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environment

Food Inc.

by James McNally on September 7, 2008 · 0 comments

in Film Festivals, TIFF

Food Inc.

Food Inc. (2008, Director: Robert Kenner): In this comprehensive and yet compelling film, director Robert Kenner, along with authors Eric Schlosser (Fast Nood Nation) and Michael Pollan (The Omnivore’s Dilemma) indict the American (and by extension, global) food industry. Just the fact that we call the producers of our daily bread an industry at all shows what sort of major changes have taken place in the worlds of farming and raising livestock in the past century. The explosion of fast food in the 1950s brought factory methods to the production of food and the ensuing consolidation among corporations has resulted in an increasingly monopolistic marketplace. To save costs, the size of farms and feedlots and slaughterhouses has escalated and safety standards and working conditions have plummeted.

This wide-ranging film touches on almost every conceivable issue that has affected our food supply, from new bacterial organisms that threaten our health, to deteriorating goverment regulatory bodies, the widespread use of illegal immigrant workers, and the explosion in diabetes rates among the young. And yet we’re still sold an image of American’s agrarian past, and we believe it. None of the big food producers were willing to talk to Kenner, and so he spoke to others: to the woman whose 2-year-old died from an E. Coli infection, the chicken farmer who refused the demands of one of the big corporations and lost her contract, the man trying to fight for slaughterhouse workers’ rights, and the articulate organic farmer who’s simply trying to fight the good fight for honest and healthy food. And more than just talking heads, there are some eye-popping images from slaughterhouses and some incredible overhead shots of the vast feedlots where the majority of our food comes from.

Most disturbing, or at least problematic, is the recent phenomenon of small organic food companies being bought up by the large corporations. Is this a legitimate attempt to “green” their businesses, or is it just “greenwashing”? Is the fact that Stonybrook Farm, the largest organic food company, is now selling its products at Wal-Mart a good or a bad thing? The film touches on the subject but leaves the conclusions to us. That’s a bit symptomatic of a film which brings up so many serious issues, but doesn’t have time to tackle them all. I’d recommend the two books above as a starting place, and the film’s accompanying web site also promises to be a useful resource, not just for educating ourselves, but for taking some action.

It’s a little difficult for me to be objective about this subject, because I’ve read the books and have seen a number of documentaries over the past few years on this subject, but I am hopeful that this film has the potential for mass appeal where others have not. After our screening, there was a long ovation and some insightful questions. It remains to be seen whether this film will catch the imagination of the mainstream (non-film-festivalgoer) population. I desperately hope so.

Official site where you can find next steps
Some clips from the film

Here is the Q&A with director Robert Kenner and author Eric Schlosser from after the screening:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Duration: 12:59

9/10(9/10)

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Blue Vinyl

Blue Vinyl (Directors: Daniel B. Gold and Judith Helfand, USA, 2002): After seeing and enjoying Helfand and Gold’s latest film Everything’s Cool at Hot Docs this year, I was looking forward to seeing this, their first film. Let’s just say that the pair have developed quite a bit as documentarians in the past five years. Though the film explores an important subject, the toxicity of the vinyl used in siding and other products, the tone and production values were ultimately distracting for me.

Helfand is very much involved in the film, since the project grew out of her concern that her parents’ installation of vinyl siding on their house would lead to health problems and other environmental damage. She does a decent job investigating the vinyl industry’s record of deception and coverups, but she’s just a little too gimmicky. She reminded me too much of Michael Moore, putting herself into every scene, and even carrying around a piece of vinyl siding throughout the film. In a few places, her inexperience as an interviewer is obvious, and although she tries to play it for laughs, it falls flat.

One subject that I wanted to hear more about was the search for alternative building materials. She does talk to a number of people at a California convention, but doesn’t provide enough information about the innovation going on in the construction industry. The film aims for a light tone but has a hard time maintaining it when we hear about how many people have become sick or died from working with vinyl and PVCs. This is a decent first effort, but I’m glad that in their latest film, Helfand generally stays off screen. As well, they chose to make a more positive film focussing on solutions, which suits their style better.

Note: Ironweed featured this film on their April 2007 Earth Day edition. They’ve posted a good collection of resource links about vinyl siding.

Official site for the film

7/10(7/10)

Everything's Cool

Everything’s Cool (Directors: Daniel B. Gold and Judith Helfand, USA, 2007): These directors scored a hit a few years ago with Blue Vinyl, about the harmful effects of PVCs. This time, they turn their attention to global warming, maintaining their “toxic comedy” approach. This film is like a hip companion piece to An Inconvenient Truth, bringing some humour and aiming at a younger audience.

We meet a variety of interesting characters in the war on climate change, including Bish Neuhauser, a ski resort snow groomer who embarks on a journey to convert his 1975 Mercedes to run on vegetable oil, and Rick Piltz, a former White House staffer turned environmental whistle-blower. There are several other personal stories weaved into the narrative, and taken together, they give us a good picture of where we are in the fight against climate change.

I liked the attitude of this film, how it tried to present the positive side of the struggle. As environmental bad boys Michael Shellenberger and Ted Nordhaus pointed out, Martin Luther King didn’t give a speech entitled “I Have A Nightmare,” but that is just what the environmental movement has been doing for the past thirty years, with no real success. By focussing on the positive aspects of change (ie. the millions of new jobs and businesses that will be created by innovative entrepreneurs), we can move forward without being burdened by liberal guilt. In this respect, I’d highly recommend Alex Steffen’s book Worldchanging which is packed with innovative ideas and examples.

Official site for the film

9/10(9/10)

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The nominations were announced for the Oscars yesterday. I’ve been seeing fewer feature films lately, but I do manage to catch more documentaries. Of the five nominees, I’ve only seen two so far, but I plan to try to see all of them if I can before the Academy Awards are handed out on February 25.

The nominees for Best Documentary are:

  • Deliver Us From Evil
  • An Inconvenient Truth
  • Iraq in Fragments
  • Jesus Camp
  • My Country, My Country

It’s nice to see that documentary film is serving some of its most important purposes in these films: to bear witness, and to kick us in the conscience. It’s interesting to note that two films deal with Christianity (both deal with forms of toxic Christianity, in my opinion), two deal with the Iraq war, and one with a global crisis. No uplifting films, this year, sadly. Times are tough.

If you’ve seen any of these, what did you think? Who’s your bet to win? My money is on Al Gore’s sobering PowerPoint presentation on climate change. Not the most creatively filmed, but certainly the most urgent, and it managed to present information in an entertaining and mostly guilt-free way that made me want to make some changes to the way I live.

UPDATE: In a bit of cross-blog linkery, I’ve listed the losers in this category for the past few years over at Runner-Up! Check ‘em out!

Inconvenient

by James McNally on July 3, 2006

in Documentaries

Brooke and I went to see An Inconvenient Truth tonight, which was fantastic. The horrible thing was sitting through three car commercials before the screening. I’ve been starting to count the number of commercials that are for cars and I’d say, according to my unscientific guess, that one out of every three commercials I see these days are for automobiles or things that support the automobile industry. We are truly addicted to these things. I don’t mean to sound high and mighty. Though we don’t own a car, we borrowed my dad’s gas-guzzling SUV to drive up to see Brooke’s parents this weekend. But the car culture is so pervasive, we don’t even notice it anymore, and I think that’s dangerous.