#fantasia2010

Fantasia International Film Festival 2010

Running from July 8–28, Montréal’s Fantasia International Film Festival is argu­ably North America’s biggest and best genre film fest­ival. Stretching over nearly three weeks, it’s an extremely tan­tal­izing pro­pos­i­tion for this film lover to embark on a weekend road trip, but unfor­tu­nately, it’s rather unlikely this year. It’s become even more tempting after I received the hefty cata­logue in the mail yes­terday. As always, the fest­ival has included a DVD packed with more than three hours (!!) of trailers for films screening at the fest­ival. And yes, I’ve watched the whole thing already.

The good news is that friends from some Toronto fest­ivals like Reel Asian and After Dark are attending, and will be scouting for gems to bring to Toronto in the next few weeks and months. If they’re reading, here are some for the wish list:

  • 1 (Hungary, Director: Pater Sparrow): A sci-fi film remin­is­cent of the work of Jose Saramago (Blindness). A bookstore’s books sud­denly all trans­form into a book called 1, filled with random-seeming stat­istics. As sci­ent­ists race to decrypt the book’s meaning, the store’s employees are con­fined to a mental hos­pital. Sounds com­pletely unique.
  • Chernaya Molniya (Black Lightning) (Russia, Directors: Alexandr Voytinskiy and Dmitriy Kiselev): A super­hero film about a young man with a flying car. This looks better than some­thing like The Sorcerer’s Apprentice though I expect it will have a pretty sim­ilar plot and char­acter arc. And the car’s a Soviet-era Volga, so that’s awe­some, right?
  • First Squad: The Moment of Truth (Russia/Japan, Director: Yoshiharu Ashino): Anime based on a World War II battle between the Soviet 6th Army and the German Ahnenerbe, a secret occult divi­sion of the SS. Undead sol­diers on both sides fight each other to the, er, well? Some alternate his­tory ele­ments make this inter­esting, and appar­ently the Ahnenerbe really existed.
  • Golden Slumber (Japan, Director: Yoshihiro Nakamura): From the dir­ector who brought us Fish Story (a hit at last year’s Reel Asian fest­ival, another story of inter­secting lives and actions. This time, a “chance” meeting with an old col­lege friend leads to a man’s unwit­ting involve­ment in an act of polit­ical terrorism.
  • Rubber (France, Director: Quentin Dupieux): A satir­ical horror film about a mur­derous tire. Enough said.
  • Sawako Decides (Japan, Director: Yuya Ishii): A coming-of-age-in-the-countryside film that the Fantasia cata­logue also describes as “a grim feel­good movie.”
  • Secret Reunion (South Korea, Director: Jang Hun): A sort of espi­onage buddy-cop movie with Song Kang-ho (The Host, Secret Sunshine, Thirst) as an older agent trying to catch a North Korean spy. From the dir­ector of last year’s excel­lent Rough Cut.
  • Tears for Sale (Director’s Cut) (Serbia, Director: Uroš Stojanovic): I reviewed this when it played at TIFF in 2008, but it’s never appeared on DVD, and now Fantasia is showing an extended director’s cut with 14 addi­tional minutes of eye-popping visuals. I’d love to intro­duce more people to this one-of-a-kind film.
  • Technotise: Edit & I (Serbia, Director: Aleksa Gajic): Cyberpunk anime from Serbia, about an indes­truct­ible young woman. Yes please!

If you do have the oppor­tunity to be in Montréal this month, don’t miss Fantasia. Though the city is wel­coming and beau­tiful, treas­ures await you in its darkened cinemas.

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