Limbo

by James McNally on September 2, 2010

in Film Festivals

Limbo

Limbo (Director: Maria Sødahl): I was ini­tially attracted to this film because of its set­ting: a com­munity of expat oil engin­eers in 1970s Trinidad. But quite apart from exquisite art dir­ec­tion, Limbo fea­tures one of the strongest per­form­ances I’ve seen in quite a while. Sonia (Line Verndal) has delayed joining her hus­band Jo in Trinidad to care for her mother, who’s just had a stroke. But after six months, she packs up her two young chil­dren and leaves Norway for the Caribbean. Upon her arrival, she exper­i­ences much more than cul­ture shock. She dis­covers that her hus­band has been car­rying on an affair with a local woman in her absence. Despite his declar­a­tion that it was just a “fling” and that it is over, she can’t seem to trust him, or to settle into her new life.

She’s also not accus­tomed to having ser­vants make her meals and clean her house, and she seems unable to slip into the life of leisure that the other expat wives take for granted. Despite the fact that her husband’s friend has a Swedish wife, she seems unenthused by the other woman’s over­tures of friendship.

Jo’s efforts to win her trust back also fail, and when she backs out of a trip to Houston with him, he becomes sus­pi­cious. When the chil­dren con­vince her to accom­pany their gardener on an overnight trip to catch crabs, she goes along and even flirts with the man, but it’s revenge and not lust that drives her.

Before long, her dis­com­fort grows into a full-blown nervous break­down, and she checks her­self into a mon­as­tery to “rest.” With this time to clear her mind, she makes a decision about her future that upsets the equi­lib­rium her hus­band has been so des­perate to establish.

Though it might sound a bit like a soap opera on paper, in reality, the per­form­ances lift this con­sid­er­ably, turning it into a char­acter study of a woman trapped in cir­cum­stances seem­ingly beyond her con­trol. When she finally develops the strength to choose her own future, it coin­cides with a moment of tragedy that gives the film an ambiguous but somehow sat­is­fying conclusion.

Here is the Q&A with dir­ector Maria Sødahl and stars Line Verndal and Bryan Brown from after the screening.

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Duration: 16:33

8/10(8/10)

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