Documentaries

For The Bible Tells Me So
Editor’s Note: Doc Soup is a monthly doc­u­mentary screening pro­gramme run by the good folks at Hot Docs. It gives audi­ences in Toronto (and now Calgary and Vancouver!) their reg­ular doc fix each year from the fall through to the spring, leading up to the Hot Docs fest­ival itself.

For The Bible Tells Me So (Director: Daniel Karslake): This doc­u­mentary came to my atten­tion through Joel Heller’s excel­lent site Docs That Inspire, before it played at Sundance this past January. The film explores the inter­sec­tion of homo­sexu­ality and reli­gion, par­tic­u­larly among con­ser­vative Christians, and as such, it tackles a sub­ject near and dear to me. I spent many years immersed in the evan­gel­ical sub­cul­ture and went through the very painful coming-out exper­i­ence of a close friend. This is exactly the sort of film I wish we’d had in the early 90s. Through the exper­i­ences of five Christian fam­ilies, each with a gay or les­bian child, we watch as real people struggle to integ­rate their love for their fam­ilies with their own beliefs and exper­i­ences. But this isn’t the typ­ical con­front­a­tional sort of film many of us have seen before. Instead, we meet clergy who have wrestled hon­estly with what the Bible says, and who are able to recon­cile their faith with accept­ance of gay and les­bian people. It’s gut-wrenching stuff, and not everyone will be con­vinced by the theo­logy, but at least it gets people dis­cussing the meaning of the dis­puted bib­lical pas­sages, rather than just quoting them.

I par­tic­u­larly liked that not all the fam­ilies are the same. Some still struggle to accept what they per­ceive to be their child’s “sinful” life­style, while others have gone on to polit­ical act­ivism (in some cases, even to the point of being arrested!). Karslake has made a very wise choice by adopting the name of a par­tic­u­larly obstinate opponent of gay rights, Focus on the Family, as his theme. By focus­sing on the real fam­ilies and exper­i­ences of gay people, he removes much of the appre­hen­sion and fear of straight people, espe­cially reli­gious straight people. I loved the way he intro­duced each family by having the par­ents explain how they them­selves met and fell in love. It showed us that attrac­tion and romance are at the root of all of our fam­ilies, and that the rela­tion­ships of gay people are really not much dif­ferent than anyone else’s.

If I have any mis­giv­ings about the film, they are rel­at­ively minor. One is the use of a short anim­ated seg­ment to try to explain some of the recent sci­entific research around homo­sexu­ality. I thought the tone was a little too self-consciously light-hearted and I thought the seg­ment was largely unne­ces­sary. The other quibble was that earlier in the film, Focus on the Family’s Dr. James Dobson is (right­fully) called out for com­paring advoc­ates of gay mar­riage to Hitler, but then later, actual footage of Hitler is used to describe the per­se­cu­tion of gay people. I don’t think you can have it both ways.

Nevertheless, this is a fair, gen­erous, and incred­ibly moving por­trait of real people trying to recon­cile their deepest-held beliefs with their very iden­tities of them­selves or of those closest to them. I’m not ashamed to tell you that I was moved to tears sev­eral times. Despite that, I think it’s a film that would move others who are per­haps not quite so close to the issues. My wife and I have a run­ning joke. We’ve got the great idea that if only fun­da­ment­alist Christians and gay people could actu­ally meet each other instead of hurling insults across the divide, much under­standing and even recon­cil­a­tion could be achieved. I’ve offered to hold a series of dinner events called “Fags and Fundies” to which we could invite quite a few of our friends. I think I’ve found the per­fect film to get the dis­cus­sion started.

NOTE: The film is showing in various venues in the US in the coming months, but so far, there are no Toronto screening dates. Check the film’s site for any changes, and look for a DVD release in the coming months.

UPDATE (January 9, 2008): The film’s Toronto premiere will be tonight at the Bloor Cinema as part of the Doc Soup pro­gramme. Director Daniel Karslake will be in attend­ance. Screenings at 6:30pm and 9:15pm.

Official web site of the film

Docs That Inspire’s Joel Heller inter­views dir­ector Daniel Karslake

Soulforce, an organ­iz­a­tion of gay and les­bian Christians and their straight allies fighting reli­gious bigotry

PFLAG (Parents, Families and Friends of Lesbians and Gays)

9/10(9/10)

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If you live in Canada and aren’t aware that CBC Newsworld runs a lot of great doc­u­ment­aries, then you’re missing out. Here are just a few bits of exciting news about their upcoming schedule.

