Wednesday, July 2, 2008

The Most Beautiful Night in the World (Sekai de Ichiban Utsukushii Yoru)

The Most Beautiful Night in the World (Sekai de Ichiban Utsukushii Yoru) (2008, Director: Daisuke Tengan): Thanks to the good folks at the J-Films Powwow blog, I wound up with a free ticket to this film, screening as part of the New York Asian Film Festival. It was the per­fect end to a four-day trip to the city, and a great way to spend three hours inside on another swel­tering hot day. Daisuke Tengan is the son of legendary dir­ector Shohei Imamura and is well-known as the writer of such classic films as Takashi Miike’s Audition (1999), as well as his father’s films Warm Water Under a Red Bridge (2001) and The Eel (1997). This film just opened in Japan in late May, and this screening was the second at NYAFF, where it was making its inter­na­tional premiere.

Starting with an anim­ated pro­logue, the film quickly takes this sense of whimsy and adds layers and layers of mys­tery, creep­i­ness, humour and sex until it cli­maxes (sorry!) in a huge orgy scene that scan­dal­ized the Japanese press. The mys­tery involves a small vil­lage with the highest birth rate in Japan. Our 14-year old nar­rator takes us back to a time before her birth when a journ­alist from Tokyo was exiled to work at the vil­lage news­paper as the result of a sex scandal. Since there’s no real news, he digs around trying to find out as much about the town’s eccentric inhab­it­ants. He uncovers what he thinks is a murder con­spiracy. The pro­pri­et­ress of the local bar is a mys­ter­ious and sexy woman whose fiancé and then hus­band both died under mys­ter­ious cir­cum­stances. Thinking he has an insur­ance scam artist in his sights, he pur­sues the story fur­ther but it’s nothing at all like he thought. Instead, by the end of the film, a sexual revolu­tion has been launched by the eccentric inhab­it­ants of this mys­ter­ious village.

Director Tengan, even in this enter­taining film, makes a polit­ical state­ment. Sex, he says, takes us back to our more prim­itive state, and des­troys cul­ture and civil­iz­a­tion. But in light of what civil­iz­a­tion and its rep­res­ent­at­ives (politi­cians, clergy) have done to us, maybe that’s not such a bad thing at all. Railing at all polit­ical and reli­gious creeds, he assures us “there is no prom­ised future,” only the one we make for ourselves. Though orgies and wild sex might not seem polit­ic­ally sub­versive, con­sider, one char­acter says, what would happen if everyone stopped what they were doing and just had sex for one night. We would have no war, no politics, no reli­gion. Just love and pas­sion and pleasure. It would be “the most beau­tiful night in the world.”

Yes, the sen­ti­ment is shallow and, as por­trayed on screen, a little silly, but it’s heart­felt and actu­ally kind of sexy and moving at the same time. And des­pite its run­ning time (161 minutes), the film is never less than enter­taining. Don’t make me come up with some lame joke about length here. Just see it, if you can.

Official site of the film (Japanese) including the trailer

9/10(9/10)

{ Comments on this entry are closed }