animation

Animation Express 2

by James McNally on December 2, 2011 · 0 comments

in DVD

Animation Express 2 Blu-ray

Animation Express 2 (Directors: Various): It’s hard to believe it’s been two years since the National Film Board of Canada released the ori­ginal Animation Express col­lec­tion. I raved about that col­lec­tion, and although sequels are usu­ally not as good as the ori­ginal, this second col­lec­tion is just as stuffed with treas­ures as the first.

Particular favour­ites include the exper­i­mental CMYK, where printer’s marks dance around the screen to the music of the Quatuor Bozzini quartet, and Wild Life in which an Englishman trades his bowler hat for a cowboy hat, coming to Alberta in 1909 to try his hand at ranching. It doesn’t quite work out in this whim­sical and yet haunting film.

The DVD con­tains 20 more (and the Blu-ray 26 more!) and while I don’t like all of them quite as much as the two above (I par­tic­u­larly didn’t like the Meryl Streep and Forest Whitaker-voiced Higglety Pigglety Pop! or There Must Be More to Life), this col­lec­tion con­tinues to gather the very best in Canadian anim­a­tion, some of the most-awarded work in the world.

P.S. Though I’ll be posting more about this later, you can see both CMYK and Wild Life on the big screen as part of a new shorts screening series I’m launching in January. Behold Shorts That Are Not Pants. Hope you can join us!

{ 0 comments }

Toronto Irish Film Festival

As a born Irishman, I would be remiss if I didn’t let you know that there’s a brand-new film fest­ival in town, and it’s about to sham-rock your world. The first annual Toronto Irish Film Festival takes place on Sunday March 6th at the gor­geous TIFF Bell Lightbox. Ireland is not a cine­matic power­house, but it does pro­duce a few gems each year, and the fest­ival organ­izers wisely chose to fea­ture only the best for their maiden journey.

At 12:30pm, catch Academy Award®-nominated anim­ated film The Secret of Kells, pre­ceded by Academy Award®-nominated anim­ated short Granny O’Grimm’s Sleeping Beauty.

At 3:30pm, it’s Hot Docs favourite His and Hers, pre­ceded by another Academy Award®-nominated anim­ated short, Give Up Yer Aul Sins.

Following the film pro­gram, in true Irish tra­di­tion, there will be a piss-up recep­tion at Grace O’Malley’s (14 Duncan Street). Film tickets are $12 ($9.50 seniors and youth, $5 chil­dren) for each pairing (fea­ture plus short), which should leave you some change to buy the fest­ival staff a well-deserved Guinness after­ward. You can buy tickets online, by phone (416–599-8433 or 1–888-599‑8433) or at the TIFF Bell Lightbox (350 King Street West).

See you there!

{ Comments on this entry are closed }

The National Film Board of Canada cel­eb­rates International Animation Day (October 28) each year with a weeklong cel­eb­ra­tion of anim­ated film. Get Animated! events are hap­pening all across the country, with Toronto screen­ings and work­shops starting Tuesday October 26 and con­tinuing through to Sunday October 31. All events take place at the NFB Mediatheque at 150 John Street and are com­pletely FREE!

This image is from Claude Cloutier’s delightful Genie-winning short Sleeping Betty, screening in the Fairytales for All pro­gramme, which is suit­able for all ages:

Sleeping Betty

And this one is from Marie-Hélène Turcotte’s lovely The Formation of Clouds, which screens in the NFB New Releases pro­gramme, recom­mended for adults and young people aged 14 and up:

The Formation of Clouds

{ Comments on this entry are closed }

Polish DVDs [front]

Alerted by one of the many smart folks on the DVD Beaver email list, a few months back I checked out Merlin.pl, an online retailer loc­ated in Poland. I was espe­cially delighted to dis­cover a whole series of two-disc sets of the best of Polish anim­a­tion, as well as a col­lec­tion of the work of Polish doc­u­mentary film­makers. As a nation, Poland has always punched well above its weight when it comes to film­making of all kinds. Over the years, insti­tu­tions like the Lodz Film School have turned out very fine film­makers, many of whom have gone on to world­wide fame (Polanski, Kieślowski, Wajda, Zanussi, Skolimowski, to name just a few). While the work of most of these film­makers is readily avail­able in the English-speaking world, the achieve­ments of Poland’s anim­ators and doc­u­ment­arians has been harder to access. Not anymore.

