japan

Shinsedai Film Festival 2011 (July 21-24, 2011)

Shinsedai launches its third edi­tion tonight through Sunday at the Japanese Canadian Cultural Centre. Continuing to show­case new inde­pendent cinema from Japan, co-programmers Chris Magee (J-Film Powwow) and Jasper Sharp (Midnight Eye) have cur­ated another strong lineup for this year’s fest­ival. Special guests include 15-year-old film­maker Ryugo Nakamura who is presenting the North American premiere of his drama The Catcher on the Shore (Yagi no bouken) on Saturday July 23rd at 6:00pm. He shot the film when he was just 13 years old, so this should make for a very inter­esting Q&A session.

The Catcher on the Shore (Yagi no bouken)

If you’re inter­ested in where Japanese cinema is heading, you need to check out the Shinsedai Cinema Festival. Check the site for film list­ings, schedule, ticket prices and directions.

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Japan Foundation Free Toronto Screenings: December 9-12, 2010

The Japan Foundation is bringing its annual fest­ival of free Japanese film back to the Bloor Cinema from December 9–12. All films are presented in Japanese with English sub­titles. Arrive early to avoid disappointment!

It’s inter­esting to note that these films are from dir­ectors better-known for other films: Suo dir­ected Shall We Dance? back in 1996 as well as the upcoming and highly anti­cip­ated doc­u­mentary Dancing Chaplin, Yamazaki helmed this year’s Space Battleship Yamato, Nakashima dir­ected Kamikaze Girls and this year’s con­tro­ver­sial Confessions, while Takita is best known for dir­ecting Oscar-winner Departures.

Here’s a chance to see some of their other work, and for nothing!

More inform­a­tion on each film is avail­able at the Japan Foundation’s site.

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Shinsedai Film Festival 2010 (July 22-25, 2010)

Shinsedai is back for a second year. After a suc­cessful inaug­ural edi­tion last August, co-programmers Chris Magee (J-Film Powwow) and Jasper Sharp (Midnight Eye) have cur­ated an even stronger lineup of new inde­pendent Japanese cinema. This year’s fest­ival runs from July 22–25 at the gor­geous Japanese Canadian Cultural Centre. For such a young fest­ival, Shinsedai has been able to attract not only a strong lineup, but a sig­ni­ficant number of dir­ectors and actors will actu­ally be making the trip to intro­duce their films and con­duct Q&A ses­sions with the audience.

If you’re inter­ested in where Japanese cinema is heading, you need to check out the Shinsedai Cinema Festival. Check the site for film list­ings, schedule, ticket prices and directions.

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The Invention of Dr. NakaMats

The Invention of Dr. NakaMats (Director: Kaspar Astrup Schröder): A sin­gu­larly unset­tling exper­i­ence, watching The Invention of Dr. NakaMats is like being dropped down a rabbit hole like Alice in Wonderland and won­dering if what you’re seeing with your eyes is real or ima­gined. Dr. Yoshiro Nakamatsu, or Dr. NakaMats as he calls him­self, is a Japanese inventor who claims to hold more than 3,000 pat­ents on everything from the floppy disk to karaoke. Like a cross between Willy Wonka and the Reverend Moon, he is cha­ris­matic and charming one minute, and creepily strange the next. The film fol­lows him in the days before his 80th birthday in 2008, pre­paring for a party where he will announce his latest invention.

Dr. NakaMats is tire­less at everything (and claims to sleep no more than 4 hours a night), but most of all he’s a tire­less self-promoter. He can also be incred­ibly vain. Always nat­tily dressed, he receives vis­itors in his office like sup­plic­ants, dis­pensing advice to all. I felt par­tic­u­larly sorry for the hotel employee who had to break the news that they couldn’t per­man­ently rename one of their ban­quet rooms the NakaMats Room on the occa­sion of his birthday party being held there.

The party itself is a hit, with a huge roomful of his admirers enjoying them­selves immensely. Beforehand, Dr. NakaMats intro­duces the assembled press to his new inven­tion, the B-Bust, a revolu­tionary kind of brassiere. But instead of showing them the product, he simply presents a busty woman wearing a dress. When asked if they can see the bra, he gives them a con­fusing non-answer and retreats to his birthday gathering.

Throughout the film’s brisk sub-60 minute run­ning time, the good doctor shows off more of his inven­tions, including engines that run on water and heat, his spe­cially for­mu­lated Brain Drink, and a mys­ter­ious libido-enhancing elixir for women called Love Jet. About Love Jet, he claims. “I’ve tested more than 10,000 women. Of course, I’m not doing the sex. I’m checking meters.” None of the inven­tions are examined in great detail, and I began to get the dis­tinct impres­sion that there is some­thing of the con man about Dr. NakaMats. While the audi­ence laughed (including me), there is def­in­itely some­thing very weird going on here.

Before I’d seen the film, I’d seen Dr. NakaMats him­self at sev­eral fest­ival events, posing for pic­tures and handing out his “lucky busi­ness card” to any and all who asked. What I began to notice more and more was the sullen pres­ence of his silent and long­suf­fering wife. Whether he’s a genius, a madman or a char­latan, it’s clear that an hour in his pres­ence is amusing, but a life­time might be some­thing else entirely.

Here is the Q&A with pro­ducer Mette Heide and Dr. NakaMats him­self from after the screening, con­ducted by Hot Docs Programming Manager Karina Rotenstein:

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Duration: 10:55

8/10(8/10)

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Free Screenings at Bloor Cinema sponsored by Japan Foundation

Thanks to the Japan Foundation, the Bloor Cinema will be hosting free screen­ings of recent Japanese films this week. Here’s the lineup:

  • Wednesday, December 9, 7:00 pm — The Stars Converge (2003)
  • Thursday, December 10, 7:00 pm — Women in the Mirror (2002)
  • Saturday, December 12, 7:00 pm — The Milk Woman (2005)
  • Sunday, December 13, 4:30 pm — Dog in a Sidecar (2007)

All screen­ings are FREE and no RSVP is required. I recom­mend showing up at least 30 minutes early, though, in order to get a seat.

More inform­a­tion about each of the films

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