Tag Archive for 'Television'

This Hour Has 22 Minutes: Season One on DVD

This Hour Has 22 Minutes: Season One

This Hour Has 22 Minutes: Season One: The good folks at Koch Canada sent me the newly-released first season of Canada’s greatest political satire this week. This Hour Has 22 Minutes began broadcasting way way back in 1993 when Kim Campbell was (briefly) our Prime Minister and we were in the thick of an election campaign. Four Newfoundlanders (the impossibly young-looking Rick Mercer, Greg Thomey, Cathy Jones and Mary Walsh) attacked current events each week in a way which had Canadians spewing our maple syrup. The first season launched such memorable characters as Jerry Boyle and Marg Delahunty, and gave us a glimpse of the huge talent that the group would continue to develop over the next decade. Sadly, though the show is still on the air, most of the original cast has moved on (although Rick Mercer still has his own weekly political satire show on CBC). Much like another institution of Canadian political comedy, the Royal Canadian Air Farce, things tended to get stale after about a decade, so it is refreshing to watch these early episodes, when I’m sure they made a lot of CBC executives nervous.

If I have any complaints about the DVDs themselves, they would have to include the rather hideous menu screens and, more importantly, their absolute lack of any special features. It would have been very interesting to have some commentary from the now older and (presumably) wiser members of the group.

Season Two is also available but I’m not certain what plans there are, if any, for the rest of the show’s run. I suppose it will depend on sales. Despite the bare-bones presentation, the set is a steal at MSRP $32.99. It includes all 21 half-hour (er, 22-minute) episodes.

Buy from Amazon.ca

Wikipedia entry

7/10(7/10)

CBC Newsworld Update

If you live in Canada and aren’t aware that CBC Newsworld runs a lot of great documentaries, then you’re missing out. Here are just a few bits of exciting news about their upcoming schedule.

  • This Sunday night, September 23rd, at 10pm Eastern and Pacific time, catch Everything’s Cool (review), a great positive documentary about climate change and people that are actually trying to do something about this scourge.
  • During the week of October 7th, the network is screening five of the films from the Why Democracy? project, three of which just screened at TIFF (the other two were featured at Hot Docs earlier this year). Full schedule and more information here.

Be proud, Canadians. These are your tax dollars at work!

The Life of Reilly

The Life of Reilly

The Life of Reilly (Directors: Barry Poltermann and Frank Anderson, USA, 2006): If you grew up in the 1970s like me, you couldn’t avoid Charles Nelson Reilly. He was on Match Game, Hollywood Squares, Lidsville, Uncle Croc’s Block, and made regular appearances on The Tonight Show. What I didn’t know about Reilly was that he had been a Tony Award-winning actor on Broadway in the 50s and 60s, and that when he disappeared from television, he went on to become a beloved and respected acting teacher.

This film documents a performance of Reilly’s long-running but also long-retired one-man show, “Save It For The Stage: The Life of Reilly.” The directors convinced him to take it out of mothballs for one last performance in 2004, and the result is this film. There is a bit of archival footage mixed in, and some music, but what the directors have done is essentially edit down a three hour long stage performance into something half that length. Which is why although it’s an amazing story, it’s just not that great a film.

Reilly has had a most interesting life, and he’s a great storyteller. That he even forged a career as an actor is incredible, considering his unbelievably dysfunctional family. His descriptions of his soul-crushing mother are hilarious, but also very sad. And when he eventually got an interview with the head of NBC in the early days of the television era, he was told, “They don’t let queers on television.” His prolific appearances in the 1970s almost seem to be his way of exacting revenge.

But because his story was so interesting, I wanted to know more. There’s very little about the fact that he is gay. No stories about crushes, romances, relationships, and only the NBC story about any kind of discrimination. One thing that emerged from the film was Reilly’s long and (to me) surprising friendship with Burt Reynolds. I would have loved to have heard a few more anecdotes like this about his friends. It just seemed like there was so much more to tell, and knowing that the stage show was longer, it made me question the directors’ decision to cut material. As well, apart from Reilly’s riveting performance, the filmmakers didn’t add much original work.

Although that makes it sound like I didn’t enjoy the film, that would be untrue. I wanted to hear even more from this fascinating man. Unfortunately, the show is back in mothballs, and I don’t see him touring it again, not at 76 years of age. Pity.

May 28, 2007: I just found out the very sad news that Charles Nelson Reilly has passed away. I’m very glad this film was able to convey a sense of the wonderful drama of his life and his skills as an actor. Try to see it if you can.

October 23, 2007: Good news. The film will be opening across the US next month, and the film’s web site has been newly redesigned with lots of content. The film will be playing at the Bloor cinema in Toronto from November 30 until December 13, according to the site. Don’t miss it!

Official site for the film

7/10(7/10)

Trailer Park Boys: The Movie

Trailer Park Boys: The Movie

Trailer Park Boys: The Movie (Director: Mike Clattenburg, Canada, 2006): A double-dose of Canadiana this weekend for your humble reviewer. In contrast with Bon Cop Bad Cop, though, it’s not strictly necessary to have a maple leaf on your passport to enjoy this one.

Based on the popular (in Canada, anyway) Showcase television series, the Trailer Park Boys’ feature-length film doesn’t surprise, but it does deliver the laughs reliably. The thing about this group of characters is their incredibly limited range, which limits the plots, as well. I’ve only seen about three or four episodes, from various seasons, but I always feel like I’m watching the same episode. Not that this is a criticism. Half the fun is watching the boys end up back where they started at the end of every episode. And the fact that we don’t learn anything new makes sense when Julian, Ricky and Bubbles never learn anything new, either.

But I did sort of wonder what was gained by expanding this to feature length and putting it on a big screen. There are some fun cameos from Gord Downie (from the Tragically Hip) and Alex Lifeson (from Rush) as cops who pursue our trio in a high-tech police chase. And former Headstones singer Hugh Dillon (notorious as Joe Dick in Bruce McDonald’s Hardcore Logo) turns in a suitably creepy performance as a strip club owner. But overall, this is just an entertaining trifle, and maybe for our American friends, an introduction to the world of Sunnyvale Trailer Park.

6/10(6/10)

The World According To Sesame Street

The World According To Sesame Street

The World According To Sesame Street (USA, 2005, Director: LInda Goldstein Knowlton and Linda Hawkins, 105 minutes): Sesame Street has proved to be a very successful American export, now being seen in more than 120 countries. This film looks at the very unique process of establishing co-productions with local educators, producers and puppeteers, focussing on two challenging locations: Kosovo and Bangladesh.

By far the most time is spent on the Bangladeshi production, and the real star of the film is Sesame Workshop producer Nadia Zylstra, who began her job three weeks before filming began. We follow this very excitable South African woman as she begins the process of defining what the program will look like in Bangladesh. The film shows us the nuts and bolts of how the production comes together, and some of the challenges involved when dealing with local opposition and delays.

I enjoyed the film and found it very inspiring, but I think it missed a chance to dig a bit deeper into the issue of what some audience members called “cultural imperialism.” Though they’re very careful to “partner” with local people, the Sesame Street organization is still American and fuelled by American values and definitions of success. Some of the questions surrounding the “export” of an American model would have been very interesting to explore.

Reading his review after I wrote mine, I discovered that The Toronto Star’s Peter Howell agrees with me.

8/10(8/10)

NOW Toronto: NNNN (out of 5) (review)
EYE Weekly: *** (out of 5) (review)