Thursday, May 13, 2010

Thunder Soul

Thunder Soul (Director: Mark Landsman): Winner of the Audience Award at this year’s Hot Docs Canadian International Documentary Film Festival, Landsman’s pro­file of the Kashmere Stage Band and its iconic leader Conrad O. “Prof” Johnson wisely keeps the music front and centre. In the early 1970s, Kashmere High School in Houston, Texas was the home of a unique musical exper­i­ment. Music teacher “Prof” Johnson began to incor­porate the funk and R&B music his stu­dents were listening to into the school band’s rep­er­toire in the late 1960s, and a few years later, the all-black band were win­ning com­pet­i­tions all over the United States against other school bands who played mostly “soft jazz” or “big band” music.

About ten years ago, record label owner and funk arch­ivist Eothen “Egon” Alapatt dis­covered some old vinyl LPs the band self-produced strictly for his­tor­ical pur­poses. Working with “Prof” he was able to put out the com­pil­a­tion Texas Thunder Soul 1968–1974 which went on to become a hit, espe­cially among DJs who eagerly sampled the band’s music in their own work.

The film­maker came along just as some mem­bers of the old band were plan­ning a reunion to honour “Prof,” now 92 and in ill health. More than two dozen mem­bers from the band’s most acclaimed period reunited, des­pite the fact that some of them hadn’t played any musical instru­ment in more than 30 years. But as “Prof” boasts in the film, he taught them so well that it would all come back to them, and the climax of the film is the reunited band’s per­form­ance, still fresh and funky after all these years. It’s a tribute to “Prof” but it’s also a powerful doc­u­ment about what arts edu­ca­tion can mean to stu­dents. During the period of the band’s suc­cess, other pro­grams and teams at the school also excelled, and the gradu­ation rate soared.

Sadly, the school’s band now struggles along with just 8 stu­dents and a crim­in­ally small budget. Landsman’s hope for the film is not only to honour mentors like “Prof” but to advocate for better funding of arts edu­ca­tion in the public schools. His job is made easier by the sheer joy and bounce of the music and of the people playing it.

Official site of the film

Here is the Q&A with dir­ector Mark Landsman from after the screening, con­ducted by Hot Docs asso­ciate pro­grammer Dannielle Dyson:

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the latest ver­sion here. You also need to have JavaScript enabled in your browser.

Duration: 12:13

8/10(8/10)

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Autumn Gold (Herbstgold)

Autumn Gold (Herbstgold) (Director: Jan Tenhaven): The very defin­i­tion of a crowd-pleaser, Autumn Gold was greeted with a standing ova­tion and thun­derous applause at its world premiere screening. It’s a can’t-miss for­mula. Follow five ath­letes, all over 80 years of age, as they pre­pare for the World Masters Athletics Championships, held in 2009 in Lahti, Finland. Though it com­bines two very shop­worn doc­u­mentary ele­ments (eld­erly sub­jects, a big com­pet­i­tion), the film man­ages to tran­scend the for­mula by keeping its focus very much on the par­ti­cipants in the present and not delving too deeply into their past lives.

Our first intro­duc­tion to each of the five ath­letes is to join them as they train. The first thing we realize is that these are all ser­ious ath­letes, and that these games are not just about par­ti­cip­a­tion. There is real com­pet­i­tion, and our sub­jects are seeking not only gold medals but world records. And most of these folks have been ath­letes for a very long time.

Youngest is Jiri Soukup, an 82-year-old high jumper from the Czech Republic. His ambi­tion is to clear a height of 1 metre. Watching the scenes with his wife was charming. The best part of Jiri’s workouts is when he comes home after­wards to a soothing mas­sage from his sweet­heart. Though she wor­ries about him injuring him­self, she knows that he’s an ath­lete and that he won’t stop competing.

85-year-old Ilse Pleuger, from Germany, is a world-class shot putter, hoping to break the 6 metre bar­rier and win gold. The death of her beloved hus­band motiv­ated her to train and com­pete even harder.

The age­less Italian Gabre Gabric, still glam­ourous and flex­ible, refuses to reveal her age. “What’s an old woman? Who’s sup­posed to be an old woman? Not me!” she says. She’s a vet­eran of the discus, and hoping to break 13 metres.

With a twinkle in his eye, 93-year-old sprinter Herbert Liedtke tells you he still has an eye for the ladies. And more than just an eye. Although the Stockholm native is training hard for the 100m dash, he’s still looking for a girl­friend, too.

