No Country For Old Men

by James McNally on August 30, 2007 · 1 comment

in Film Festivals,TIFF

No Country For Old Men

No Country For Old Men (Directors: Joel and Ethan Coen, USA, 2007): Based on the Cormac McCarthy novel of the same name, No Country For Old Men is a wel­come return to form from the Coen brothers. The West Texas set­ting and the noirish storyline recall their first film, Blood Simple (1984), but with more than twenty addi­tional years of film­making exper­i­ence as well as strong source material, this is a much more accom­plished film. Josh Brolin turns in an excel­lent per­form­ance as Llewellyn Moss, a pre­ma­turely “retired” welder who stumbles upon a crime scene while hunting in the desert. It’s obvious that it’s a drug deal gone bad, and among the bodies and shot-up pickup trucks is a suit­case full of cash. Finding the tempta­tion too strong, he takes the money. From there, he is pur­sued relent­lessly by Javier Bardem, sent in as “the per­fect tool” to retrieve the money. Tommy Lee Jones is the inef­fec­tual but philo­soph­ical sheriff whose des­pair finally gets the better of him.

Bardem’s per­form­ance, while seem­ingly over the top, is remark­able. He is less a person than a force. While Tommy Lee Jones rep­res­ents the law, Bardem is law­less­ness, chaos and death all rolled into one. And yet he fol­lows his own twisted logic, tying up all loose ends according to his own code of ethics.

The film fol­lows a very simple storyline, and the lack of a musical score keeps the sus­pense at almost unbear­able levels. Bardem’s intro­duc­tion also leaves the viewer unsure what he will do in any given scene for the rest of the film. Brolin is the not quite inno­cent but still sym­path­etic victim-hero of the story, and as he mem­or­ably says to his wife early in the film, “Stuff hap­pens. I can’t take it back.” Indeed, stuff hap­pens. And you won’t be able to look away while it does.

Trailer
Official site for the film

9/10(9/10)

{ 1 comment }

1 Maya September 10, 2007 at 11:54 pm

Succinct and to the point. This is, in my estimation, the Coen Brothers best film to date, respectful of the novel and yet intact on its own merits with some interesting ellisions and shifts of narrative focus.

Bardem’s characterization is bound to go down as one of the great criminals of all time.

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