February 2010

Higglety Pigglety Pop!

by James McNally on February 28, 2010

in DVD

Higglety Pigglety Pop! or There Must Be More to Life

Higglety Pigglety Pop! or There Must Be More to Life (Directors: Chris Lavis and Maciek Szczerbowski): From the makers of Madame Tutli-Putli comes another innov­ative short film with a rhyming title. Based on a story by Maurice Sendak, this short (24 minute) film will be included on the Blu-ray DVD release of Where the Wild Things Are, coming out this Tuesday here in Canada.

The story con­cerns a ter­rier named Jennie (voiced by Meryl Streep) who senses that some­thing is missing in her life, even though she leads a pampered exist­ence. “There must be more life than having everything,” she says, and sets out to find adven­ture. When she applies for the job of leading lady at the World Mother Goose Theatre, she’s told she needs more exper­i­ence. It soon arrives when she hitches a ride with a feline milkman (a milkcat?) and gets a job as a nurse to a baby who won’t eat.

I haven’t read Sendak’s story, but it seems he is taking some familiar fairytale ele­ments and mixing them together with a rather modern heroine. Jennie is bored and spoiled and always hungry. Her rude beha­viour and selfish­ness don’t lend them­selves to the reader’s (or viewer’s) sym­pathy. The dir­ectors use a mix­ture of pup­petry and live action to create a very unset­tling atmo­sphere, and soon the action turns frantic, dark, and a bit scary. Certainly younger chil­dren might be pretty frightened by this. Unfortunately, the story failed to draw me in and the pup­petry never seemed quite as impressive as the stop-motion work the same film­makers used to great effect in Madame Tutli-Putli. In the end, the film suc­ceeded in creeping me out but never really engaged me.

Official site of the film

7/10(7/10)

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NFB Mediatheque

Toronto’s NFB Mediatheque (150 John St.) presents French-language films (with English sub­titles) the first Thursday of each month, in part­ner­ship with Alliance Française de Toronto, le Bureau du Québec à Toronto, Cinéfranco, the Consulate General of France in Toronto and Théâtre Français de Toronto. Each film screens with one of the NFB’s acclaimed shorts pre­ceding it, and tickets are a ridicu­lously cheap $6 for adults and $4 for stu­dents, seniors, NFB and Alliance Française mem­bers. Check out this upcoming schedule:

Thursday March 4, 2010 at 7:30pm

Persepolis

Persepolis (Directors: Vincent Paronnaud and Marjane Satrapi. 2007, France, 96 minutes.)
Winner, Jury Prize, 2007 Cannes Film Festival.

The poignant story of a young girl in Iran during the Islamic Revolution, based on the award-winning graphic novel by Marjane Satrapi.

pre­ceded by
Conte de quartier (Director: Florence Miailhe. 2006, NFB, 16 minutes.)

A crazy day in a neigh­bour­hood under recon­struc­tion: seven char­ac­ters and a rag doll are swept up in a dizzying chain of events.

Thursday April 1, 2010 at 7:30pm

L'âge de Tènébres (Days of Darkness)

L’âge de Tènébres (Days of Darkness) (Director: Denys Arcand. 2007, Canada, 104 minutes.)
Nominee, Best Motion Picture, 2008 Genie Awards.

Stuck between dream and reality, a civil ser­vant rein­vents him­self as a celebrity, escaping from his quiet and des­perate life.

pre­ceded by
L’ondée (Rains) (Director: David Coquard-Dassault. 2008, NFB, 8 min.)
Jury Special Mention, Clermont-Ferrand International Short Film Festival, 2009.

Everyone seeks refuge as a sudden rain­storm is unleashed on a city.

Thursday May 4, 2010 at 7:30pm

Entre les murs (The Class)

Entre les murs (The Class) (Director: Laurent Cantet, . 2008, France, 128 min.)
Winner, Palme d’Or, Cannes Film Festival, 2008.

A well-intentioned teacher’s classroom ethics are put to the test when his stu­dents begin to chal­lenge his methods.

pre­ceded by
Train en folie (Runaway) (Director: Cordell Barker, 2009, NFB, 9 min.)
Winner, Petit Rail d’Or for Best Short Film, Cannes International Film Festival, 2009
One of Canada’s Top Ten Films of 2009 (Short Films)

Happy pas­sen­gers have a great time on a crowded train, obli­vious to the unknown fate that awaits them around the bend.

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Andrew James and Joshua Ligairi
Cleanflix has a number of fest­ival screen­ings coming up in the coming months. Catch the film at the Big Sky Documentary Film Festival in Missoula, Montana, and at Cinequest in San Jose, California.

My first film at the 2009 Toronto International Film Festival was Cleanflix (review), a doc­u­mentary which explored the issues sur­rounding the sale and rental of edited ver­sions of R-rated movies to obser­vant Mormons in Utah. I knew that after seeing the film, I wanted to ask the cre­ators many more ques­tions than they could have fielded during the post-screening Q&A. So, thanks to David Magdael and Margot Hardy from TC:DM Associates, I was able to sit down for half an hour with the cre­ators of the film during what must have been a very hectic week for them. In addi­tion to co-directors Andrew James (on the left in the pic­ture above) and Joshua Ligairi (on the right), we were also joined by pro­ducer Amber Bollinger.

Since the inter­view deals with some plot points in the film, it really makes sense to read my review first.

[click to continue…]

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South by Southwest 2010

Each of the past two years, I’ve soli­cited film­makers whose work had been accepted to screen at the South by Southwest film fest­ival to send me their films ahead of time, thus improving the chances of me seeing and reviewing them. This year, I’m doing it all over again! So here’s the deal: if you are a film­maker with a film screening at SXSW 2010, and you’d like to gen­erate a bit of cov­erage, get in touch. The reg­ular dis­claimer applies: I have a paying job that often gets in the way of me writing about films, and so I cannot guar­antee that I’ll review your work in a timely fashion. In fact, I can’t guar­antee I’ll review it period. But I’ll do my best, depending on response, etc. Email me at james@ this domain and I’ll let you know my coordin­ates. Oh, and by the way, con­grat­u­la­tions! SXSW is an important fest­ival, Austin is a great town, and you are going to have a blast if you can make it there in person.

Some examples of my pre­vious SXSW film coverage.

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