  • This Sunday night, September 23rd, at 10pm Eastern and Pacific time, catch Everything’s Cool (review), a great pos­itive doc­u­mentary about cli­mate change and people that are actu­ally trying to do some­thing about this scourge.
  • During the week of October 7th, the net­work is screening five of the films from the Why Democracy? pro­ject, three of which just screened at TIFF (the other two were fea­tured at Hot Docs earlier this year). Full schedule and more inform­a­tion here.

Be proud, Canadians. These are your tax dol­lars at work!

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Captain Mike Across America

Captain Mike Across America (Director: Michael Moore): Michael Moore’s latest film received a standing ova­tion at the Ryerson Theatre last Friday.

Republicans will see his latest work as a pro­pa­ganda film and some Canadians will call it a com­plete pile of rub­bish. Democrats will love the film and see it as the truth that has been sup­pressed by the media. This Canadian found it very entertaining.

During the last American elec­tion, Moore trav­elled the country encour­aging younger people to vote and more import­antly, to vote Democrat. His visits to col­leges across America became known as the Slacker Uprising Tour.

He takes the usual cheap shots at Bush, shows a number of Bush bloopers and invites musical guests to enter­tain the slackers (Eddie Vedder, Joan Baez, Steve Earle, REM and others).

One of my favourite moments in the film comes when Moore holds a press con­fer­ence. He points out that he had the courage to bring up the weapons of mass destruc­tion lie, at the Oscars sev­eral years ago. He goes on to lam­baste the reporters for being lazy and not doing their jobs — which is invest­ig­ating the truth instead of being a pro­pa­ganda machine for the White House.

He argues that Americans should be able to sit at home, eat a bag of Tostitos and get the truth for free on the evening news. Instead, he argues that Americans had to shell out 10 dol­lars to get the truth in from his film Fahrenheit 9/11.

As Moore went across the south­west in 2004, it was amazing to see how Republicans tried to shut him down. One busi­nessman offered $100,000 to a stu­dent group to not invite Moore to their school to speak.

Moore failed in helping to get Kerry elected but he suc­ceeded in get­ting younger voters out to the polls in record num­bers. For Democrats, Moore describes the film as “a cure for the hangover that fol­lowed” the 2004 election.

When asked if Moore would do a follow up to the film he said “no”. Moore claims that his life was threatened a number of times. At one event a guy allegedly got up on stage and tried to attack Moore with a pipe. At another event, some­body pulled a knife and while in Fort Lauderdale a man tossed a cup of hot coffee on Moore.

Love him or hate him, his films are enter­taining. The audi­ence at Ryerson couldn’t get enough of his stories. The film will have a lim­ited the­at­rical release in North America according to Harvey Weinstein who was in the audi­ence. Following that will be a DVD release which will include a lot of extra footage and a show Moore did in London shortly after 9/11. My guess is that all of this will come out next year just before the elec­tion (depending on how the Democrats are doing in the polls).

7/10(7/10)

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Toronto After Dark Film Festival

For a film fest in just its second year, the Toronto After Dark Film Festival (October 19–25) is run like a well-oiled machine. Adam Lopez, Twitch’s Todd Brown, and the rest of the staff are well-organized and pro­fes­sional, not to men­tion gen­erous. They’re ready to bring another col­lec­tion of cutting-edge horror, sci-fi, and fantasy films to town. After all the hype and celebrity-watching of TIFF, it’s refreshing to look for­ward to a fest­ival on a more human scale (and with more zom­bies!). Though I’m not a huge horror fan, After Dark brings enough weird stuff here that I’m sure I’ll find a lot to like. They’ve just announced their first seven fea­tures, and I’m par­tic­u­larly thrilled to see that Audience of One will be making its Canadian premiere. I missed it at SXSW this spring and have been prac­tic­ally beg­ging dir­ector Mike Jacobs to bring it Toronto.

Audience of One

It’s the story of Pentecostal pastor Richard Gazowsky, who believes that God is calling him to make an epic sci-fi film based on the bib­lical story of Joseph. Despite the fact that he didn’t see a movie at all until he was 40 years of age, he decides that he must be the dir­ector. Anything and everything that can go wrong, does, and Jacobs’ camera is there to cap­ture the whole train wreck on film. I’m hoping to get an inter­view with the dir­ector when he’s here.

