thailand

Phobia 2 (Ha phraeng)

Phobia 2 (Ha phraeng) (Directors: Banjong Pisanthanakun, Paween Purikitpanya, Songyos Sugmakanan, Parkpoom Wongpoom ): From Thailand comes this omnibus of 5 short horror tales. I never saw the ori­ginal Phobia (or 4bia as it was clev­erly titled in some places), but the idea of a col­lec­tion of shorter horror stories appeals to me, mostly because I’m a big fraidy-cat and knowing that we’ll be moving on to a new story every 20 minutes or so makes me less afraid.

That being said, it’s a truism that most antho­logy films are wildly uneven. So part of the overall sur­prise of Phobia 2 is not only that it’s fresh and innov­ative, but that each seg­ment is equally fresh and innov­ative, with very high pro­duc­tion values throughout. As a late­comer to the Thai horror scene, I was very pleas­antly sur­prised, but I needn’t have been. The film­makers are some of the same people who are behind some very pol­ished and pop­ular horror films (Alone, Shutter, and of course, Phobia). Here is a brief sum­mary of each story:

  • Novice: a young man is packed off to a rural mon­as­tery after a teen­aged prank goes hor­ribly wrong. In the forest, he comes upon a shrine where people have made offer­ings to the “hungry ghost.” Soon he’ll be pur­sued by the ghost leading him to a true sense of remorse and a ter­rible tranformation.
  • Ward: con­fined to a hos­pital bed after a motor­cycle acci­dent, Arthit is dis­turbed to dis­cover that the old man covered in tat­toos in the next bed is on life sup­port and the leader of a strange cult. In the morning, his fol­lowers will make the decision to pull the plug. Arthit just has to spend a very creepy night next to him.
  • Backpackers: Two Japanese tour­ists are picked up hitch­hiking by an old truck driver and his young partner. They soon realize the truck is car­rying a ter­ri­fying cargo.
  • Salvage: Mrs. Nuch runs a used car deal­er­ship, but doesn’t tell her cus­tomers that all the cars have been rebuilt after being involved in deadly acci­dents. When her young son goes missing after playing in the lot one night, it seems that she will be forced to con­front the tra­gedies that have fuelled her success.
  • In The End: It’s a bril­liant decision to end with this very funny seg­ment, a parody of the Thai horror film­making busi­ness. Filming a sequel to Alone, the film crew are unsettled when the act­ress playing a heavily made-up ghost become sick and has to go to hos­pital. When she returns unex­pec­tedly, they don’t know if she’s human or a ghost, espe­cially when the hos­pital calls to inform them that she has died.

An inter­esting insight is that in three of the seg­ments, the concept of karma is central to the nar­rative. These haunt­ings are never without a reason, and this gives the horror a fatal­istic sense of inev­it­ab­ility that is quite effective. I was also quite impressed with the camera work in each seg­ment; in par­tic­ular, the begin­ning of Ward where the camera is locked to the wheels of a hos­pital gurney while the soundtrack fea­tures the rev­ving engine of a motorcycle.

I would say that Phobia 2 is a great calling card for these dir­ectors, and for Thai horror cinema in gen­eral. It’s cer­tainly been suc­cessful in get­ting this hor­rorphobe to seek out the film­makers’ other films.

Official site of the film

8/10(8/10)

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Citizen Dog

by James McNally on September 16, 2005

in Film Festivals,TIFF

Citizen Dog

Citizen Dog (Thailand, dir­ector Wisit Sasanatieng): I’d heard some buzz around this film, that it was sort of a Thai Amelie. In fact, it’s Amelie cranked up to 11. Which is entirely too much. This film is abso­lutely over­stuffed with whimsy. A nar­rator tells us the story of country boy Pod, who comes to Bangkok to find work and falls in love with Jin. Along the way, he loses and then finds his finger, drives around a chainsmoking talking teddy-bear as well as a man who licks everything, and shares his house with a gecko that has the face of his dead grand­mother. If that’s not enough, the object of his desire is an obsessive neat freak who car­ries around a book written in Italian that she can’t read. A case of mis­taken iden­tity sends her off on an envir­on­mental cru­sade that res­ults in her accu­mu­lating a moun­tain (lit­er­ally, a moun­tain) of plastic water bottles. Will this pair find love in the end? Well, by the end, I didn’t care that much.

The problem was that the visual tricks and whimsy over­whelm the char­ac­ters, who end up being nothing more than a col­lec­tion of quirks. The con­stant voi­ceover also never really lets the char­ac­ters tell their own stories, and the romance never feels believable.

Sasanatieng is obvi­ously a dir­ector of huge talent, and there are quite a few great sight gags and some really ori­ginal visuals. But there’s just far too much of it. It’s like eating a whole chocolate cake at one sit­ting. If he could tone down the trickery a bit, and find a story with real char­ac­ters, he could one day make a really out­standing film. This isn’t it yet, but I hope he does it. I’m giving this 6.5, though my graphic below doesn’t show halves.

6.5/10(6.5/10)

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