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mormonism

Andrew James and Joshua Ligairi
Cleanflix has a number of fest­ival screen­ings coming up in the coming months. Catch the film at the Big Sky Documentary Film Festival in Missoula, Montana, and at Cinequest in San Jose, California.

My first film at the 2009 Toronto International Film Festival was Cleanflix (review), a doc­u­mentary which explored the issues sur­rounding the sale and rental of edited ver­sions of R-rated movies to obser­vant Mormons in Utah. I knew that after seeing the film, I wanted to ask the cre­ators many more ques­tions than they could have fielded during the post-screening Q&A. So, thanks to David Magdael and Margot Hardy from TC:DM Associates, I was able to sit down for half an hour with the cre­ators of the film during what must have been a very hectic week for them. In addi­tion to co-directors Andrew James (on the left in the pic­ture above) and Joshua Ligairi (on the right), we were also joined by pro­ducer Amber Bollinger.

Since the inter­view deals with some plot points in the film, it really makes sense to read my review first.

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Cleanflix

Cleanflix (Directors: Andrew James and Joshua Ligairi): The Mormon reli­gion for­bids its adher­ents from watching R-rated movies, but Mormons des­per­ately want to see the films that everyone else is talking about. This moral quandary cre­ated what looked like a golden busi­ness oppor­tunity for a group of Utah entre­pren­eurs. Beginning in 2000, Ray Lines began using com­puter soft­ware to digit­ally remove offending scenes from DVDs. His edited ver­sions of the movies were a hot seller and soon his busi­ness, Clean Flicks, was growing wildly. At its height, he owned 10 video stores and sup­plied another 70. He even moved the busi­ness online, selling off the stores to a number of dif­ferent people. Daniel Thompson bought sev­eral of the stores and seemed to be the most suc­cessful. But after the Directors’ Guild of America filed suit against Clean Flicks and its oper­ators, these busi­nesses were living on bor­rowed time. When the case was finally settled in 2006, they were forced to close down.

But quite a few car­ried on. They simply found other com­panies to do the editing and bought their movies from them. Among these out­laws was Thompson. He simply felt that the market demand was over­whelming, and busi­ness was too good. He con­tinued oper­ating under what he saw as a legal loop­hole, which allowed edu­ca­tional use of copy­righted material. But his pen­chant for seeking the spot­light only brought unwanted atten­tion to Flick’s Club, the editing com­pany he was using, and they were soon ordered to shutter their oper­a­tion. To make things worse, within a few months of his own busi­ness closing down, Thompson was charged with paying a minor for sex. The irony of someone oper­ating a busi­ness which offered san­it­ized movies to a reli­gious cli­en­tele being involved in such scan­dalous beha­viour was not lost on the local media, whose atten­tion Thompson no longer wanted.

The dir­ectors of Cleanflix faced the not-uncommon documentarian’s dilemma of having to deal with a chan­ging story. Unfortunately, it’s led to the frac­turing of their film into two pieces. The first half is an engrossing film about issues of cen­sor­ship, intel­lec­tual prop­erty, and an exam­in­a­tion of Mormon cul­tural mores. The second half is a voyeur­istic look into one man’s moral fail­ings. In my opinion, the effort to meld them into a coherent film is only par­tially suc­cessful. It’s unfor­tu­nate that Thompson’s down­fall seemed to be greeted with such glee by the smugly lib­eral audi­ence. I don’t think the film­makers’ inten­tion was self-righteous, and the “comeup­pance” angle blunted the impact of sev­eral inter­esting issues, which remained unresolved.

For instance, I’m curious how the “fair use” copy­right act­iv­ists who advocate for the freedom to “mash up” intel­lec­tual prop­erty feel about editing Hollywood movies to remove objec­tion­able con­tent. I was also fas­cin­ated by the cul­tural phe­nomenon of reli­gious people trying to get around the letter of the law so they can say they’re watching the same films as the rest of America, even when they’re not. I can appre­ciate how Thompson’s fail­ures as a human being illus­trate the futility of trying to pro­tect people from bad external influ­ences, but by let­ting the audi­ence see him as the vil­lain, Cleanflix shouts when it might have whispered.

Official site of the film

Here is the Q&A with dir­ectors Andew James and Joshua Ligairi from after the screening:

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the latest ver­sion here. You also need to have JavaScript enabled in your browser.

Duration: 16:14

7/10(7/10)

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TIFF season is upon us again. For the past few weeks, I’ve been patiently entering each batch of announced films into a spread­sheet, and noting with growing alarm the number of great films that are making their way to my city. Each year, I pre­view a few in the hope that it helps me narrow things down. In this first post, I’ll focus on documentaries:

Bassidji

Bassidji (Director: Mehran Tamadon): This looks timely in light of the recently con­tested pres­id­en­tial elec­tion in Iran. The film­maker fol­lowed mem­bers of the Islamist cit­izen militia over three years in an attempt to under­stand their rabid sup­port for Iran’s Islamic revolu­tion. These are the same people who have been blamed for much of the post-election viol­ence inflicted on pro­testers. There are alleg­a­tions that the gov­ern­ment con­trols them at arm’s length in order to deny respons­ib­ility for any “excesses.”

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Cleanflix

Cleanflix (Directors: Andrew James and Joshua Ligairi): I remember reading a few years ago about sev­eral Utah com­panies who rented “edited” ver­sions of Hollywood movies to devout Mormon cus­tomers. All the sex, viol­ence and bad lan­guage had been removed. I always wondered how long and how coherent the res­ulting movies could be. This doc­u­mentary fol­lows these entre­pren­eurs, some of whom exper­i­enced a few R-rated plot twists of their own.

Official site of the film

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The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers

The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (Directors: Judith Ehrlich and Rick Goldsmith): Daniel Ellsberg was a trusted Pentagon insider until he leaked The Pentagon Papers, exposing how the gov­ern­ment had been lying about the Vietnam War. Nixon became so enraged and obsessed with pun­ishing Ellsberg that it con­trib­uted to bringing down his gov­ern­ment and ending the war.

Official site of the film

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