If that’s not up your alley, check out the fest’s excel­lent web site for more premiere announce­ments. Single tickets go on sale September 26th, and if you’ve been paying for tickets to “that other film fest­ival,” you’ll be delighted at the prices. An even better value is the $99 VIP Pass (but hurry, there are only 100 available).

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Deep Water

by James McNally on September 4, 2007 · 3 comments

in Documentaries,DVD

Deep Water

Deep Water (Directors: Louise Osmond and Jerry Rothwell): I’m not sure how I man­aged to miss this one until now. Ten years ago, the teacher respons­ible for any HTML know­ledge I might pos­sess shared a quirky and incred­ible story with our class. Donald Crowhurst was an inex­per­i­enced sailor from England who in 1968 entered, at the last minute, a race to sail around the world alone. Despite his lack of pre­par­a­tion and inex­per­i­ence, his reg­ular reports seemed to have him leading the race. And then sud­denly his reports stopped. Some time later, his boat was found drifting in the North Atlantic, com­pletely off course and on the other side of the world from his last reported pos­i­tion. Crowhurst wasn’t on board, but invest­ig­ators dis­covered that he’d been keeping two sets of log­books and trying to deceive the race organ­izers into thinking he was win­ning. As his true and reported courses diverged, Crowhurst seemed to lose his sanity and his last entries are heart­breaking in their con­fu­sion. At the time I heard the story, the only book written on the sub­ject, The Strange Last Voyage of Donald Crowhurst, was long out of print, but I was able to find a copy a few years later through eBay. Happily, the book is now back in print along with another book called A Voyage for Madmen that covers the rest of the race par­ti­cipants in more depth. To make a long story short, the aspiring doc­u­mentary film­maker in me always thought this would be an amazing film, and I even toyed with the idea of trying to buy the rights. It seems someone has beaten me to the punch. And that’s a very good thing.

This is an incred­ible story and I abso­lutely cannot wait to see this film. It opened the­at­ric­ally in Britain last December and is now in lim­ited release in the US but there is no planned the­at­rical release in Canada at this point. Pity.

UPDATE (December 31, 2007): Alliance Atlantis will be releasing the film on DVD in Canada on January 8th. Here’s my review of the DVD:

After my dis­ap­point­ment at the film’s lack of a the­at­rical release in Canada, my ela­tion at the DVD release could only have been expected. This unbe­liev­able story needs to be known by more people, and I’m glad to report that Osmond and Rothwell’s film does a great job of telling it. Not only that, but for those with no back­ground at all about the Crowhurst story, it builds the sus­pense care­fully and doesn’t reveal the mys­tery right away. If you’ve read this far in my review, you’ll know that I’ve already spoiled that mys­tery by telling you all about it above, but you will want to see this film to try to under­stand what drove this decent and mild-mannered man over the edge to mad­ness and suicide.

There is ample back­ground material on the Sunday Times Golden Globe Round the World Race, a com­pet­i­tion to become the first person to sail around the world alone and without stop­ping. This was some­thing like the first reality tele­vi­sion show, albeit broad­cast in the pages of a news­paper, and it attracted an enormous amount of atten­tion. In the end, nine men entered the race, and most had had much more sailing exper­i­ence than Donald Crowhurst, who was a late entry and con­sidered some­thing of a dark horse. Of course, the media played up that angle and when it emerged that Crowhurst was set­ting sail in an innov­ative self-designed tri­maran, the journ­al­ists por­trayed him as some­thing of a genius. In reality, he was the strug­gling pro­pri­etor of a busi­ness that sold nav­ig­a­tional instru­ments for boats, and his real ambi­tion was to pull him­self out of some dire fin­an­cial dif­fi­culties. In his des­per­a­tion to get funding to build his boat, he signed a restrictive con­tract that would punish his early with­drawal from the race by making him liable for the costs. As the dead­line to set sail approached, the boat was nowhere near ready to sail, but he found him­self pres­sured into launching anyway. A short test journey didn’t augur well, though. At the cere­mo­nial launch, the cham­pagne bottle didn’t break when crashed against the hull (a bad omen) and the journey took two weeks instead of the expected three days, thus eating fur­ther into his scarce pre­par­a­tion time. In addi­tion to mech­an­ical prob­lems with the boat, Crowhurst was also woe­fully inex­per­i­enced as a sailor, some­thing he was keen to hide from his sponsor and the press.

