Sunday, April 20, 2008

Beyond Our Ken

Beyond Our Ken (2008, Directors: Melissa Maclean and Luke Walker): I knew this was going to be an inter­esting screening when I started to see leaf­lets in the hands of some of the audi­ence accusing the film­makers of slander and the film of being a fraud. The sub­ject of Beyond Our Ken is an Australian reli­gious move­ment called Kenja, founded in 1982 by Ken Dyers and his wife Jan Hamilton (the name is a com­bin­a­tion of their first names). Now, any move­ment that inspires intense per­sonal loy­alty to one person will often be labelled a cult, and Kenja is almost always referred to in this way in the Australian media. Over the years, the group and Ken Dyers in par­tic­ular have also been the sub­ject of invest­ig­a­tions into alleg­a­tions of child sexual abuse. Directors Maclean and Walker, fresh out of film school, wanted to show the world what Kenja was really about. Was it a cult? What do mem­bers actu­ally believe and prac­tice? Remarkably, they were able to gain intimate access to the group and con­ducted many inter­views with Dyers and Hamilton. They also inter­viewed many former and cur­rent mem­bers to see if the alleg­a­tions had any merit.

What struck me imme­di­ately while watching the film was how sim­ilar the cul­ture, beliefs and prac­tices of Kenja sound to Scientology (including the prac­tice of “energy con­ver­sion” which takes place in private ses­sions between two people, and the use of vocab­u­lary such as “pro­cessing,” “clear,” and “attached spirits”), and lo and behold, according to Wikipedia (granted, not author­it­ative), Dyers was a former Scientologist. His life and work had many par­al­lels with the life of L. Ron Hubbard, including a spotty mil­itary ser­vice record which was later exag­ger­ated for pat­ri­otic effect. The dir­ectors make no men­tion of these par­al­lels, per­haps out of fear of stir­ring up another organ­iz­a­tion, but I think it would have been inter­esting to see what rela­tion­ship exists between the two groups.

Kenja claims to teach a tech­nique for rid­ding a person of neg­ative thoughts and the body of “attached spirits” leading to a gen­eral state of well-being. But toward the end of the film, we wit­ness a com­plete melt­down by Dyers in which he rages about having to defend him­self against charges and alleg­a­tions for more than ten years. The master seems not to have learned from his own tech­niques. Tragically, after a fresh series of sexual abuse alleg­a­tions sur­faced, Dyers took his own life in July 2007, just around the time the film was being completed.

Far from being slan­derous, the film actu­ally seems to go out of its way to give Dyers, Hamilton, and other Kenja prac­ti­tioners time and space to explain them­selves. Clearly, how­ever, they were not happy with the final film, and actu­ally flew two of their mem­bers to Toronto to not only hand out leaf­lets, but to con­duct their own inform­a­tion ses­sion. It will be held Thursday April 24th at 7pm at the OISE Building, Room 2–211, 252 Bloor Street West. I’m hoping that the dir­ectors show up to that since the Kenja people were at the screening. In my recording of the Q&A, Luke Walker lets them ask their ques­tions at the end and I wish it had been able to go on longer. It’s a bit funny, too, that all the protests from Kenja mem­bers will prob­ably just pique people’s interest in the film and give it a wider audience.

Here is the Q&A with dir­ectors Melissa Maclean and Luke Walker from after the screening:

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Duration: 16:14

Official site for the film
Trailer

Kenja’s response to the film. The trailers for their own “mock­u­mentary” seem par­tic­u­larly bizarre.

8/10(8/10)

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Nursery University

Nursery University (2008, Directors: Marc Simon and Matt Makar): Marc Simon and Matt Makar are both single, child­less law­yers who have made a film about the com­pet­itive pro­cess that par­ents in Manhattan face get­ting their chil­dren into the best nursery schools in the city. My wife and I went to see this together, and were expecting to be very annoyed with the sub­jects. You see, we’re also child­less, but after more than a decade together, the issue is far from resolved for us, and we both have strong opin­ions about par­enting. Though Toronto isn’t Manhattan, we do have a sim­ilar cul­ture of older pro­fes­sionals having chil­dren for the first time, and the par­ents’ gen­eral sense of enti­tle­ment is naus­eating. As well, they’re driven by both guilt and fear to try to give their chil­dren every advantage in a very com­pet­itive cul­ture. This type of envir­on­ment usu­ally leads to over­sched­uled and stressed-out chil­dren and par­ents, and doesn’t neces­sarily lead to the desired res­ults of fame and for­tune for the little ones.

But Simon and Makar have a light touch, and even though the par­ents ranged from middle-class bohemians living in Greenwich Village to an obvi­ously super wealthy couple living on the Upper West Side, all of them were sym­path­etic char­ac­ters, with the pos­sible excep­tion of one couple who could serve as the poster chil­dren for “entitled”. All of them knew how ridicu­lous the pro­cess looked, but felt power­less to opt out for fear of put­ting their beloved child at a dis­ad­vantage. And remark­ably, all of the chil­dren seemed bright and, at least in the final cut, well-behaved.

The strength of the film was that it was not just parent-focused. Administrators and teachers from all of the top schools were per­suaded to take part, most at the insist­ence of the remark­able Gabriella Rowe from the pres­ti­gious Mandell School. The pres­sure on these school dir­ectors is enormous, with 15–20 applic­ants for each avail­able space. The situ­ation has been driven by what the dir­ectors refer to as a “post 9/11 baby boom” that has driven tuition rates as high as $20,000 per year and cre­ated a market for “admis­sions con­sult­ants” whose ser­vices can also cost a family sev­eral thou­sand dol­lars. The admin­is­trators in this film sym­pathize with the par­ents, but laugh­ingly dis­miss their wor­ries that not get­ting into the right pre-school will affect their child’s chances of get­ting into the right col­lege one day.

Though we were pre­pared to hate these people, my wife and I found ourselves won­dering what we would do in their shoes. In Canada, at least, our public school system is still rel­at­ively healthy, so we don’t have to worry about which nursery is the right “feeder school” for the primary school we want our child to attend. Large cities like New York also face a tangle of reg­u­la­tions that make starting a new school dif­fi­cult, not to men­tion the price of real estate. For the fore­see­able future, get­ting a child into school in the city is bound to be a stressful and expensive pro­pos­i­tion. Many couples end up forced to move to the sub­urbs, des­pite their desire to raise their chil­dren in the cul­tural rich­ness of New York City.

The film was also careful to bal­ance the stressful pro­cess with the reasons why par­ents endure it. There are many images of the riches of Manhattan, and many more of the joy and delight these chil­dren bring to their par­ents. In the end, these people do it because they love their chil­dren and they love their city, and they’ll do whatever they can to ensure that they can keep both. Good luck to all of them.

Here is the Q&A with dir­ectors Marc Simon and Matt Makar from after the screening:

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Duration: 13:43

Interview with dir­ector Marc Simon in the Wall Street Journal’s Law blog

8/10(8/10)

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