faith

SoleJourney

by James McNally on May 19, 2009

in Documentaries,DVD

SoleJourney

SoleJourney (Directors: Kate Burns and Sheila E. Schroeder): I’ve admired the work of Rev. Dr. Mel White and the Soulforce organ­iz­a­tion for years now and this doc­u­mentary, par­tially funded by Soulforce, prom­ised to shed some light on the organization’s con­tinuing fight against the anti-gay agenda of Dr. James Dobson’s Focus on the Family organ­iz­a­tion. Unfortunately, the film comes up short for a number of reasons.

First and fore­most, it’s not ter­ribly clear what the main focus of the film is. The title itself con­fused me until I real­ized it was refer­ring to the 1000 Watt March, a Soulforce “action” in which GLBT fam­ilies marched from Denver to Colorado Springs (home to Focus on the Family), a dis­tance of 65 miles, in five-mile “relays.” But the march doesn’t even really enter into the film until about the halfway mark. For the first 30 minutes or so, we get some­thing closer to a his­tory of the begin­nings of Soulforce, and its con­nec­tion to the non-violent res­ist­ance philo­sophy of Martin Luther King Jr. and Mahatma Gandhi. Although Rev. Dr. White does appear in the film, I didn’t feel there was enough of him for this to be con­sidered a real his­tory of his organ­iz­a­tion. Instead there were lots of news clips emphas­izing the media’s view that Focus on the Family is an influ­en­tial and important organ­iz­a­tion. I found this unne­ces­sary, and it seemed to unbal­ance the film and expose its lack of structure.

When we do get to the march itself, we simply get random shots of small groups of people walking along the highway, inter­spersed with some footage of their reg­ular family lives at home. Although these fam­ilies are def­in­itely worthy of having their stories told, I wanted more of the at-home stuff and less of the anti­cli­mactic “march” stuff. I even enjoyed the talking head inter­views more than the cov­erage of the march, although none of it seemed to ever coalesce into a larger whole. I found the soundtrack cloy­ingly sweet, too, although it def­in­itely con­trib­uted to the overall “inspir­a­tional” feeling I think the film­makers were aiming for.

Soulforce’s mis­sion is to combat “religion-based oppres­sion” of LGBT people but there was very little about the reli­gious basis of that oppres­sion. In that respect, I found the film com­pared quite unfa­vour­ably with Daniel Karslake’s For the Bible Tells Me So (review), which even used some of the same footage of the demon­stra­tions at Focus on the Family’s headquar­ters. That film also man­aged to fea­ture some LGBT fam­ilies in a sens­itive way, and I’d hoped that SoleJourney might have built upon the earlier film. Instead, I don’t think it will have much appeal to anyone who doesn’t already believe in what Soulforce is doing.

Official site of the film

6/10(6/10)

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Post image for Driven By Vision

Vision TV premi­eres a really inter­esting series this week. On Wednesday March 11 at 10pm, Driven By Vision enters its second season after a name change (the first season was entitled Shrines and Homemade Holy Places). Through seven half-hour epis­odes, we visit a number of unique art sites cre­ated by vis­ionary (or some might just say eccentric) cre­ators, many of whom seem inspired by their sense of con­nec­tion with the divine. The show was cre­ated by Toronto-based Markham Street Films, and written and dir­ected by Michael McNamara. The nine ori­ginal epis­odes will air in the same timeslot begin­ning in May 2009.

A ringing endorse­ment from doc­u­mentary legend Albert Maysles doesn’t hurt either:

This is exactly what we should be seeing on television…a mes­sage of hope through beauty in the sub­ject matter and in the filmmaking.

What caught my atten­tion about this was its sim­il­arity to a web series called American Dreamers that I wrote about a few months ago. It seems that this kind of “out­sider art” archi­tec­ture has cap­tured the ima­gin­a­tion of a lot of people, or at least a lot of doc­u­ment­arians. After watching it, though, I think this will interest almost anyone with an interest in building things or dis­cov­ering inter­esting char­ac­ters. It’s beau­ti­fully shot, and brings the viewer face to face with many works which will never appear in their local art museums.