The race offered two prizes. The Golden Globe trophy for the first boat to arrive back in England, and a £5,000 cash prize for the fastest time. These were sep­arate things because the race rules allowed the sailors to leave any­time between the begin­ning of June and the end of October. Needless to say, Crowhurst was the last to launch, on October 31, 1968, and due to the boat’s unfin­ished con­di­tion, he quickly ran into trouble. After only a few weeks, he knew that the boat wouldn’t with­stand the wild seas in the Southern Ocean. But because of the pre­carious fin­an­cial situ­ation he was in, he real­ized that drop­ping out would ruin him, even though con­tinuing might kill him. It is with this dilemma in mind that he for­mu­lated what he thought was a way out. He began sending back reports in which he claimed to have covered much greater dis­tances than he had in actu­ality. The problem became worse when his actual and reported pos­i­tions grew fur­ther and fur­ther apart. In the end, he kept two sep­arate log­books and cre­ated a fic­tional voyage in which he was gaining on his com­pet­itors. His plan was simply to sail around the south Atlantic and wait for the rest of the field to actu­ally cir­cum­nav­igate and sail north from Cape Horn. By the time the other boats had caught up to his actual pos­i­tion, he hoped to join them again and slip in around fourth or fifth place, where no ques­tions would be asked. He might not win the fame or for­tune he was after, but he could save face.

Unfortunately for him, the race had claimed many of the other boats, and after Robin Knox-Johnston had claimed the first home prize on April 22, 1969, and his nearest com­pet­itor, Frenchman Bernard Moitessier had aban­doned the finish line and decided to keep sailing, it looked like Donald Crowhurst might be in line to win the fastest time award. When the boat of Nigel Tetley, the only boat ahead of him, sank on May 21st, Crowhurst knew that if he fin­ished the race at all, he would be wel­comed as a hero and sub­jected to media scru­tiny. In his men­tally unbal­anced state, he left the boat sailing very slowly north, writing increas­ingly unhinged reports in his log­books. The last entry is from July 1st and is for all intents and pur­poses a sui­cide note. The boat was found drifting with no one on board on July 10th, and Crowhurst’s decep­tion was quickly dis­covered and jumped on by the press. Knox-Johnston had received both prizes as the only sailor to com­plete the race, and he donated the cash to Crowhurst’s family.

The film­makers were for­tu­nate for sev­eral reasons. Because the race was such a media circus, lots of archival film and audio record­ings exist, including film and audio Crowhurst made him­self during the voyage. As well, most of the race par­ti­cipants (or their family mem­bers) con­trib­uted inter­views, including Crowhurst’s widow Clare and sev­eral of his chil­dren. Perhaps the most moving of all the inter­views was with his best friend Ron Winspear, who even now is quick to jump to his friend’s defence. After praising his courage for even attempting some­thing so dan­gerous, he tear­fully recalls, “In my mind, I gave him a hero’s burial.” Though the inex­per­i­enced Crowhurst seemed at the begin­ning to be very dif­ferent from the rest of the sailors, by the end, we see that he pos­sessed the same ambi­tion, the same courage, and per­haps most heart­break­ingly, the same determ­in­a­tion not to give up.

I was reminded sev­eral times of another recent doc­u­mentary about brave and single-minded men, a film about the Apollo astro­nauts called In The Shadow of the Moon (review). One of the journ­al­ists inter­viewed actu­ally does com­pare the sailors to the astro­nauts, con­sid­ering that they were news­worthy at the same period in time. Our relent­less hunger for heroes, how­ever, does lead to some cas­u­al­ties, and that in itself makes the film a must-see.

I have only one tiny cri­ti­cism of the film, and that is that the titles/subtitles are in a font that is far too small and dif­fi­cult to read. Since quite a bit of inform­a­tion is con­veyed this way, it detracted just a bit from the experience.

The DVD includes some won­derful spe­cial fea­tures, including extra footage telling the stories of some of the other race com­pet­itors, as well as fuller inter­views with Crowhurst’s family and the journ­al­ists who covered the race itself. As well, there is an inter­active fea­ture allowing the viewer to explore the cabin of Crowhurst’s boat, the Teignmouth Electron.

Buy Deep Water from Amazon.ca

Buy Deep Water from Amazon.com

Trailer
Official Site

9/10(9/10)

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