The Most Beautiful Night in the World (Sekai de Ichiban Utsukushii Yoru)

by James McNally on July 2, 2008

in Film Festivals,Travel

The Most Beautiful Night in the World (Sekai de Ichiban Utsukushii Yoru)

The Most Beautiful Night in the World (Sekai de Ichiban Utsukushii Yoru) (2008, Director: Daisuke Tengan): Thanks to the good folks at the J-Films Powwow blog, I wound up with a free ticket to this film, screening as part of the New York Asian Film Festival. It was the per­fect end to a four-day trip to the city, and a great way to spend three hours inside on another swel­tering hot day. Daisuke Tengan is the son of legendary dir­ector Shohei Imamura and is well-known as the writer of such classic films as Takashi Miike’s Audition (1999), as well as his father’s films Warm Water Under a Red Bridge (2001) and The Eel (1997). This film just opened in Japan in late May, and this screening was the second at NYAFF, where it was making its inter­na­tional premiere.

Starting with an anim­ated pro­logue, the film quickly takes this sense of whimsy and adds layers and layers of mys­tery, creep­i­ness, humour and sex until it cli­maxes (sorry!) in a huge orgy scene that scan­dal­ized the Japanese press. The mys­tery involves a small vil­lage with the highest birth rate in Japan. Our 14-year old nar­rator takes us back to a time before her birth when a journ­alist from Tokyo was exiled to work at the vil­lage news­paper as the result of a sex scandal. Since there’s no real news, he digs around trying to find out as much about the town’s eccentric inhab­it­ants. He uncovers what he thinks is a murder con­spiracy. The pro­pri­et­ress of the local bar is a mys­ter­ious and sexy woman whose fiancé and then hus­band both died under mys­ter­ious cir­cum­stances. Thinking he has an insur­ance scam artist in his sights, he pur­sues the story fur­ther but it’s nothing at all like he thought. Instead, by the end of the film, a sexual revolu­tion has been launched by the eccentric inhab­it­ants of this mys­ter­ious village.

Director Tengan, even in this enter­taining film, makes a polit­ical state­ment. Sex, he says, takes us back to our more prim­itive state, and des­troys cul­ture and civil­iz­a­tion. But in light of what civil­iz­a­tion and its rep­res­ent­at­ives (politi­cians, clergy) have done to us, maybe that’s not such a bad thing at all. Railing at all polit­ical and reli­gious creeds, he assures us “there is no prom­ised future,” only the one we make for ourselves. Though orgies and wild sex might not seem polit­ic­ally sub­versive, con­sider, one char­acter says, what would happen if everyone stopped what they were doing and just had sex for one night. We would have no war, no politics, no reli­gion. Just love and pas­sion and pleasure. It would be “the most beau­tiful night in the world.”

Yes, the sen­ti­ment is shallow and, as por­trayed on screen, a little silly, but it’s heart­felt and actu­ally kind of sexy and moving at the same time. And des­pite its run­ning time (161 minutes), the film is never less than enter­taining. Don’t make me come up with some lame joke about length here. Just see it, if you can.

Official site of the film (Japanese) including the trailer

9/10(9/10)

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