In the first episode, we meet two loners who have devoted their lives to their indi­vidual art pro­jects. Jim Bishop has spent the past few dec­ades ded­ic­ated to building his very own castle in rural Colorado. Bishop’s Castle is indeed awe-inspiring, but this episode shows the darker side of the affable builder and tour guide and invest­ig­ates some of the pain behind his obses­sion. We also meet the utterly charming M.T. Liggett, who has annoyed every one of his 250 neigh­bours in Mullinville, Kansas by immor­tal­izing them in scrap metal sculp­tures. Using his art to work out his polit­ical and reli­gious opin­ions, and even to memori­alize past loves, he has caused con­tro­versy by planting his pieces along the sides of the highway on his prop­erty. What Liggett con­siders his open air gal­lery, the townspeople con­sider an eye­sore, but it doesn’t seem to bother the 76-year-old Liggett in the least.

If the first episode is any indic­a­tion, I’m very much looking for­ward to meeting the rest of this col­ourful cast of characters.

P.S. According to the Facebook fan page, the series is run­ning on Ovation TV in the US.

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BLAST!

BLAST! is an intriguing doc­u­mentary about a team of astro­phys­i­cists who travel to both poles in an effort to launch a massive tele­scope from a hot air bal­loon to dis­cover more about the ori­gins of the uni­verse. The film ori­gin­ally premiered at Hot Docs in 2008 and is airing in Canada on the Discovery Channel on Friday February 21st at 7:30pm EST.

Doc blogger Agnes Varnum caught the film at the Sheffield Doc Fest in November and called it:

a movie about a sci­entific pro­ject but it is also about learning through trial and error, about what we know and don’t know about the uni­verse, and also a smat­tering of faith in science.

Toronto sci­ence blogger Eva Amsen was also enthu­si­astic:

All in all, BLAST! was a blast! I loved that it was so very much focused on the work, not just on the res­ults. The film had some anim­a­tions to explain basic astro­physics con­cepts, but it also showed what the actual meas­ure­ments from the tele­scope looked like (just graphs and num­bers) and it emphas­ized how much work there was still left in actu­ally inter­preting the data. There are also some great shots of sci­ent­ists being either sad or happy depending on how the research went that day, and everyone being bored and irrit­ated when they have to wait for the weather to change. That’s sci­ence in action.

I respect the opin­ions of both of these women, and there­fore I’m looking for­ward very much to seeing BLAST! If you’re at all inter­ested in seeing real sci­ent­ists at work, and won­dering about the curi­osity that drives them to the ends of the earth in search of know­ledge, you won’t want to miss this broadcast.

Official site of the film
Trailer

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Doubt

by James McNally on December 11, 2008 · 2 comments

in Theatrical Release

Doubt

Doubt (2008, Director: John Patrick Shanley): Directing his own Tony award-winning play, John Patrick Shanley is helped enorm­ously by a stellar cast, including Philip Seymour Hoffman, Meryl Streep, Amy Adams and Viola Davis. All four were recently hon­oured with Golden Globe nom­in­a­tions, as was Shanley’s script. The film, set in 1964 at a Catholic school in the Bronx, is essen­tially a battle of wills between Father Flynn (Hoffman), the cha­ris­matic and pro­gressive parish priest, and Sister Aloysius (Streep), the author­it­arian prin­cipal of the school. There are many reasons for their enmity, including the gen­eral segreg­a­tion of priests and nuns and their dif­fering views of tra­di­tion, but some­thing causes her to sus­pect Flynn of sexu­ally abusing a young black stu­dent. The title has many shades of meaning, but most obvi­ously, it is a seed planted by the older woman in the mind of Sister James (Adams), and ideal­istic young nun who looks up to Flynn.

