Tuesday, March 24, 2009

Bomber

by James McNally on March 24, 2009

in Film Festivals,SXSW

Bomber

Bomber (Director: Paul Cotter): A well-edited trailer and an inter­esting premise drew me to this film, and I have to say up front that Bomber didn’t quite live up to expect­a­tions. It’s a film I wanted to like. Ross is an under­em­ployed art school graduate with an extremely pos­sessive girl­friend. To make things worse, he’s been dragged unwill­ingly along on a road trip with his par­ents. His father, Alistar, was a teenage bomber pilot for the Royal Air Force during the Second World War and wants to return to the small vil­lage in Germany he acci­dent­ally bombed in order to apo­lo­gize. Director Cotter used only three actors and seven crew, picking the rest of his cast from among the local townspeople. So far, so good. There is actu­ally a lot to like about Bomber: it’s beau­ti­fully shot in high-definition, there’s a won­derful soundtrack (espe­cially the songs by Sweden’s Marching Band), and the per­form­ances are gen­er­ally good. Where the film let me down was in its weak script. Hackneyed dia­logue and crude attempts at humour didn’t bother most of the audi­ence, but they did grate with this reviewer. The pacing could have been tightened up a bit too. The bits I enjoyed the most were actu­ally the dialogue-free shots of the family van driving through the Dutch and German land­scapes, accom­panied by the excel­lent soundtrack music. Unfortunately, those shots could very well have occurred in a car commercial.

Most frus­trating for me was the way son Ross pro­gresses from a total emo­tional melt­down in one scene, trying to attack his par­ents from out­side the van, to later giving them lec­tures filled with psy­chobabble like “you just have to express what you’re feeling.” Normally, com­edies are full of char­ac­ters this incon­sistent, but the problem is that Bomber isn’t strictly a comedy, and when it went for any sort of emo­tional payoff, I was unmoved because these char­ac­ters hadn’t really been developed beyond sketches.

I sus­pect that Cotter fell prey to the mis­con­cep­tion that he needed to be an auteur, both writing and dir­ecting his first fea­ture film. Though the idea ger­min­ated with him and his own family his­tory (and in fact he has also written a radio play called Dropping Bombs essen­tially cov­ering the same ground), I think the story would have been better served by bringing in a more exper­i­enced scriptwriter, who could have pol­ished Bomber into a much better film.

Page for the film on the director’s web site

Trailer

6/10(6/10)

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Post image for Hot Docs 2009 Announces Full Lineup

This morning, Hot Docs announced the full lineup for the 16th edi­tion of this internationally-renowned doc­u­mentary film fest­ival, run­ning this year from April 30 — May 10. From the press release, I learned that there were almost 2,000 films sub­mitted, and from that huge number, 171 films from 39 coun­tries were selected for screening.

Sean Farnel at the press conference
Hot Docs Director of Programming Sean Farnel at the press con­fer­ence (Photo: Jay Kerr)

My involve­ment this year started a number of weeks ago, when I was invited to help screen sub­mis­sions as an Associate Programmer. Now my role shifts back to being a member of the online media. I’m hoping to watch and review as many of these carefully-chosen doc­u­ment­aries as I can fit into my schedule. Just having a look over some of the selec­tions, I’m excited and looking for­ward to my sixth year of attending what is prob­ably my favourite local film fest­ival. Here are just a few of the high­lights I’m anticipating:

  • Act of God (Jennifer Baichwal) will open the fest­ival, exploring the lives of people who have been struck by lightning.
  • Burma VJ: Reporting from a Closed Country (Anders Øster­gaard) takes us onto the streets of Myanmar (Burma) with footage shot by protesting monks.
  • Let’s Make Money (Erwin Wagenhofer) pen­et­rates the world of high fin­ance and neo-liberal economics.
  • Objectified (Gary Hustwit) will make its Canadian premiere after sev­eral packed screen­ings at SXSW.
  • Rough Aunties (Kim Longinotto) are a group of remark­able women who care for the abused chil­dren of Durban, South Africa.
  • Sergio (Greg Barker) is a por­trait of the UN High Commissioner for Human Rights Sergio Vieira de Mello who was the victim of a bomb attack in Iraq in 2003.
  • Tyson (James Toback) is a con­tro­ver­sial por­trait of the fighter Mike Tyson by one of his closest friends.
  • We Live in Public (Ondi Timoner) is a doc­u­ment of Internet pioneer Josh Harris’ decade-long exper­i­ment in living his life online in the public eye.
  • Winnebago Man (Ben Steinbauer) intro­duces us to the man behind the infamous YouTube hit, the world’s angriest RV salesman.

Tickets and passes are already on sale, and I can assure you that Hot Docs is one of the best bar­gains for film lovers in this city.

Here’s a link to the full schedule.

P.S. Looking over the final lineup, I realize that none of the 61 doc­u­ment­aries I watched in February made it in. And I saw some very good films.

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