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Paprika

Paprika (Director: Satoshi Kon, Japan, 2006): I’m not really a genuine otaku nor do I aspire to be, but I do have a little bit of experience with Japanese anime, including the films of Hiyao Miyazaki (Spirited Away, My Neighbour Totoro) and the excellent sci-fi series Ergo Proxy. So I don’t claim to know or understand all of the conventions of Japanese animation. With that disclaimer out of the way, I can honestly say that Paprika (or “Papurika” which is the Japanese title) is quite a trip. Like many anime, the plot is tricky, but the visuals are absolutely eye-popping. The fact that the film is based on a well-known and popular novel by Japanese sci-fi master Yasutaka Tsutsui led to high expectations among Japanese audiences, who have received the film enthusiastically.

Paprika

The press kit synopsis: “Dr. Atsuko Chiba is a genius scientist by day, and a kick-ass dream warrior named PAPRIKA by night. In this psychedelic sci-fi adventure, it will take the skills of both women to save the world. In the near future, a revolutionary new psychotherapy treatment called PT has been invented. Through a device called the “DC Mini” it is able to act as a “dream detective” to enter into people’s dreams and explore their unconscious thoughts. Before the government can pass a bill authorizing the use of such advanced psychiatric technology, one of the prototypes is stolen, sending the research facility into an uproar. In the wrong hands, the potential misuse of the device could be devastating, allowing the user to completely annihilate a dreamer’s personality while they are asleep. Renowned scientist, Dr. Atsuko Chiba, enters the dream world under her exotic alter-ego, code name “PAPRIKA,” in an attempt to discover who is behind the plot to undermine the new invention.”

Paprika is like Dr. Chiba’s subconscious self, or her id, flirty and pixieish, but she is able to do things the uptight Dr. Chiba can’t do. It’s funny that later in the film, Paprika refers to herself as “the missing spice.” With the help of police detective Konakawa and the device’s inventor, the food-loving Dr. Tokita, this Spice Girl will make the world safe again.

Though the plot is almost ridiculously complex, it’s a very fun ride, just to see what the animators can come up with next. Some of the film’s most memorable images wouldn’t be out of place in the off-kilter world of videogame Katamari Damacy. Along with the visuals, the jaunty electronic score adds to the cool factor, making Paprika a sort of Spirited Away for grownups.

The film opens in limited release in Toronto on June 15th.

Official site for the film

8/10(8/10)

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Cineaste, Summer 2007

The Summer 2007 issue of Cineaste has an interesting article by Rebecca Alvin about the emergence of “microcinemas” in unusual spaces and places. With the rise of multiplexes and the corresponding demise of the single-screen “arthouse” cinemas, it’s heartening to read about new ways for cinephiles to enjoy films in a public setting. Most interesting of all, for me, is the “guerrilla drive-in” concept behind MobMov, a group of more than 3,000 people from all over the world who are getting together to watch films which otherwise might be ignored, and doing it in a way that promotes discussion and socializing. I’m hoping to find out more about the Toronto group, and although I don’t own a car, I’m sure that won’t exclude me from the next screening.

In fact, the movement was inspired by the Santa Cruz Guerrilla Drive-In, a group of people without cars who just show up in some public area with a projector and show films. Like a flash mob, people are notified at the last minute where and when to show up, making the event a political statement about reclaiming public spaces as well as an opportunity to watch some great films.