There is much in the script to savour, and by the end, we’re really not sure what to think of each of our players, but the com­bin­a­tion of an intel­li­gent script and a cast of first-rate actors make this com­pel­ling from start to finish. And sur­pris­ingly, for a film dealing with such a heavy topic, there’s quite a lot of humour. Shanley’s deft touch is not sur­prising, con­sid­ering he’s working with his own material, but the art dir­ec­tion and cine­ma­to­graphy are just right as well, making this much more than just a filmed per­form­ance of the play.

Though I’m sure this will reward mul­tiple view­ings, it was inter­esting to me that the chil­dren in the film, espe­cially the one at the centre of the alleg­a­tions, are curi­ously pushed to the side­lines as the battle of wills plays out. As well, there is very little dis­cus­sion of faith in God, since it seems to be more about some of the insti­tu­tions of the Church. One of my half-formed the­ories is that the rigid sep­ar­a­tion of men and women in the Catholic clergy nat­ur­ally leads to sus­pi­cion and jeal­ousy on the part of the women, who have less power. As well, Sister Aloysius stood for a kind of virtue that has nothing to do with com­pas­sion, while Flynn was the man of weak­ness who can empathize with his con­greg­a­tion. I’ll be very curious to see how the Christian com­munity responds to the film.

If I have just one pet peeve, it’s that almost every single time you hear of a Catholic priest nowadays, it’s in rela­tion to some past sexual abuse alleg­a­tion. It’s a shame that this ste­reo­type ignores the many many fine men who served their con­greg­a­tions and schools self­lessly. I grew up attending Catholic schools in the 1970s, and hap­pily have no horror stories to report. I’m sure I’m not the only one.

Official site of the film
Trailer on the Apple site

9/10(9/10)

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Silent Light (Luz silenciosa)

Silent Light (Luz silen­ciosa) (Director: Carlos Reygadas): Another one of my pre­viewed films that made the final cut, Silent Light is a bit intim­id­ating to write about. Beginning with a stun­ning six minute shot of the sun rising over a Mennonite homestead, the film alerts us that it is going to require patience and a cer­tain sense of con­tem­pla­tion. And it estab­lishes right away that everything that fol­lows, the human story, is sec­ondary to the cycles of nature, to the cir­ca­dian rhythms of the nat­ural world, to the pulse of life that beats deep down in the earth and that echoes throughout the uni­verse. I’m sorry if I’m using high-flown lan­guage; it’s the effect of this strangely haunting film.

Johan is a simple farmer who’s lived his whole life among the Mennonites of northern Mexico. They don’t com­mu­nicate much with out­siders, and speak their own Plautdietsch dia­lect of German. He lives with his wife Esther (Canadian nov­elist Miriam Toews in a sur­prising role) and their large family. The film’s crisis comes when we learn that Johan has been car­rying on an affair with Marianne, another woman in the com­munity. He’s been honest about it with Esther from the begin­ning, and has tried to break it off, but deep in his heart he feels that Marianne is his “nat­ural woman” and that mar­rying Esther was a mis­take. Though he clearly loves her and his chil­dren, he’s torn by the power of his pas­sion for the other woman as well as his con­vic­tion that she is his intended match. Reygadas’ decision to use authentic Mennonite non-professionals has mixed res­ults. Though it’s clear that these are stoic people who use few words, in places the dia­logue still felt excess­ively mannered. He is able to achieve more with the camera than with any spoken dia­logue, and that’s where the film finds its emo­tional power.

The cine­ma­to­graphy and sound design are almost Dogme-like in their sim­pli­city, which makes the film’s climax all the more sur­prising for some. Without giving any­thing away, all I’ll say is that unlike many, I found it com­pletely nat­ural and moving in its sim­pli­city. And although this is sup­posedly a com­munity built on Christian faith, I found some­thing closer to pan­theism beating at its heart.

Here is the Q&A with dir­ector Carlos Reygadas from after the screening:

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Duration: 23:58

Trailer
Official Site

8/10(8/10)

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