design

Objectified
This is a very late leftover from Hot Docs but I’m posting it now because I want to give people access to the recorded Q&A as well as to let you know that you can buy the film on DVD and Blu-ray from the offi­cial site.

Objectified (Director: Gary Hustwit): Gary Hustwit was always going to have a hard time fol­lowing up Helvetica. The sheer nov­elty of a doc­u­mentary exam­in­a­tion of a typeface would be hard to top. Instead, Objectified simply takes the first film’s approach and broadens the view­finder. Instead of looking at pieces of text, Hustwit aims his camera at the everyday objects around us. Who designs them, and what goes into the process?

As in the first film, the cam­er­a­work is fant­astic, teasing out gor­geous details in objects we often take for granted. And the inter­views are just as solid and cover a fair spec­trum of design philo­sophies. It’s no longer a nov­elty, but the film is solid and enjoy­able. And it hints at the larger issues that trouble the best designers. That is, do we really need more stuff? What good is a beautifully-designed object that just ends up in a land­fill some­where? I would have liked to dig even deeper into these issues but I do think Hustwit makes a real effort to address the run­away con­sumerism that is the under­lying problem with design fetishism.

I have to draw par­tic­ular atten­tion to the exem­plary job Hustwit does of building a com­munity around his films. His use of the web to pro­mote and sell his work is nothing short of amazing, and if he ever decides to stop making films him­self, I think he has another career teaching film­makers how to con­nect with their audiences.

That being said, I have no desire for him to stop making such beau­tiful and thought-provoking films. He’s prom­ised to wrap up his design tri­logy with his next film, though he’s given no hints yet about the film’s sub­ject. But I can say with con­fid­ence that if you liked the first two, you’re sure to enjoy the next one.

Official site of the film

Here is the Q&A with dir­ector Gary Hustwit from after the screening:

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the latest ver­sion here. You also need to have JavaScript enabled in your browser.

Duration: 19:20

9/10(9/10)

{ Comments on this entry are closed }

Helvetica

Helvetica (Director: Gary Hustwit, UK, 2007): This was THE hot buzz film of the fest­ival, and a lot of people didn’t get in to see it who wanted to. I’m still a bit baffled that there could be that many font geeks in Toronto, but I sup­pose that since we all use com­puters now, everyone knows what Helvetica is.

Gary Hustwit is the co-founder of Plexifilm, and has been involved as a pro­ducer in the making of a number of doc­u­ment­aries, but for his first pro­ject as a dir­ector, he chose to explore the legacy of Helvetica, a font which is cel­eb­rating its 50th anniversary this year. Despite its age, it seems as pop­ular as ever, appearing in logo­types for com­panies as diverse as Toyota, American Airlines, Target, Crate and Barrel, and American Apparel, to name just a tiny frac­tion. What has allowed Helvetica such longevity, where other more recent trends (like the grunge fonts of the mid-90s) have flamed out already? Opinions differ wildly.

According to some, Helvetica feels like the final ver­sion of sans serif typo­graphy, and attempts to improve upon it just fail. For others, the arrival of the com­puter and the install­a­tion of default fonts just means that people are lazy. If you thought a bunch of well-dressed graphic designers arguing over a typeface would be boring, you’d be ever so wrong.

Spanning sev­eral coun­tries, Hustwit’s film takes us inside the stu­dios of such leading lights of design as Matthew Carter, Erik Spiekermann, Massimo Vignelli, Jonathan Hoefler, Tobias Frere-Jones, Stefan Sagmeister, and David Carson. If these names mean nothing to you, you’ll still mostly enjoy the film, a beautifully-designed thing which is punc­tu­ated by real-world examples of the font in use, shot in rich high-definition and set to a won­derful soundtrack. You may just tune out all of those designer con­cepts and controversy.

And if you do know the names? Well, font geeks, not only are you in for a treat, but this fall, Mr. Hustwit will have a won­der­fully jam-packed DVD to sell you.

Here is the Q&A with dir­ector Gary Hustwit from after the screening:

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the latest ver­sion here. You also need to have JavaScript enabled in your browser.

Duration: 14:12

Q&A with dir­ector Gary Hustwit from the Hot Docs site

Official site for the film

9/10(9/10)

{ Comments on this entry are closed }