Archive for the 'SXSW' Category

Present Company

Present Company

Editor’s Note: I’ve decided to begin posting my reviews of films screening at SXSW early, hopefully helping anyone attending make some decisions about what to see. Present Company is screening on Monday March 10 at 5:00pm and Wednesday March 12 at 9:00pm. All screenings are at the Dobie.

Present Company (2008, Director: Frank V. Ross): I’ve only recently become aware of the work of Frank V. Ross. His previous features Hohokam (2007) and Quietly On By (2005) have generated some buzz and placed him peripherally among the group of filmmakers now desperately trying to shed the “mumblecore” label. The main difference between Ross and those other filmmakers isthat his protagonists are often less educated and live in the rural suburbs rather than in urban settings. Unlike his previous films, in Present Company, he plays the protagonist himself. Buddy is a young father living with his girlfriend Christy (Tamara Fana) and their baby Mikey in the basement of Christy’s parents’ house. It’s clear that they’re only together because of Mikey, and that they’re both interested in moving on. Though their actual ages are not mentioned, both of them act like spoiled teenagers for most of the film, and it was quite easy to grow tired of Buddy’s bullying of Christy and even his friends. He pursues a new relationship without telling Christy, and when the new girl finds out about his domestic situation, she isn’t happy, either.

Though I couldn’t really relate much to these characters, I found the depiction realistic to the point of near-documentary, and I think that will make the film stick with me. There is a final scene where Buddy makes a rather obvious grasp toward maturity, but I can’t decide if I feel it meant anything. In the end, there’s very little going on between the characters, and I found it a bit wearing to be in the presence of such self-absorbed dysfunctional people for so long. That being said, Frank V. Ross has made a film of real authenticity. I just wish there were a little more hope.

Karina Longworth places the earlier films of Frank V. Ross into context with the other “m-word” films (and much more eloquently than I ever could).

6/10(6/10)

My Effortless Brilliance

My Effortless Briliance

Editor’s Note: I’ve decided to begin posting my reviews of films screening at SXSW early, hopefully helping anyone attending make some decisions about what to see. My Effortless Brilliance is screening on Sunday March 9 and Tuesday March 11 at 11:00am, and on Thursday March 13 at 1:30pm. All screenings are at the Alamo Ritz 1.

My Effortless Brilliance (2008, Director: Lynn Shelton): Well, although I haven’t seen it, I think it might be impossible to talk about this film without referencing Kelly Reichardt’s Old Joy (2006). Both films feature female directors directing an all-male cast, featuring a musician in a lead role, in stories about lost male friendship and set in the wilderness of the Pacific Northwest. Except that in the case of My Effortless Brilliance, it’s played mostly (but not only) for laughs.

Sean Nelson is the lead singer of the band Harvey Danger, but he seems born for the screen. In the film he plays Eric Lambert Jones, a semi-successful novelist who is doing readings for his third novel. While in rural eastern Washington, he drives four hours out of his way to drop in on his old friend Dylan (Basil Harris). The film begins two years earlier, with Dylan essentially breaking up with Eric, telling him he’s always been a terrible friend. Eric’s attempt to somehow rekindle the friendship doesn’t go smoothly. He discovers that Dylan is working for a local newspaper and is content living in his cabin in the woods. He also has a new best friend, the laconic Jim (Calvin Reeder) who seems happy to hunt and fish and read nothing more literary than Bukowski. Over the weekend, the trio hang out and drink, with the overeducated city slicker Eric trying his best to fit into this setting. With his round face and wild curls, Sean Nelson plays Eric like the overgrown baby he is, self-absorbed and needy. He is a man who lives mostly in his head and who seems allergic to physical labour. Dylan and his new friend Jim are men of action, who wear plaid workshirts and seem to enjoy splitting wood all day. Just as it looks like Eric has overstayed his welcome, the three get into a drunken conversation that feels remarkably like a real drunken conversation. The end result is the sight of the group of them outside in the middle of the night, hunting a cougar, and then the inevitable hangovers on the morning after.

What I liked about the film was its honesty. Men’s friendships can be pretty difficult to portray. We don’t often have heart to heart conversations and talk about our feelings, but we do express them in oblique ways, and My Effortless Brilliance felt extremely real to me. This is probably due to the fact that Sean Nelson and Basil Harris are real-life friends, and that the script was a collaborative effort between the actors and the director. That is, if there actually was a script. The sense of improvisation is so strong and the film so gorgeously shot that you’ll feel like you’re tagging along on Eric’s weekend in the country.

Official site for the film

7/10(7/10)

Getting SXSW Coverage

Though it may seem presumptuous of me (and it is!), I’m going to borrow a page from Michael Tully’s book (and Karina Longworth’s and Jette Kernion’s) and write an entry to any filmmakers and publicists out there who might be reading this and who have a film screening at South by Southwest this year. It’s just a month away, but that’s a pretty good stretch of time to start promoting your film. And believe me, that week in Austin flies by before you know it. Even though I’ve already started receiving a number of emails from publicists pitching their wares, these are generic pitches to the entire press crowd attending the festival. If you want some individual and special coverage from me, send me an individual and special email. You can reach me at “james” at this domain. I can’t make any promises (I’ve got a pretty demanding day job) but giving me five weeks to cover your film is better than just hoping I turn up at the screening in Austin. Screeners are always appreciated, though you’ll have to pay extra to ship them all the way up here to Canada. But once I’ve written about your film, the border magically disappears! Don’t bother sending me links to trailers, though I’m a huge fan of film one-sheets and will almost certainly post those.

To be honest, I’m a little freaked out by the prospect of trying to do a good job of covering both the interactive conference (for the day job) and the film festival (for this here site) as well as enjoy a few days of free music afterwards. Any jump I can get on the media maelstrom I’m about to head into would make me happy, or at least slightly less stressed out.

2008 SXSW Film Festival Full Lineup

I’ve posted the full list of films (courtesy of indieWIRE) over at the SXSWBaby site. Come over and take a peek…

And then let me know what I should see!

SXSW Film Anticipation

Though the full lineup won’t be announced until tomorrow, a little bird has let me know that Joshua Weinstein’s documentary Flying on One Engine will premiere at SXSW. This one looks unmissable.

Dr. Sharadkumar Dicksheet is a wheelchair-bound larynx-less surgeon who nevertheless travels often to India to perform dozens of free surgeries on severely deformed children. Though he appears frail, not surprisingly since his heart functions at only 18% of its capacity, the marathon surgery sessions seem to give him energy. Did I mention that he’s been nominated for the Nobel Peace Prize eight times? Weinstein’s film promises to share much more of this very special man’s life with us.

Here’s an interview with the director that gives us a hint of what’s in store.