Bomber

by James McNally on March 24, 2009

in Film Festivals,SXSW

Bomber

Bomber (Director: Paul Cotter): A well-edited trailer and an inter­esting premise drew me to this film, and I have to say up front that Bomber didn’t quite live up to expect­a­tions. It’s a film I wanted to like. Ross is an under­em­ployed art school graduate with an extremely pos­sessive girl­friend. To make things worse, he’s been dragged unwill­ingly along on a road trip with his par­ents. His father, Alistar, was a teenage bomber pilot for the Royal Air Force during the Second World War and wants to return to the small vil­lage in Germany he acci­dent­ally bombed in order to apo­lo­gize. Director Cotter used only three actors and seven crew, picking the rest of his cast from among the local townspeople. So far, so good. There is actu­ally a lot to like about Bomber: it’s beau­ti­fully shot in high-definition, there’s a won­derful soundtrack (espe­cially the songs by Sweden’s Marching Band), and the per­form­ances are gen­er­ally good. Where the film let me down was in its weak script. Hackneyed dia­logue and crude attempts at humour didn’t bother most of the audi­ence, but they did grate with this reviewer. The pacing could have been tightened up a bit too. The bits I enjoyed the most were actu­ally the dialogue-free shots of the family van driving through the Dutch and German land­scapes, accom­panied by the excel­lent soundtrack music. Unfortunately, those shots could very well have occurred in a car commercial.

Most frus­trating for me was the way son Ross pro­gresses from a total emo­tional melt­down in one scene, trying to attack his par­ents from out­side the van, to later giving them lec­tures filled with psy­chobabble like “you just have to express what you’re feeling.” Normally, com­edies are full of char­ac­ters this incon­sistent, but the problem is that Bomber isn’t strictly a comedy, and when it went for any sort of emo­tional payoff, I was unmoved because these char­ac­ters hadn’t really been developed beyond sketches.

I sus­pect that Cotter fell prey to the mis­con­cep­tion that he needed to be an auteur, both writing and dir­ecting his first fea­ture film. Though the idea ger­min­ated with him and his own family his­tory (and in fact he has also written a radio play called Dropping Bombs essen­tially cov­ering the same ground), I think the story would have been better served by bringing in a more exper­i­enced scriptwriter, who could have pol­ished Bomber into a much better film.

Page for the film on the director’s web site

Trailer

6/10(6/10)

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