Present Company

by James McNally on March 4, 2008

in Film Festivals,SXSW

Present Company
Editor’s Note: I’ve decided to begin posting my reviews of films screening at SXSW early, hope­fully helping anyone attending make some decisions about what to see. Present Company is screening on Monday March 10 at 5:00pm and Wednesday March 12 at 9:00pm. All screen­ings are at the Dobie.

Present Company (2008, Director: Frank V. Ross): I’ve only recently become aware of the work of Frank V. Ross. His pre­vious fea­tures Hohokam (2007) and Quietly On By (2005) have gen­er­ated some buzz and placed him peri­pher­ally among the group of film­makers now des­per­ately trying to shed the “mumble­core” label. The main dif­fer­ence between Ross and those other film­makers is that his prot­ag­on­ists are often less edu­cated and live in the rural sub­urbs rather than in urban set­tings. Unlike his pre­vious films, in Present Company, he plays the prot­ag­onist him­self. Buddy is a young father living with his girl­friend Christy (Tamara Fana) and their baby Mikey in the base­ment of Christy’s par­ents’ house. It’s clear that they’re only together because of Mikey, and that they’re both inter­ested in moving on. Though their actual ages are not men­tioned, both of them act like spoiled teen­agers for most of the film, and it was quite easy to grow tired of Buddy’s bul­lying of Christy and even his friends. He pur­sues a new rela­tion­ship without telling Christy, and when the new girl finds out about his domestic situ­ation, she isn’t happy, either.

Though I couldn’t really relate much to these char­ac­ters, I found the depic­tion real­istic to the point of near-documentary, and I think that will make the film stick with me. There is a final scene where Buddy makes a rather obvious grasp toward maturity, but I can’t decide if I feel it meant any­thing. In the end, there’s very little going on between the char­ac­ters, and I found it a bit wearing to be in the pres­ence of such self-absorbed dys­func­tional people for so long. That being said, Frank V. Ross has made a film of real authen­ti­city. I just wish there were a little more hope.

Karina Longworth places the earlier films of Frank V. Ross into con­text with the other “m-word” films (and much more elo­quently than I ever could).

6/10(6/10)

Comments on this entry are closed.

Previous post:

Next post: