From the daily archives:

Monday, June 4, 2007

Paprika

Paprika (Director: Satoshi Kon, Japan, 2006): I’m not really a genuine otaku nor do I aspire to be, but I do have a little bit of exper­i­ence with Japanese anime, including the films of Hiyao Miyazaki (Spirited Away, My Neighbour Totoro) and the excel­lent sci-fi series Ergo Proxy. So I don’t claim to know or under­stand all of the con­ven­tions of Japanese anim­a­tion. With that dis­claimer out of the way, I can hon­estly say that Paprika (or “Papurika” which is the Japanese title) is quite a trip. Like many anime, the plot is tricky, but the visuals are abso­lutely eye-popping. The fact that the film is based on a well-known and pop­ular novel by Japanese sci-fi master Yasutaka Tsutsui led to high expect­a­tions among Japanese audi­ences, who have received the film enthusiastically.

Paprika

The press kit syn­opsis: “Dr. Atsuko Chiba is a genius sci­entist by day, and a kick-ass dream war­rior named PAPRIKA by night. In this psy­che­delic sci-fi adven­ture, it will take the skills of both women to save the world. In the near future, a revolu­tionary new psy­cho­therapy treat­ment called PT has been invented. Through a device called the “DC Mini” it is able to act as a “dream detect­ive” to enter into people’s dreams and explore their uncon­scious thoughts. Before the gov­ern­ment can pass a bill author­izing the use of such advanced psy­chi­atric tech­no­logy, one of the pro­to­types is stolen, sending the research facility into an uproar. In the wrong hands, the poten­tial misuse of the device could be dev­ast­ating, allowing the user to com­pletely anni­hilate a dreamer’s per­son­ality while they are asleep. Renowned sci­entist, Dr. Atsuko Chiba, enters the dream world under her exotic alter-ego, code name “PAPRIKA,” in an attempt to dis­cover who is behind the plot to under­mine the new invention.”

Paprika is like Dr. Chiba’s sub­con­scious self, or her id, flirty and pix­ieish, but she is able to do things the uptight Dr. Chiba can’t do. It’s funny that later in the film, Paprika refers to her­self as “the missing spice.” With the help of police detective Konakawa and the device’s inventor, the food-loving Dr. Tokita, this Spice Girl will make the world safe again.

Though the plot is almost ridicu­lously com­plex, it’s a very fun ride, just to see what the anim­ators can come up with next. Some of the film’s most mem­or­able images wouldn’t be out of place in the off-kilter world of video­game Katamari Damacy. Along with the visuals, the jaunty elec­tronic score adds to the cool factor, making Paprika a sort of Spirited Away for grownups.

The film opens in lim­ited release in Toronto on June 15th.

Official site for the film

8/10(8/10)

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Cineaste, Summer 2007

The Summer 2007 issue of Cineaste has an inter­esting art­icle by Rebecca Alvin about the emer­gence of “micro­cinemas” in unusual spaces and places. With the rise of mul­ti­plexes and the cor­res­ponding demise of the single-screen “art­house” cinemas, it’s heart­ening to read about new ways for cinephiles to enjoy films in a public set­ting. Most inter­esting of all, for me, is the “guer­rilla drive-in” concept behind MobMov, a group of more than 3,000 people from all over the world who are get­ting together to watch films which oth­er­wise might be ignored, and doing it in a way that pro­motes dis­cus­sion and social­izing. I’m hoping to find out more about the Toronto group, and although I don’t own a car, I’m sure that won’t exclude me from the next screening.

In fact, the move­ment was inspired by the Santa Cruz Guerrilla Drive-In, a group of people without cars who just show up in some public area with a pro­jector and show films. Like a flash mob, people are noti­fied at the last minute where and when to show up, making the event a polit­ical state­ment about reclaiming public spaces as well as an oppor­tunity to watch some great films.

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