From the daily archives:

Monday, September 8, 2008

Genova

by Jay Kerr on September 8, 2008

in Film Festivals, TIFF

Genova

Genova (2008, Director: Michael Winterbottom): Genova is a psy­cho­lo­gical drama about a father (Colin Firth) and his two daugh­ters Perla Haney-Jardine and Willa Holland) who struggle with the tragic loss of their mother (Hope Davis). Firth’s char­acter thinks that a change of scenery will help the family to get through their bereave­ment and takes a teaching pos­i­tion in Genova.

Catherine Keener plays an old friend of Firth’s who shows the family around the city. The new sur­round­ings serve as a dis­trac­tion for the family but it also casts them fur­ther into an abyss of unset­tling change. The narrow alleys in Genova make it easy to get lost and Winterbottom uses this set­ting to create tension.

The acting is first rate. Firth is per­fectly cast as a hus­band and father who ven­tures alone into unknown ter­ritory — new city, new job, raising a teenage daughter who is coming of age and dealing with a 10-year-old daughter who blames her­self for her mother’s death.

Perla Haney-Jardine provides a stand-out per­form­ance as a child who has fre­quent night­mares and is haunted by her mother.

Winterbottom’s Genova has been described as a mood piece but I wasn’t in the mood for this art-house film. I didn’t feel that Genova meas­ured up to all of the praise that was lav­ished on it by TIFF’s Cameron Bailey. It’s a fine film with great per­form­ances but in the end I was dis­ap­pointed. I sup­pose I wanted to see more of Italy and a little less grief.

6/10(6/10)

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It Might Get Loud

It Might Get Loud (2008, Director: Davis Guggenheim): There has never been a proper doc­u­mentary film made about the guitar. Director Davis Guggenheim thought it would be inter­esting to examine the unique guitar sound of three guitar legends — Jimmy Page, The Edge and Jack White. To watch the film with all three musi­cians in the audi­ence was an incred­ible exper­i­ence. To have the The Edge and Jimmy Page sit two rows dir­ectly in front of me was surreal.

Okay, fanboy com­ments aside, this was an inter­esting film from begin­ning to end. Jack White starts off the film by making a simple guitar with a Coke bottle, some wire and a few pieces of wood. Awesome!

I’m not a huge fan of Jack White but Guggenheim’s film gave me a new appre­ci­ation for White’s talent. I’m a big fan of the Edge and love the music of Jimmy Page so to find out how each musi­cian developed their unique sound is a fas­cin­ating his­tory lesson.

The pro­duc­tion values of this film are quite slick. Guggenheim uses some incred­ible archival footage to show us where these three musi­cians got their start.

Each gui­tarist was inter­viewed sep­ar­ately and I found these seg­ments to be the strongest and most inter­esting parts of the film.

Guggenheim ends the film by bringing all three musi­cians to Los Angeles so they can play together and dis­cuss their musical style. It makes for an inter­esting jam ses­sion but it turns out to be the weakest part of the film in my opinion. I found out that Page can’t really sing but I enjoyed watching them play each other’s music and have a good time.

Official site of the film

7/10(7/10)

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RocknRolla

by Jay Kerr on September 8, 2008

in Film Festivals, TIFF

RocknRolla

RocknRolla (2008, Director: Guy Ritchie): I’m a fan of Guy Ritchie’s British gang­ster films and RocknRolla is one enter­taining movie. There are the usual double-crosses, mul­tiple story lines, Tarantino-like dia­logue and the impressive ensemble cast — Gerard Butler, Tom Wilkinson, Thandie Newton, Ludacris, and Jeremy Piven.

The plot is con­fusing at times but voi­ceover nar­ra­tion ensures that you can follow along without get­ting too lost. It doesn’t require repeated view­ings like Ritchie’s last film, Revolver (2005).

The soundtrack is scorching, the camera style is familiar and the set­ting is east London. There isn’t any­thing new or ground­breaking about this film except maybe the sex scene with Thandie Newton and Gerard Butler. It lasts a few seconds and you’ll find it quite amusing.

RocknRolla is centred around a real estate scam with a Russian bil­lion­aire and a British crime boss (Tom Wilkinson). There are sev­eral sub-plots involving an expensive painting that goes missing, a rock star who fakes his own death, and a police snitch. I don’t want to give away too much so you’ll have to see it for your­self when it gets released this fall.

Guy Ritchie intro­duced the after­noon screening that I saw at the Ryerson Theatre but didn’t stick around for a Q&A after­ward (the premiere was the night before). I found the movie to be a lot of fun and exactly what I expected. Sometimes you just want to be enter­tained instead of dis­cov­ering the next Godard.

Official site of the film

7/10(7/10)

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