Most mira­cu­lous of all is 100-year-old Austrian Alfred Proksch, still throwing the discus; that is, when he’s not painting nude women in his studio.

And though he’s not fea­tured in the film, you will be awed by the incred­ible Italian Ugo Sansonetti. His appear­ance at the com­pet­i­tion was nothing short of jaw-dropping for a variety of reasons.

Each of these char­ac­ters could have car­ried a film by them­selves. What they have in common is that they are all both lit­er­ally and fig­ur­at­ively com­fort­able in their skins. They recog­nize that they are slowing down, that their bodies are no longer as effi­cient as they used to be. But they also recog­nize that what’s most important is their drive to com­pete, and by com­peting with ath­letes their own age, they can still win medals and achieve world records. Recognizing that they may only have a few years left has helped these ath­letes focus more intently on their short-term goals. It’s both touching and inspiring to see how each of them has lived and con­tinues to live their life to the fullest.

Official site of the film

Here is the Q&A with dir­ector Jan Tenhaven from after the screening, con­ducted by Hot Docs pro­grammer Myrocia Watamaniuk:

Audio clip: Adobe Flash Player (ver­sion 9 or above) is required to play this audio clip. Download the latest ver­sion here. You also need to have JavaScript enabled in your browser.

Duration: 12:45

8/10(8/10)

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2010 Inside Out Toronto LGBT Film and Video Festival
Editor’s Note: I’m very happy to wel­come Robert Bell to Toronto Screen Shots. Robert will be cov­ering Inside Out much more fully than we’ve been able to do in the past. He cur­rently writes for Exclaim! and is only slightly ashamed to admit he has over 6,000 movies in his DVD collection.

So, it’s that time of year when the Toronto gay­bour­hood is aflutter with Pride plan­ning, float design and ward­robe choices, be it fitted salmon-coloured polo shirts, feather boas, or studded cock-rings, which makes a big gay film fest­ival entirely apropos. Since this is the 20th anniversary of the GLBT (sorry, LGBT: an acronym change that I’m cer­tain involved pie charts, a Facebook peti­tion of some sort and a forth­right les­bian chan­neling her inner Susan Sontag) film fest, it’s noted with the tagline “20 Years of Queers”.

Looking at this year’s lineup of titles, which includes a Danish movie about gay neo-Nazis (Brotherhood) and another about 14th cen­tury Korean homos (A Frozen Flower), it’s refreshing to see how few of them focus on the trade­marks of queer cinema, such as psychotic les­bians get­ting raped, or sui­cidal gay AIDS vic­tims. There’s some great rep­res­ent­a­tion of world cinema, along with doc­u­ment­aries, shorts and the usual camp enter­tain­ment for all to enjoy come May 20–30.

In addi­tion to a doc about Joe Dallesandro (Little Joe), this year’s pro­gram includes titles such as The Last Summer of La Boyita, which explores the pains of adoles­cent Sapphic affec­tions and men­tions men­stru­ation twice in the plot syn­opsis. Think “Are you there God, it’s me Margaret”, but with les­bians and horses, an animal that no teenage girl is com­plete without.

Frozen Flower

Korean import A Frozen Flower offers up some period drama, action and 14th cen­tury cos­tumes, taking place at the end of the Goryeo Dynasty, but fea­tures steamy gay sex scenes–something I didn’t see in Crouching Tiger, Hidden Dragon.

For those who love bodice-ripping BBC dramas, The Secret Diaries of Miss Anne Lister delivers the true story of the tit­ular les­bian writer and her kooky 19th cen­tury shenanigans.

Of course, no gay film fest­ival would be com­plete without fea­turing some titles about being dif­ferent in an assim­il­ative male-dominated society, and Le Fil and Eyes Wide Open offer per­spect­ives on this issue in Northern Africa and Jerusalem, respectively.

It’s not all stoic polit­ical fare though, with films like And Then Came Lola deliv­ering a saucy lesbo spin on Run Lola, Run, and Is It Just Me? delving into queer his­tri­onics in San Francisco.

I Am Love

That said, my per­sonal picks are the afore­men­tioned Brotherhood, Francois Ozon’s newest film Le Refuge, and I Am Love, which is said to fea­ture another impressive per­form­ance from the ever-wonderful Tilda Swinton. We all have our own tastes, how­ever, which is why you may want to see a full listing of titles over at insideout.ca.

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