Wasted Orient

by James McNally on June 10, 2007 · 1 comment

in Documentaries,Film Festivals

Wasted Orient

Wasted Orient (Director: Kevin Fritz, USA, 2006): I’d seen the trailer for this on dis­trib­utor Plexifilm’s site a few weeks ago and was really happy to be able to attend the film’s first Canadian screening. Joyside are a Chinese punk band based in Beijing and the film fol­lows them on their first tour. This being China, the band starts with a 15-hour train ride to Guangzhou in the south of the country, and the long journey gives them plenty of time to drink. Drinking seems to be the con­stant in the film, and one gets the impres­sion that any­thing more illicit than beer and gin may be simply out of their fin­an­cial reach. Despite their con­stant state of intox­ic­a­tion and their aver­sion to bathing, the band are actu­ally a like­able bunch of guys who are rel­at­ively pro­fi­cient musi­cians. They name-check, either in inter­views or by playing covers, many of the early punk bands and per­son­al­ities from New York: The Ramones, The Dead Boys, Johnny Thunders (It gives a whole new meaning to the phrase “Chinese Rock”). And these guys are punk in that early, prim­itive sense: they’re nihil­istic, but they’re not mean, or polit­ical. They just don’t see the point in pur­suing the lives their par­ents or polite society would prefer for them. In that sense, they’re not much dif­ferent from their idols. But, of course, this is China.

Other critics (mostly Americans, I sus­pect) have played up the “Communist” angle, with vari­ations on “Rockin’ in the Unfree World” and that sort of non­sense. The truth is that modern China may be more cap­it­alist than North America, and what Joyside is rejecting seems to be mater­i­alism and the appear­ance of suc­cess more than any­thing else.

The film is very raw, and one or two people in the small audi­ence (maybe 20 people) found it a bit too much and left. But I was riv­eted. Kevin Fritz has lived in China for sev­eral years, and got to know the band very well, so he has really cap­tured a level of intimacy that hardly seems pos­sible for an “out­sider.” The beer helps, though, as in scenes where he fea­tures each band member in a drunken one-on-one with the camera. A bit sur­pris­ingly, each comes across as touch­ingly earnest and even a bit maudlin.

Despite the end­less beer guzz­ling, the pissing and vomiting, the rude ges­tures and the poses of des­pair, these are just four young guys trying to make sense of their cir­cum­stances. It doesn’t hurt that they can rock out, too.

Official site for the film

7/10(7/10)

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