shorts

Shorts That Are Not Pants

I know things have been pretty quiet around here since my big philo­soph­ical post last month. And while I’m still exper­i­en­cing writer’s block when it comes to reviewing indi­vidual films, I haven’t been sit­ting around feeling sorry for myself. In fact, I’m busier than ever. In addi­tion to coordin­ating the second edi­tion of the CAST Awards (look for an announce­ment early in the new year), I’ve decided to take my long-gestating idea for a shorts screening public.

I’ve always enjoyed short films, but seeing them out­side of fest­ivals has never been easy. In fact, even at fest­ivals, they’re usu­ally bundled together in unprom­ising sounding pack­ages like “Canadian Shorts 1″ or “Programme 6.” And the problem at the spec­tac­ular Worldwide Short Film Festival, where they group the films them­at­ic­ally, is just over­load. I’ve always wanted to curate a reg­ular pro­gram of films that would be some­thing like a mix­tape, and in 2009, I started doing it on a small scale.

I’d been a huge fan of Wholphin, a DVD “magazine” of short films from the people behind McSweeney’s, ever since the first one came out in 2005. By 2009, I was still amazed that hardly anyone I knew had heard of it, so I decided to screen a selec­tion of films for a small group of friends at my apart­ment. It was a hit, and not only because of the cup­cakes my wife thought­fully provided. After run­ning a few more of these nights, I wanted to share my enthu­siasm and some great films with the rest of the city. Starting last winter, I began researching venues and licensing fees and pos­sible part­ners, and I’m very happy to announce that we’re finally launching!

On January 13, 2012, at 7pm, Shorts That Are Not Pants will screen our inaug­ural pro­gram of inter­na­tional and Canadian shorts at the NFB Mediatheque (150 John St. at Richmond). I’ll refer you to the site for more details, but I sin­cerely hope you’ll join us at the start of this new adventure.

My plan is to make this a quarterly event, and we hope to be working with a variety of part­ners. For the first screening, we’re showing the entirety of the Future Shorts Pop Up Festival lineup, as well as a couple of won­derful anim­ated Canadian shorts from the National Film Board. But I’m excited by the fact that there is such a wealth of great material out there that has either never been screened before in Toronto, or was buried amongst hun­dreds of other films at fest­ivals. I’m looking for­ward to dis­cov­ering and sharing films with you, live and on the big screen. Hopefully we’ll even get a group together after the screen­ings to dis­cuss the films over a drink. Short films are worthy of your atten­tion, and I hope to demon­strate that to a larger audi­ence than just the dozen I’ve been cram­ming into my apart­ment. I hope you’ll join us!

You can buy tickets for just $8 in advance. At the door, tickets will be $10, or $5 if you’re crazy enough to show up in shorts. Even if you can’t make it and want to sup­port the series, buy a ticket and just let me know that’s your inten­tion. Of course, men­tioning us on Twitter (follow us here), Facebook (we have a page) or any­where else online or off would be helpful, too. I’m cer­tainly not hoping to make money on this, but it would be great if I didn’t lose too much. :)

{ 0 comments }

Big Bang Big Boom

Last night was the Opening Night Gala of the CFC Worldwide Short Film Festival. This annual cel­eb­ra­tion of short film will fea­ture 275 films in 33 pro­grams over the next five days, and will include events at Yonge-Dundas Square as well as the return of their roaming “Shorts Bus.”

As is their custom, the organ­izers of the fest­ival ded­icate the Opening Night pro­gram to award-winning shorts from around the world. This means that these films have screened lots of other places, but for me, they’re still discoveries.

  • Bukowski (8 minutes, Netherlands, Director: Daan Bakker): A boy on hol­iday with his family con­vinces the hotel staff that he is the hard-bitten American writer Charles Bukowski. A one-note joke that is not without its charms. (7/10)
  • West of the Moon (10 minutes, USA, Director: Brent Bonacorso): A non­sensical plot about remem­bering a dream or some­thing is the whisker-thin nar­rative frame­work on which the dir­ector hangs his con­sid­er­able skills as a visual stylist. The very defin­i­tion of a calling-card short, I found it a little “show-offy” for my taste, although I have no doubt that Mr. Bonacorso will soon be gain­fully employed on much larger pro­jects. (7/10)
  • Big Bang Big Boom (10 minutes, Italy, Director: Blu): Truly inspired. A work of graf­fiti anim­a­tion that must have taken a very long time to create, encom­passing an entire city­scape with the story of the universe’s begin­nings from Big Bang to human civil­iz­a­tion. Wildly ambi­tious and insanely labour-intensive, this didn’t feel as nakedly ambi­tious as West of the Moon simply because this sort of skill doesn’t seem to be quite as mar­ket­able. (9/10) (Note: The image above is from this short.)
  • Lipsett Diaries (14 minutes, Canada, Director: Theodore Ushev): An anim­ated mix­ture of doc­u­mentary and fic­tion, exploring the troubled life of Montreal-born exper­i­mental film­maker Arthur Lipsett who took his own life in 1986. Dark and intense, it did suc­ceed in making me curious about Lipsett’s life and work, although it can make for dif­fi­cult viewing. (8/10)
  • Na Wewe (You Too) (19 minutes, Belgium/Burundi, Director: Ivan Goldschmidt): In 1994, a bus­load of Burundians is stopped by Hutu sol­diers and ordered to sep­arate into two groups: Hutus and “Tutsi cock­roaches.” An absurd scen­ario fol­lows which is played mostly for laughs. The sense of menace seems incon­gruous with the tone the dir­ector is trying to main­tain, and the ending is just preachy. Issues of race are com­plic­ated, we get it. Smug and a bit silly. (6/10)
  • The Lost Thing (15 minutes, Australia, Directors: Andrew Ruhemann, Shaun Tan): A boy finds a strange creature on the beach and tries to return it to where it belongs. Wonderfully unique anim­a­tion but I found the res­ol­u­tion of the story ter­ribly depressing. Based on the book by Shaun Tan, The Lost Thing won the Academy Award for Best Animated Short. (7/10)

Stay tuned for more reviews as the fest con­tinues to June 5th. Tickets are avail­able online, at the Cumberland Terrace box office loc­a­tion, and at each venue.

