Team Picture

by James McNally on November 6, 2008

in DVD

Team Picture

Team Picture (Director: Kentucker Audley): Number 5 from indie dis­trib­utor Benten Films, Team Picture shares the “mumble­core” lo-fi slacker ethos of pre­vious releases like LOL (review) and Quiet City (review) and the rural working-class set­ting of The Guatemalan Handshake (review). But the film it reminds me of most is Frank V. Ross’ Present Company (review), mostly because of its mad­den­ingly inar­tic­u­late protagonist.

In this case, it’s David, played by dir­ector Andrew Nenninger (Kentucker Audley is a pseud­onym). He’s some­where in his twen­ties, living with his room­mate Eric, a self-described “really tall guy with a great per­son­ality.” It turns out, though, that neither of them have really great per­son­al­ities, or much per­son­ality at all. They spend most of their time just hanging out, drinking beer and loun­ging in a kiddie pool in their front yard. Neither of them seems to think more than five minutes into the future, and when David’s girl­friend breaks up with him near the begin­ning of the film, he seems oddly detached. Both of them aspire to some form of cre­ativity: David is writing songs on the guitar, and Eric hints at poems he’s writing (one of which he hil­ari­ously reads at an “open-mic” night later in the film). But I get the sense that this is just a way to avoid get­ting down to the everyday reality of working for a living. Though David does have a job, he soon quits. He’d been working at a sporting goods store man­aged by his mother’s boy­friend, and it seemed like some­thing she’d arranged for him. Though he’s eager to be free to do what he wants, he really doesn’t have any idea what that might be. As well, he knows that without the indul­gence and cod­dling of his family, he’d be com­pletely lost.

That doesn’t mean he’s close to them. Several excru­ci­ating con­ver­sa­tions show us that no matter what the social situ­ation, David is unable to func­tion. And though Eric is more chatty, he’s just as emo­tion­ally retarded. Though it’s actu­ally very funny in places, it becomes hard to watch these char­ac­ters for very long, and mer­ci­fully, the film clocks in at just 62 minutes. It doesn’t sur­prise me that a kiddie pool is the nexus of these guys’ lives, since it’s obvious they don’t want to leave child­hood behind.

As usual, Benten gives the film the deluxe treat­ment, with a com­mentary from both the dir­ector and actor/cinematographer Timothy Morton, who plays Eric. As well, a new short film, “Ginger Sand” is included as an epi­logue of sorts. In it, Eric and his girl­friend visit David and his girl­friend in Chicago. Though we’re not sure how much time has passed, it’s clear that in this new con­text, Eric’s eccent­ri­city just makes him look like an asshole. This was almost sadder than the ori­ginal film. Not coin­cid­ent­ally, the short was pro­duced by Frank V. Ross and shot by Joe Swanberg.

It’s really a bit dif­fi­cult to cri­ti­cize film­making like this. As I said in my review of Present Company, it feels like watching a doc­u­mentary, so calling the char­ac­ters annoying and infantile seems a bit per­sonal. The real test for Andrew Nenninger (he appar­ently chose the pseud­onym Kentucker Audley to hide the film’s exist­ence from his family!), and by exten­sion for all of the so-called “mumble­core” dir­ectors, will be whether he can climb out of his own char­acter to become a better film­maker and tell stories other than his own. I sin­cerely hope he can.

Buy Team Picture from Amazon.ca
Buy Team Picture from Amazon.com

The film’s MySpace page

6/10(6/10)

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