football

Offside (Iran, director Jafar Panahi): Filmed during an actual qualifying match for the 2006 World Cup, Offside works brilliantly as both a comedy and a tragedy. The film follows the fortunes of a group of young women who are caught trying to sneak into a football match at Tehran’s Azadi Stadium. The country’s Islamic religious leaders have decreed that women may not sit with men at sporting events, lest they be exposed to cursing and other morally questionable behaviour. This hasn’t stopped the country’s young female fans, who continue to sneak in using various tricks. But Panahi focuses on a small group who have been caught and are being detained agonizingly close to the action. They beg the bored soldiers guarding them to let them go or at least to let them watch the match. The soldiers tell them they shouldn’t have tried to get in, that they could have watched the game at home on TV. They banter back and forth in almost real-time as the game continues, just off-camera.

There is one very funny sequence where a young soldier accompanies one of the girls to the restroom. Since there are no female restrooms at stadiums, he has to clear the room of any men before he can allow her to go in. Plus, he makes her cover her face so no one can see she’s a woman. This is accomplished using a poster of Iranian soccer star Ali Karimi as a mask, with eye holes punched out.

You get a real sense that even the soldiers are baffled by the prohibition, and are only carrying out their orders so as to hasten the end of their compulsory military service. One soldier complains that he was supposed to be on leave so he could take care of his family’s cattle in the countryside. Little by little, the girls and the soldiers talk to each other, and there are numerous small acts of kindness on both sides to show that these are basically good people living in terrible circumstances. However, the soldiers’ constant reminder that “the chief” is on his way lends a sense of menace, since we don’t know what sort of punishment the women will face.

Unlike most Iranian films, which are known for their strong visuals, Offside is filmed in a realist style with no artifice. In fact, the film was made during the actual qualifying match against Bahrain that took place on June 5, 2005. The “plot” in many ways was determined by the result on the pitch. If Iran won the match, they would qualify. If they lost, they would not. Since the World Cup has come and gone, I don’t think it is a spoiler to say that Iran won the match. The scenes of celebration at the end of the film were real and spontaneous, which gave the film a real authenticity. Seeing how much this meant to the people of Iran was deeply touching.

As well, one of the young women makes reference at the end of the film to seven fans who died during the Iran-Japan match on March 25, just a few weeks before. They were trampled to death after police began to spray the crowd with water to move them in a certain direction. Knowing that this was a real-life tragedy added another level of poignancy to the celebrations.

I don’t want to go off on a long political tangent, but this film gave me real hope that there are those in Iran who are hoping for change and working at it. Iran is a nation of young people, and it is only a matter of time before they take the place of their elders in the political sphere. Films like this one show the proud spirit of the Iranian people in spite of their present difficulties, and it’s my sincere hope that there is a brighter future for them.

Interview with director Jafar Panahi

Interview with director Jafar Panahi at Reverse Shot

Good review from Sight and Sound magazine

(9/10)

Once in a Lifetime: The Extraordinary Story of the New York Cosmos (USA/UK, 2006, Director: Paul Crowder and John Downer, 97 minutes): The North American Soccer League was struggling along through the 1970s until the New York Cosmos, owned by Warner Communications head Steve Ross, decided to bring superstar Pele to the Big Apple. Suddenly, attendance was up, and the Cosmos started winning. Continuing the formula by bringing some European stars over, the Cosmos won several league titles over the next few years. In the process, the once-moribund NASL expanded quickly to 24 teams. Unfortunately, the resulting dilution of talent, and the inability of smaller-market clubs to pay the huge salaries demanded by European or Latin American stars, meant that the league soon imploded.

The film tells the story with humour and verve, and it’s hard not to be a little bit nostalgic for the days when 70,000 people would crowd into Giants stadium to watch “the other football.” But ultimately, the Cosmos’ strategy was short-sighted. Building an audience for soccer in North America was going to take time, and the free-spending style of Ross and the Cosmos attracted only fairweather fans, who would melt away as soon as the team stopped winning. Other franchises couldn’t attract enough fans in the first place, and the league suffered as a result.

It was interesting that the director admitted afterwards that he is a huge fan of Chelsea Football Club in the English Premiership. Chelsea are following a similar strategy at the moment, with the seemingly endless billions of owner Roman Abramovich funding the construction of another superteam. So far, they’ve won back to back titles in England, but to the detriment of the league, according to many observers. Without a salary cap, the English Premier League drains talent away from the rest of the world, and Chelsea are the richest club of all. This concentration of talent makes the game less competitive in the long term, and while it may attract a few new fans, they’re not the sort of fans who will stick around if and when the team starts losing.

Many of the American innovations brought to the game by the NASL have made it into the game in the rest of the world. For example, penalty shootouts to decide games tied after regulation time. This will always be unpopular with football purists, but for the casual fan, it certainly adds excitement to the game. Other gimmicks weren’t so successful, thankfully. Who wants to see cheerleaders at a football match?

The only flaw in the film was the absence of any present-day interviews with Pele or Johan Cruyff (who played for the Los Angeles Aztecs and Washington Diplomats franchises), though I believe numerous attempts were made to obtain their participation. The director Paul Crowder promised lots of fun stuff in the DVD extras, including their attempts to get Pele on board.

An interesting article on the editing of the film

Official site of the New York Cosmos

Wikipedia entry on the New York Cosmos

Information on the NASL from the National Soccer Hall of Fame

The American Soccer History Archives

The NASL Alumni Association arranged a reunion for more than 60 former players in September 2005.

(9/10)

The Railroad All Stars (Spain, 2006, Director: Chema Rodriguez, 91 minutes): The film tells the story of an unlikely soccer team made up of Guatemalan prostitutes, formed to draw attention to the constant harassment and violence they suffer. Although this sounds desperately sad, the film was filled with moments of humour and even joy. Shot on a tiny budget, the actual soccer scenes were hard to watch, both for the jerky camera movements and the necessity of watching subtitles. But this film was filled with memorable characters, from Marina, the one-eyed ex-prostitute alcoholic and her devoted husband, to Valeria, the beauty with the gang member boyfriend in prison for murder.

La Linea is the railway line that runs through their poor neighbourhood, and so they name their team Estrellas de la Linea and begin taking on teams all over the country, including a team of female police officers. The whole idea of these women forming a unified group is remarkable in itself, since the very nature of their work makes them rivals with each other. And indeed the team and its political program is short-lived, but we do get a sense that many of these women want to change their lives.

Unfortunately, the situation in Guatemala remains bad, with violence against women (especially prostitutes) continuing to rise. The hope for real change is dim, but at least in the lives of these particular women, we see some rays of light.

PDF and link to story from The Global Game from November 2004

NPR story from January 2005 on the team

(8/10)

NOW Toronto: NNN (out of 5) (review)
EYE Weekly: *** (out of 5) (review)