AMC Theatres Have Terrible Projection

by Jay Kerr on January 8, 2009 · 1 comment

in Theatrical Release

Cross-posted from Jay’s per­sonal blog, Bombippy.com. Visit for more reviews of poorly-projected first run films!

Why do I have to visit a film fest­ival or a home theatre to watch a movie pro­jected prop­erly? I’m sick of going to AMC Theatres and paying a premium for movies that are poorly projected.

AMC Kennedy Commons 20 is con­sist­ently bad when it comes to poor pro­jec­tion and they have the most expensive ticket prices in the city at $12.50! Last year I watched No Country For Old Men and their theatre and the exper­i­ence was awful. The entire length of the film was slightly out of focus, pro­jected on a five degree angle and had a bright flicker all the way through. One patron stood up and yelled that he was get­ting his money back.

I left the theatre to find a man­ager and com­plained about the pro­jec­tion as well. He gave me a couple of free passes and admitted that there was a problem with the pro­jector. Instead of can­celing the screen­ings until the pro­jector could be fixed AMC just car­ried on like everything was fine and prob­ably figured that the stupid public would never notice.

Yesterday I watched Valkyrie at AMC Whitby 24. The entire freaking movie was out of focus! What the hell is wrong with AMC? What’s wrong with the audi­ence that they put up with this crap?

Disappearing Projectionists

Part of the problem is that most movie houses aren’t using pro­jec­tion­ists any­more. According to Torontoist, AMC’s newest theatre at Yonge and Dundas has 24 screens with more people run­ning the con­ces­sion stand than the projectors:

Instead of pro­jec­tion­ists, there are one or two non-union workers over­seeing all 24 screens from a single con­sole; their duties are essen­tially lim­ited to pressing a “play” button and being aware of any error mes­sages that might pop up.

To be fair to AMC, most movie theatres are guilty of poor pro­jec­tion and sound. I don’t know how many out of focus doc­u­mentary films I’ve watched at the Bloor Cinema. They have a speaker on the east wall that has been crack­ling for the past 3 years as well. Maybe I should com­plain more, but I don’t think the theatre owners care.

First Run Films

Why should I pay $12.50 to watch a film and another $10 for pop­corn when I can watch a movie in Blu-ray at home that has more clarity than any­thing I’ve seen in any movie theatre to date? First run films. I like to see movies when they are first released and unfor­tu­nately that means lousy pro­jec­tion at the cineplex. You might think that digital pro­jec­tion is the answer but read You Pay Thirteen Bucks, And What Do You Get?

I sup­pose I could down­load the screeners that are floating around on the BitTorrent sites but I prefer quality over crap. Most of the DivX movies that are “free” suffer from really poor quality, lack of sur­round sound and audio drift. I can’t watch a movie that sounds like a poorly dubbed mar­tial arts movie. And not to sound self-righteous but there is also the whole piracy thing. If people con­tinue to steal movies the industry will con­tinue to suffer but that’s another rant.

{ 1 comment }

1 John Ottman February 1, 2009 at 4:07 am

I feel your anger! I find that inexcusable. It’s been a pet peeve of mine for years. However, hopefully not too far in the distant future, it will be solved when theaters are all digital. This way Helen Keller can be in the projection booth, and it will look flawless and exactly as the film-makers intended. The digital theaters I’ve been in are such a pleasant experience – no dreading that a reel change will knock the film out of focus or anything. I have a pet peeve regarding sound standards though. I find that many times the sound on the film is not at the optimum level because many theaters will lower the settings for the loud trailers. When the film plays, it’s too low. Whatever the problem, there needs to be exacting sound standard just as there will be with digital picture, so that no matter where the film is showing, EVERYone will have the same movie-going experience.

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