Now in its fifth edition, the Eh! U European Film Festival seems to be really hitting its stride. Billing itself as “the free film festival” (since all screenings are subsidized by the various European consulates), this two-week festival is really a gift to the city’s cinephiles. This year features 26 films from 23 countries, and among them are no fewer than six submissions for the Foreign Language Academy Award. I’ll highlight those six, but be sure to check the festival site for others, as well as the schedule. Screenings mostly take place at the Royal Cinema, with the exceptions of the opening night film, The Karamazovs (Czech Republic) which plays at the Bloor Cinema, and the closing film, El Greco (Greece) which will screen at the Varsity. In addition to the high-profile films listed below, I can personally recommend an older film from Belgium in the programme, The Alzheimer Case (review), which screened at TIFF back in 2004.
The following are official submissions by their countries for the Academy Award for Best Foreign Language Film:
P.S. For the curious, here’s the complete list of submissions for Best Foreign Language Film.
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The Danish Poet
Tonight’s programme consisted of award-winning shorts released in 2006, and just watching them one after another led me to a few conclusions about short films in general. To compare them to written works, they’re a bit like poems to a feature film’s novel. And to compare to spoken word, they’re like jokes as opposed to sagas. With such a short amount of time, they need to make their points quickly, so there is often a high “cleverness” factor and the endings often feel like the punch line of a joke. This can work well, but a film that stands out is one that doesn’t make these tropes so obvious. Here, in my order of enjoyment, are tonight’s selections:
- The Danish Poet (Canada/Norway, 2006): With lovely narration from Liv Ullmann, this story felt the most organic and the least gimmicky. Even though there is a sort of punchline “payoff” at the end, it’s telegraphed early enough to set us down gently. The whimsical animation style and always-great use of animated (but non-speaking) animals made this a worthy Oscar-winner this year. Check out the film’s web site. (9/10)
- Dreams and Desires — Family Ties (UK, 2006): Another animated short, this one cleverly used animated sketches to simulate a wedding video filmed by the oddly cinephilic Beryl, a large woman of grandmotherly vintage. Her attempts to film the disastrous occasion in the styles of famous directors from Eistenstein to Riefenstahl, all the while keeping up a steady stream-of-consciousness narration, keeps this one rollicking along, despite the nearly impenetrable accents. (9/10)
- Tanghi Argentini (Belgium, 2006): This is a charming tale of an office drone who just might be an angel. André needs to learn to tango in two weeks so he can meet his Internet crush, so he turns to his colleague Frans to help teach him to dance. Will love bloom? (8/10)
- Contact (Raak) (Netherlands, 2006): Three characters paths cross again and again in this cleverly-edited short. There’s that word “clever” again. (7/10)
- The Substitute (Il Supplente) (Italy, 2006): A class of high-school students is terrorized by a Scott Thompson (ex-Kids in the Hall) lookalike, who then gets his comeuppance. Funny in an odd sort of way. (7/10)
- Make A Wish (Atmenah) (USA, 2006): A straightforward, almost documentary-like tale of a young girl who will go to any lengths to get a special birthday cake. Only it’s set in the West Bank. The filmmaking is pretty rudimentary and there’s a bit of a (tragic) punchline at the end. (6/10)
- Imagine This (Australia/Ireland, 2006): Sometimes a short should also be a “small.” Using found internet footage to make George W. Bush “sing” John Lennon’s “Imagine” was a pretty funny idea. But it really shouldn’t have made it off the YouTube site. (5/10)
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