one about run­ning. In addi­tion to those, in anti­cip­a­tion of the upcoming FIFA World Cup, the Goethe Institut is screening a series of films whose sub­ject is soccer (foot­ball). In Toronto, they’re screening on Mondays during April and May, and I’m going to try to make it to a few of those as well. Good times.

P.S. I feel com­pelled to note that fellow GTABloggers Brett Lamb and Rannie Turingan are involved in Hot Docs as well. Brett seems to be in charge of all the print advert­ising, and this year, he recruited Rannie to take some great photos of dir­ectors that ended up on the poster. Excellent work, guys!

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