Beyond Our Ken

Beyond Our Ken (2008, Directors: Melissa Maclean and Luke Walker): I knew this was going to be an interesting screening when I started to see leaflets in the hands of some of the audience accusing the filmmakers of slander and the film of being a fraud. The subject of Beyond Our Ken is an Australian religious movement called Kenja, founded in 1982 by Ken Dyers and his wife Jan Hamilton (the name is a combination of their first names). Now, any movement that inspires intense personal loyalty to one person will often be labelled a cult, and Kenja is almost always referred to in this way in the Australian media. Over the years, the group and Ken Dyers in particular have also been the subject of investigations into allegations of child sexual abuse. Directors Maclean and Walker, fresh out of film school, wanted to show the world what Kenja was really about. Was it a cult? What do members actually believe and practice? Remarkably, they were able to gain intimate access to the group and conducted many interviews with Dyers and Hamilton. They also interviewed many former and current members to see if the allegations had any merit.

What struck me immediately while watching the film was how similar the culture, beliefs and practices of Kenja sound to Scientology (including the practice of “energy conversion” which takes place in private sessions between two people, and the use of vocabulary such as “processing,” “clear,” and “attached spirits”), and lo and behold, according to Wikipedia (granted, not authoritative), Dyers was a former Scientologist. His life and work had many parallels with the life of L. Ron Hubbard, including a spotty military service record which was later exaggerated for patriotic effect. The directors make no mention of these parallels, perhaps out of fear of stirring up another organization, but I think it would have been interesting to see what relationship exists between the two groups.

Kenja claims to teach a technique for ridding a person of negative thoughts and the body of “attached spirits” leading to a general state of well-being. But toward the end of the film, we witness a complete meltdown by Dyers in which he rages about having to defend himself against charges and allegations for more than ten years. The master seems not to have learned from his own techniques. Tragically, after a fresh series of sexual abuse allegations surfaced, Dyers took his own life in July 2007, just around the time the film was being completed.

Far from being slanderous, the film actually seems to go out of its way to give Dyers, Hamilton, and other Kenja practitioners time and space to explain themselves. Clearly, however, they were not happy with the final film, and actually flew two of their members to Toronto to not only hand out leaflets, but to conduct their own information session. It will be held Thursday April 24th at 7pm at the OISE Building, Room 2-211, 252 Bloor Street West. I’m hoping that the directors show up to that since the Kenja people were at the screening. In my recording of the Q&A, Luke Walker lets them ask their questions at the end and I wish it had been able to go on longer. It’s a bit funny, too, that all the protests from Kenja members will probably just pique people’s interest in the film and give it a wider audience.

Here is the Q&A with directors Melissa Maclean and Luke Walker from after the screening:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Duration: 16:14

Official site for the film
Trailer

Kenja’s response to the film. The trailers for their own “mockumentary” seem particularly bizarre.

8/10(8/10)

Nursery University

Nursery University (2008, Directors: Marc Simon and Matt Makar): Marc Simon and Matt Makar are both single, childless lawyers who have made a film about the competitive process that parents in Manhattan face getting their children into the best nursery schools in the city. My wife and I went to see this together, and were expecting to be very annoyed with the subjects. You see, we’re also childless, but after more than a decade together, the issue is far from resolved for us, and we both have strong opinions about parenting. Though Toronto isn’t Manhattan, we do have a similar culture of older professionals having children for the first time, and the parents’ general sense of entitlement is nauseating. As well, they’re driven by both guilt and fear to try to give their children every advantage in a very competitive culture. This type of environment usually leads to overscheduled and stressed-out children and parents, and doesn’t necessarily lead to the desired results of fame and fortune for the little ones.

But Simon and Makar have a light touch, and even though the parents ranged from middle-class bohemians living in Greenwich Village to an obviously super wealthy couple living on the Upper West Side, all of them were sympathetic characters, with the possible exception of one couple who could serve as the poster children for “entitled”. All of them knew how ridiculous the process looked, but felt powerless to opt out for fear of putting their beloved child at a disadvantage. And remarkably, all of the children seemed bright and, at least in the final cut, well-behaved.

The strength of the film was that it was not just parent-focused. Administrators and teachers from all of the top schools were persuaded to take part, most at the insistence of the remarkable Gabriella Rowe from the prestigious Mandell School. The pressure on these school directors is enormous, with 15-20 applicants for each available space. The situation has been driven by what the directors refer to as a “post 9/11 baby boom” that has driven tuition rates as high as $20,000 per year and created a market for “admissions consultants” whose services can also cost a family several thousand dollars. The administrators in this film sympathize with the parents, but laughingly dismiss their worries that not getting into the right pre-school will affect their child’s chances of getting into the right college one day.

Though we were prepared to hate these people, my wife and I found ourselves wondering what we would do in their shoes. In Canada, at least, our public school system is still relatively healthy, so we don’t have to worry about which nursery is the right “feeder school” for the primary school we want our child to attend. Large cities like New York also face a tangle of regulations that make starting a new school difficult, not to mention the price of real estate. For the foreseeable future, getting a child into school in the city is bound to be a stressful and expensive proposition. Many couples end up forced to move to the suburbs, despite their desire to raise their children in the cultural richness of New York City.

The film was also careful to balance the stressful process with the reasons why parents endure it. There are many images of the riches of Manhattan, and many more of the joy and delight these children bring to their parents. In the end, these people do it because they love their children and they love their city, and they’ll do whatever they can to ensure that they can keep both. Good luck to all of them.

Here is the Q&A with directors Marc Simon and Matt Makar from after the screening:

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

Duration: 13:43

Interview with director Marc Simon in the Wall Street Journal’s Law blog

8/10(8/10)