Each of these col­lec­tions con­tain two discs, in the PAL format and coded for Region 2 (except the anim­a­tion col­lec­tion which is region-free), along with an extensive booklet in both Polish and English. All have English and French sub­titles, and most have Russian and German as well. Best of all, they retail for around 36 zlo­tych each, which as of this writing works out to around $13. Shipping is very reas­on­able, adding another 36 zlo­tych to ship four double-disc sets from Poland to Canada. The only draw­back was the gla­cial pace; the package took 7.5 weeks to arrive.

Merlin.pl even includes a helpful page advising English speakers how to pur­chase from their site. Combined with Google Translate, pur­chasing is fairly straight­for­ward. When I even­tu­ally work my way through all 8 discs and 17 hours of Polish film good­ness, I’m coming back for more.

I’m also going to search their site for a good book of classic Polish film posters.

  • Antologia pol­skiej anim­acji — one of sev­eral col­lec­tions of anim­a­tion, this one con­tains work from the 1950s right up to 2005.
  • Krzysztof Kieślowski — doc­u­mentary work from the well-known dir­ector of fea­ture films such as The Double Life of Veronique.
  • Marcel Łoziński — still working today, he is one of the most cel­eb­rated of Polish doc­u­mentary filmmakers.
  • Maciej Drygas — one of the younger gen­er­a­tion of doc­u­mentary film­makers in Poland. All of his work has been pro­duced since the col­lapse of Communism, but still deals with that period of Polish history.

Check out a few more photos of the snappy pack­aging.

Polish DVDs [spines]

{ Comments on this entry are closed }

Runaway

As is their custom, the organ­izers of the CFC Worldwide Short Film Festival ded­icate the Opening Night pro­gram to award-winning shorts from around the world. This means that these films have screened lots of other places, but for me, they’re still discoveries.

  • Runaway (9 minutes, Canada, Director: Cordell Barker): Though I’d seen this one before, I enjoyed it even more the second time. Off-kilter anim­a­tion and music helped convey the dark humour of this tale of a run­away train and its pas­sen­gers. Sly polit­ical mes­sages about cap­it­alism and con­sump­tion abound. (8/10) (Note: The image above is from this short.)
  • Slitage (Seeds of the Fall) (17 minutes, Sweden, Director: Patrik Eklund): After a con­struc­tion vehicle dam­ages their house, a middle-aged couple receive a strange offer from their neigh­bours. Strong acting from the leads and some Nordic black comedy couldn’t make up for a fairly weak story. (7/10)
  • Tungijuq (7 minutes, Canada, Directors: Felix Lajeunesse and Paul Raphael): Featuring Inuit throat-singer Tanya Tagaq, this sen­sual med­it­a­tion on the seal hunt is hyp­notic and sexy. (8/10)
  • The Six Dollar Fifty Man (15 minutes, New Zealand, Directors: Mark Albiston and Louis Sutherland): Plagued by bul­lies who call him a runt, small Andy claims to have the powers of a super­hero. Some strong cine­mat­or­graphy but I still found it a bit trite. (7/10)
  • C’est Dimanche! (It’s Sunday!) (30 minutes, France, Director: Samir Guesmi): 13-year-old Ibrahim has failed another grade, but instead of telling his illit­erate father the truth, he claims that the letter from his school is really a dip­loma. When his dad takes him out to cel­eb­rate, keeping him from a very important date with his girl­friend Fatou, he knows he’s going to have some explaining to do. Three win­ning char­ac­ters bring this rather slight tale to life, and I was touched by the sweet rela­tion­ships between father and son and between boy and girl. (8/10)

Stay tuned for more reviews as the fest con­tinues to June 6th. Tickets are avail­able online, at the Cumberland Terrace box office loc­a­tion, and at each venue.

{ Comments on this entry are closed }