worldwideshortfilmfest

Post image for CFC Worldwide Short Film Festival 2009

I must admit that I’ve been paying a lot more atten­tion to shorts lately, and not just the leg-revealing ones that have arrived with the warmer weather. The last time I covered the CFC Worldwide Short Film Festival, in 2007, I expressed a cer­tain befuddle­ment when it came to actu­ally writing about these mini-movies. But I’m con­vinced that short films are not only the training ground for fea­ture dir­ectors, but may even be the future of film. During the most recent Sundance Film Festival, the pro­gram­mers made a number of the short films screening there avail­able for free through the iTunes music store. As more and more of us acquire mobile devices that are cap­able of playing video, the market for short films will grow. We may not have time to watch an entire fea­ture film during our morning com­mute, but some­thing in the 5–30 minute range might just be perfect.

So if you want a glimpse at the future of film­making, whether it be a dir­ector who remains a spe­cialist in shorts, or someone who gradu­ates to longer work, don’t miss this year’s fest­ival. As in pre­vious years, the screen­ings are organ­ized into them­atic “loot bags” with lots of poten­tial for dis­covery. Here are the themes for this year:

And those are just the Official Selection com­pet­itors. There are lots of other them­atic screen­ings, including sec­tions focused on horror, comedy, music, and a spe­cial focus on Belgium this year. This year’s fest­ival runs from June 16–21 at the Cumberland and R.O.M. cinemas. The excep­tion is the opening night screening (fea­turing award-winning shorts from around the world) which takes place Tuesday June 16 at 7pm at the Bloor Cinema.

P.S. You just might find me at the Celebrity Shorts pro­gram on Thursday June 18 at 7pm at the R.O.M. cinema. It will fea­ture the Canadian premiere of Eve, Natalie Portman’s dir­ect­orial debut, star­ring Lauren Bacall, Ben Gazzara and Olivia Thirlby, and with a score by Sufjan Stevens. I’m also inter­ested in seeing Sparks, which is the dir­ect­orial debut of actor Joseph Gordon-Levitt. It’s based on an Elmore Leonard short story, and stars Eric Stoltz and Carla Gugino. Will these just be celebrity vanity pro­jects or has acting actu­ally taught these two some­thing about film­making? Come and see!

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The Danish Poet
The Danish Poet

Tonight’s pro­gramme con­sisted of award-winning shorts released in 2006, and just watching them one after another led me to a few con­clu­sions about short films in gen­eral. To com­pare them to written works, they’re a bit like poems to a fea­ture film’s novel. And to com­pare to spoken word, they’re like jokes as opposed to sagas. With such a short amount of time, they need to make their points quickly, so there is often a high “clev­erness” factor and the end­ings often feel like the punch line of a joke. This can work well, but a film that stands out is one that doesn’t make these tropes so obvious. Here, in my order of enjoy­ment, are tonight’s selections:

  • The Danish Poet (Canada/Norway, 2006): With lovely nar­ra­tion from Liv Ullmann, this story felt the most organic and the least gim­micky. Even though there is a sort of punch­line “payoff” at the end, it’s tele­graphed early enough to set us down gently. The whim­sical anim­a­tion style and always-great use of anim­ated (but non-speaking) animals made this a worthy Oscar-winner this year. Check out the film’s web site. (9/10)
  • Dreams and Desires — Family Ties (UK, 2006): Another anim­ated short, this one clev­erly used anim­ated sketches to sim­u­late a wed­ding video filmed by the oddly cinephilic Beryl, a large woman of grand­moth­erly vin­tage. Her attempts to film the dis­astrous occa­sion in the styles of famous dir­ectors from Eistenstein to Riefenstahl, all the while keeping up a steady stream-of-consciousness nar­ra­tion, keeps this one rol­licking along, des­pite the nearly impen­et­rable accents. (9/10)
  • Tanghi Argentini (Belgium, 2006): This is a charming tale of an office drone who just might be an angel. André needs to learn to tango in two weeks so he can meet his Internet crush, so he turns to his col­league Frans to help teach him to dance. Will love bloom? (8/10)
  • Contact (Raak) (Netherlands, 2006): Three char­ac­ters paths cross again and again in this cleverly-edited short. There’s that word “clever” again. (7/10)
  • The Substitute (Il Supplente) (Italy, 2006): A class of high-school stu­dents is ter­ror­ized by a Scott Thompson (ex-Kids in the Hall) lookalike, who then gets his comeup­pance. Funny in an odd sort of way. (7/10)
  • Make A Wish (Atmenah) (USA, 2006): A straight­for­ward, almost documentary-like tale of a young girl who will go to any lengths to get a spe­cial birthday cake. Only it’s set in the West Bank. The film­making is pretty rudi­mentary and there’s a bit of a (tragic) punch­line at the end. (6/10)
  • Imagine This (Australia/Ireland, 2006): Sometimes a short should also be a “small.” Using found internet footage to make George W. Bush “sing” John Lennon’s “Imagine” was a pretty funny idea. But it really shouldn’t have made it off the YouTube site. (5/10)

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Worldwide Short Film Festival

I’ve been for­tu­nate enough to obtain press accred­it­a­tion for the 13th annual Worldwide Short Film Festival, which is run­ning from June 12–17 here in our fair city. The motto this year is “Shorter is Better” which suits me fine, since I’m on the lower end of the height scale. It will be a par­tic­ular chal­lenge, though, to actu­ally review these films, since the various pro­grammes often cram ten or more shorts into each screening. But I’m going to do my best. My only con­firmed screening so far is the Opening Night Gala being held tomorrow evening. It gathers a number of award-winning shorts into one programme:

  • Imagine This (Australia/Ireland, 2006)
  • Contact (Raak) (Netherlands, 2006)
  • Dreams and Desires — Family Ties (UK, 2006)
  • Make A Wish (Atmenah) (USA, 2006)
  • The Substitute (Il Supplente) (Italy, 2006)
  • The Danish Poet (Canada/Norway, 2006)
  • Tanghi Argentini (Belgium, 2006)

This is my first time attending this fest­ival and really my first time attempting to review shorts, so I’m sure I’ll learn a lot.

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