basedonthenovel

Perfume

by James McNally on August 2, 2010 · 1 comment

in DVD

Perfume

Perfume (Director: Tom Tykwer): Based upon the best­selling novel by Patrick Suskind, Perfume cer­tainly sounded intriguing. In 18th-century France, Jean-Baptiste Grenouille (Ben Whishaw) is born with a uniquely keen sense of smell. But as the orphaned son of a fish­wife, he grows up illit­erate and unable to artic­u­late his gift and the over­whelming desire it cre­ates in him to pre­serve scent, espe­cially the scent of beau­tiful young women. Before long, he’s become a sociopathic serial killer in his pur­suit of the per­fect per­fume. Tykwer, known for the kin­etic and eco­nom­ical thriller Run Lola Run takes the exact opposite approach here, stretching the film out to an excru­ci­ating 147 minutes. To make mat­ters worse, Perfume’s epis­odic struc­ture means that char­ac­ters intro­duced early in the film play their parts and then dis­ap­pear forever (and I’m not just talking about the vic­tims of our serial killer). Worst of all, the film is burdened with a pon­derous voi­ceover, artic­u­lating all that Grenouille cannot, and making it clear that this story func­tioned much better as a book. Having someone off­screen tell us about Grenouille’s inner mono­logue fails to turn him into a real char­acter, never mind one for whom we’d feel any sympathy.

In con­trast to Whishaw’s almost aut­istic per­form­ance as Grenouille, Dustin Hoffman (as an Italian per­fumier who teaches Grenouille his art) and Alan Rickman (as a nobleman whose beau­tiful daughter is a target of the killer) wildly over­play their char­ac­ters, espe­cially Hoffman. The por­trayals of the sep­arate classes in French society is almost car­toonish, with the fop­pish nobles loun­ging about in their powdered wigs while Grenouille car­ries out his grim murders dressed in rags. Their inept pur­suit of the killer is played for a kind of comedy that removes us from the horror of the crimes. Perhaps the voi­ceover con­trib­utes as well, dis­tan­cing us from the time period and from the char­ac­ters as real people, and allowing us to treat the whole thing as an intel­lec­tual curi­osity rather than as the con­fusing (for Grenouille) or hor­ri­fying (for the townspeople) situ­ation it would have been in reality.

There are some rav­ishing visuals, as might be expected from such a sen­sual story. Each scent that arouses Grenouille’s nose needs to dazzle the audience’s eyes, and reg­ular Tykwer cine­ma­to­grapher Frank Griebe is able to make sight a pass­able stand in for scent, at least in the early scenes. Near the end of the film, a tech­nic­ally impressive but rather dull orgy scene takes place in a vil­lage square, but by that time, the story had entered unbe­liev­able ter­ritory and only left me snick­ering. In the end Perfume’s lingering aroma isn’t a pleasant one.

6/10(6/10)

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The Girl with the Dragon Tattoo
Alliance released The Girl with the Dragon Tattoo in a DVD/Blu-ray combo pack in Canada on Tuesday July 6, 2010.

The Girl with the Dragon Tattoo (Director: Niels Arden Oplev): Though I’m not usu­ally sus­cept­ible to the mar­keting hype that sur­rounds pub­lishing “phe­nomenons” like the Harry Potter, Twilight, or DaVinci Code books, I do have a bit of a soft spot for Scandinavian crime thrillers. My ini­tial enjoy­ment of Stieg Larsson’s book has cooled a little after reading the second in the series, but I still found it an enjoy­able read. The film ver­sion, now more than a year old, has finally been released on DVD and Blu-ray in English Canada after a belated the­at­rical run earlier this spring. Strangely, Alliance released the film in Quebec in 2009, and I believe all three films in the “Millennium” series have already come and gone to cinemas in La Belle Province. My theory is that Alliance was waiting to see what was hap­pening with the planned English-language (Hollywood) remakes, and decided there was still time to make a little money before those came out. I’m not being cyn­ical. Foreign-language films are a hard sell in English Canada, even if they are based on hugely suc­cessful books. The timing of the DVD release coin­cides nicely with the the­at­rical release of the second film in the tri­logy, The Girl Who Played With Fire, which opened here in Toronto this past weekend. But that’s enough pre­amble, what did I think of the film?

Well, for such a plot-heavy book, The Girl with the Dragon Tattoo also man­ages to intro­duce an inter­esting cast of char­ac­ters. Though journ­alist Mikael Blomkvist (played in the film by Michael Nyqvist) and hacker Lisbeth Salander (a chis­elled Noomi Rapace) are clearly the focus, I enjoyed a number of the minor char­ac­ters and felt that their rela­tion­ships with Mikael and Lisbeth helped fill out the story. Unfortunately, with all the plot ele­ments to cover, the film has dis­pensed with many of the other char­ac­ters and even jet­tisoned some important storylines. For instance, in the book, Mikael is car­rying on an open affair with his magazine’s pub­lisher, Erika Berger, who at one point visits him at his cabin on the island of Hedeby. He also car­ries on a sexual rela­tion­ship with Cecilia Vanger, a member of the extended family he’s invest­ig­ating. These rela­tion­ships provide some insight into Blomkvist’s per­son­ality and his self-image as a bit of a ladies’ man and add some ten­sion to his bud­ding rela­tion­ship with Lisbeth. Both char­ac­ters are in the film, but just barely.

Lisbeth is a mys­ter­ious young woman with a troubled past. In the book, she has two important sup­porters. Dragan Armansky, the head of Milton Security, gives Lisbeth a job and looks out for her. Holger Palmgren is her appointed guardian and trustee before a debil­it­ating stroke leads to his replace­ment by the sin­ister Nils Bjurman. Neither of these important char­ac­ters appears in the film.

These are unfor­tu­nate omis­sions, but I can’t say that they’re unex­pected. The plot of the book is more than enough to fill out the film’s nearly 150 minute run­ning time, but as a result, it rather sim­pli­fies the story, leading to an enjoy­able film that fades from the memory much more quickly than the book. Granted, books are immersive worlds that can fill weeks of our lives at a time, so my quibbles are true of just about all book-to-film adapt­a­tions. I can say that I’m still plan­ning to catch the second install­ment, hope­fully while it’s still in theatres. Helpfully, Alliance has included a “sneak peek” look at The Girl Who Played With Fire on the Blu-ray por­tion of the combo pack, as well as inter­views with star Noomi Rapace and pro­ducer Soren Staermose. Perhaps indic­ating the begin­ning of a trend, the spe­cial fea­tures are not included on the DVD disc.

7/10(7/10)

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