Anvil! The Story of Anvil

Anvil! The Story of Anvil (2008, Director: Sacha Gervasi): I knew within the first five minutes of the film that I loved these guys, and it took about another five minutes for me to decide I was buying a CD from them (NOTE: Available from either of the two links below). That’s not an easy sell. You see, I grew up here in Toronto, Anvil’s hometown, during the 1980s, when the band had its closest brush with suc­cess. “Metal on Metal” was played on the radio here, and it’s quite pos­sible I watched some of the archival tele­vi­sion cov­erage (some of it fea­turing news anchor John Roberts, then known as J.D. Roberts) when it wasn’t archival. But I was no metal­head. I was into punk, and then new wave, and the metal “hair” bands of the 80s just seemed embar­rass­ingly uncool to me. In this film, that uncool­ness has been turned into charm. But it’s been a long hard road for Anvil.

Director Sacha Gervasi actu­ally met the band in London in 1982, and then decided to work as a roadie for them on a cross-Canada tour. He lost touch about 1985, and then, 20 years later, decided to look up his old friends on the internet. What he dis­covered amazed him. They hadn’t given up. In fact, they were still making records and playing bars, even if it was only to crowds of 100. Gervasi, mean­while, had trav­elled far from his metal roots. After attending law school, he got involved in the film busi­ness, recently writing the script for the Tom Hanks film The Terminal. He knew imme­di­ately he wanted to make a film about the band, and his per­sonal con­nec­tion with Anvil makes the film a loving tribute.

Steve “Lips” Kudlow and Robb Reiner were two Jewish kids growing up in Toronto in the 70s. They bonded over a love for the music of Black Sabbath and Grand Funk, and were soon writing songs together. More than 30 years and sev­eral lineup changes later, they’re still making music together. The film is as much a por­trait of a lifelong friend­ship as it is about the cruelty of the music busi­ness. Through all the ups and (mostly) downs, Lips and Robb are like brothers. Gervasi picks up the story around 2005 when gui­tarist Ivan’s new Italian girl­friend Tiziana offers to arrange a European tour for them. Her pas­sion over­comes their reser­va­tions about her inex­per­i­ence, with pre­dict­able res­ults. Transportation prob­lems abound, and the crowds are always smaller than anti­cip­ated. Local pro­mo­tion doesn’t come through, and the band are rarely paid. Despite that, Lips remains upbeat, happy to be touring at all.

After their return to Toronto, Anvil are ready to record their next album. They decide to approach engineer Chris Tsangarides, who recorded them early in their career, to see if he’s inter­ested in working with them again. To their sur­prise, he’s inter­ested, and after bor­rowing money from friends and family, the band fly to England to record their 13th album, clev­erly entitled “This is Thirteen.” Another round of con­flict between Robb and Lips ensues, but all ends in tearful hugs and the album is fin­ished. Lips buzzes that the band has never sounded as good. Despite that, they can’t get any record com­panies inter­ested in releasing it, so they decide to go direct and sell it themselves.

Throughout it all, Robb and espe­cially Lips come across as incred­ibly open-hearted and even sweet guys. One mem­or­able scene has Lips, in an attempt to earn some money, working as a tele­marketer. He doesn’t last very long before he con­fesses that he’s just too honest. His some­what goofy face may be the reason that the band never achieved the suc­cess of bands like Metallica or Anthrax or Slayer, but he’s incap­able of being anyone else. Now in their 50s, Robb and Lips still haven’t cut their thin­ning hair, and though they look a bit out of place among their brothers and sis­ters, their fam­ilies (espe­cially their long-suffering wives) have been incred­ibly patient, if not always supportive.

The film ends with a lovely grace note. After receiving a call from a con­cert pro­moter in Japan, Anvil are invited to open a metal fest­ival in front of a poten­tial audi­ence of 20,000. Gervasi poignantly inserts footage from the Super Rock tour of Japan the band played in 1984, and I swear that the goofy grin on Lips’ face is even wider now than it was then. When the lights came up, I was sporting my own goofy grin, as well as a small lump in the throat.

If there was any­thing missing from the film, it might be the absence of two of the three mem­bers of the unholy trinity of sex, drugs, and rock and roll. Despite a ref­er­ence early on from Robb about having to throw away his drugs during a border crossing in Europe, we never see any of the partying for which bands in gen­eral, and metal bands in par­tic­ular, were legendary. These guys can still rock out, clearly, but it would have been inter­esting to see if they still party like young guys.

Just as an aside, during Anvil’s brief heyday in the early 80s, I was into a rockabilly-punk band from Hamilton called Teenage Head. Their career has had a sim­ilar tra­jectory, with lots of missed chances at fame, and an enduring legacy as “also-rans” among bands with argu­ably much less talent. Though I was never a roadie for them, this film has me thinking of making “Teenage Head! The Story of Teenage Head.” Frankie and Legs, get in touch!

Here is the Q&A with dir­ector Sacha Gervasi and the band from after the screening:

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Duration: 12:10

Official site for the film
Official site of the band

(9/10)

Tagged as: #hotdocs08, friendship, metal, music