{ Comments on this entry are closed }

5 MDFF Shorts at the Royal Cinema
Kazik Radwanski and Dan Montgomery (Medium Density Fibreboard Films)

Earlier this spring I had the pleasure of meeting Kazik Radwanski (dir­ector) and Dan Montgomery (pro­ducer), the gen­tlemen behind Medium Density Fibreboard Films, or MDFF for short. Or shorts, as it hap­pens, because short films are what they make. Kaz and Dan are gradu­ates of Ryerson University’s film depart­ment and since 2007 have col­lab­or­ated on four short films which have been shown and awarded all over the world. They recently teamed up with Vancouver-based dir­ector Antoine Bourges to release his short film Woman Waiting.

This Wednesday, May 18, at 7pm, they’ll be showing all five films at the Royal Cinema (608 College St.). There will be a Q&A after­ward, mod­er­ated by the Royal’s pro­grammer Stacey Donen, fol­lowed by a party at Crawford (718 College St.).

Assault (2007)

Assault (2007)

Director: Kazik Radwanski

A young man goes through the phone book frantic­ally calling law­yers. With each call, we learn more about what he has done.

Teaser trailer

Princess Margaret Blvd. (2008)

Princess Margaret Blvd. (2008)

Director: Kazik Radwanski

A por­trait of Isabelle, a woman con­fronted with a recent dia­gnosis of Alzheimer’s disease.

Teaser trailer

Out in That Deep Blue Sea (2009)

Out in That Deep Blue Sea (2009)

Director: Kazik Radwanski

A real-estate agent in a slump. Midlife crisis or exist­en­tial meltdown?

Teaser trailer

Green Crayons (2010)

Green Crayons (2010)

Director: Kazik Radwanski

A spit­ting con­test between two kids raises the ire of their teacher.

Teaser trailer

Woman Waiting (2010)

Woman Waiting (2010)

Director: Antoine Bourges

A middle-aged woman strug­gling with poverty is forced to wait as she tries to get help from “the system.”

Teaser trailer

{ Comments on this entry are closed }

I’ve been con­tacted by sev­eral Canadian short film­makers recently and it appears that there is a ver­it­able Canadian inva­sion of tiny films screening at this year’s South by Southwest Film Festival. If you’re attending, and even if you’re not, keep your eye out for the fol­lowing con­cen­trated shots of Canadian film­making genius.


Animal Control

Animal Control (Director: Kire Paputts): Before Sammy came along, all of Larry’s “friends” were roadkill animals he’d stuffed. When he finds a dog at the side of the road who’s not roadkill, his life changes dra­mat­ic­ally. Starring the great char­acter actor Julian Richings, a main­stay of Canadian inde­pendent film.

Official site of the film



Clear Blue

Clear Blue (Director: Lindsay Mackay): A young life­guard is unnerved by an older woman who can hold her breath for a very long time indeed.

Official site of the film



Mokhtar

Mokhtar (Director: Halima Ouardiri): Based on a true story, Mokhtar recounts the tale of a young boy who lives with his family of goat­herds in a remote Moroccan vil­lage. One day, the boy finds a fallen owl and decides to keep it, des­pite the fact that the owl is con­sidered a bad omen.

Official site of the film



National Parks Project

National Parks Project (Producers: Ryan J. Noth and Geoff Morrison): This ambi­tious pro­ject will even­tu­ally con­sist of 13 sep­arate short films made by various dir­ectors (including Jamie Travis and Zacharias Kunuk) and scored by a number of well-known Canadian bands. I’m not exactly sure what’s screening at SXSW but it is going to be accom­panied by a live score per­formed by the musi­cians. This one-time-only screening takes place on Friday March 18 at 12 noon at the Alamo Ritz 1. Unfortunately, that’s after I’ve come home.

Official site of the project

{ Comments on this entry are closed }

Toronto Irish Film Festival

As a born Irishman, I would be remiss if I didn’t let you know that there’s a brand-new film fest­ival in town, and it’s about to sham-rock your world. The first annual Toronto Irish Film Festival takes place on Sunday March 6th at the gor­geous TIFF Bell Lightbox. Ireland is not a cine­matic power­house, but it does pro­duce a few gems each year, and the fest­ival organ­izers wisely chose to fea­ture only the best for their maiden journey.

At 12:30pm, catch Academy Award®-nominated anim­ated film The Secret of Kells, pre­ceded by Academy Award®-nominated anim­ated short Granny O’Grimm’s Sleeping Beauty.

At 3:30pm, it’s Hot Docs favourite His and Hers, pre­ceded by another Academy Award®-nominated anim­ated short, Give Up Yer Aul Sins.

Following the film pro­gram, in true Irish tra­di­tion, there will be a piss-up recep­tion at Grace O’Malley’s (14 Duncan Street). Film tickets are $12 ($9.50 seniors and youth, $5 chil­dren) for each pairing (fea­ture plus short), which should leave you some change to buy the fest­ival staff a well-deserved Guinness after­ward. You can buy tickets online, by phone (416–599-8433 or 1–888-599‑8433) or at the TIFF Bell Lightbox (350 King Street West).

See you there!

{ Comments on this entry are closed }