Archive for May, 2007

Glue

Glue

Glue (Director: Alexis Dos Santos, Argentina, 2005): I missed this film at TIFF last year, and was glad to get the chance to see it. Glue is unmistakably a first film, with lots of experimentation, some of which succeeds and some of which fails. Set in rural Patagonia, the film combines a soundtrack that features the Violent Femmes and moody handheld cinematography to give us a window into the life of Lucas, a bored and sexually confused 16 year-old.

Lucas spends most of his time riding his bike around with his headphones on. He roughhouses ambiguously with his friend Nacho, and when they meet shy Andrea, the three form an unusual bond. This isn’t a film with a huge dramatic arc, and by the end, nothing really feels resolved, but it certainly captures a certain time and place in the lives of a few characters.

One of my frustrations with the film was its constant pursuit of the artsy shot instead of the more direct shot. The overuse of extreme close-ups and the reliance on natural lighting left me scratching my head sometimes, as I tried to figure out exactly what was going on. The use of Super 8 footage was a nice touch, adding an element of nostalgia, but again it may have been a bit overdone. There were a few places where a steadier camera would have helped as well, especially when shooting landscape scenes.

The film feels long at 110 minutes, and since there is relatively little dialogue, some of the admittedly gorgeous shots of the Patagonian landscape could have been trimmed, but this is a forgivable sin for a first-time feature director finally getting a chance to stretch out things. I look forward to seeing Dos Santos’ next film.

7/10(7/10)

Toronto Screen Shots on Livebait.tv

Hot Docs has come and gone for another year. Having missed most of my films, I wanted to get an overview of the festival — find out which films I need to see and which ones to pass on.

For Livebait.tv, I decided to interview James because of the stellar job he did in reviewing all the films he saw. Also interviewed were Philip Hamilton and Ian Stuart who, between them, saw 73 of the 129 films at Hot Docs this year. Incredible!

In this interview, filmed at the Drake Hotel, James, Philip and Ian provide a nice overview of Hot Docs and discuss some of the films they saw.

The Life of Reilly

The Life of Reilly

The Life of Reilly (Directors: Barry Poltermann and Frank Anderson, USA, 2006): If you grew up in the 1970s like me, you couldn’t avoid Charles Nelson Reilly. He was on Match Game, Hollywood Squares, Lidsville, Uncle Croc’s Block, and made regular appearances on The Tonight Show. What I didn’t know about Reilly was that he had been a Tony Award-winning actor on Broadway in the 50s and 60s, and that when he disappeared from television, he went on to become a beloved and respected acting teacher.

This film documents a performance of Reilly’s long-running but also long-retired one-man show, “Save It For The Stage: The Life of Reilly.” The directors convinced him to take it out of mothballs for one last performance in 2004, and the result is this film. There is a bit of archival footage mixed in, and some music, but what the directors have done is essentially edit down a three hour long stage performance into something half that length. Which is why although it’s an amazing story, it’s just not that great a film.

Reilly has had a most interesting life, and he’s a great storyteller. That he even forged a career as an actor is incredible, considering his unbelievably dysfunctional family. His descriptions of his soul-crushing mother are hilarious, but also very sad. And when he eventually got an interview with the head of NBC in the early days of the television era, he was told, “They don’t let queers on television.” His prolific appearances in the 1970s almost seem to be his way of exacting revenge.

But because his story was so interesting, I wanted to know more. There’s very little about the fact that he is gay. No stories about crushes, romances, relationships, and only the NBC story about any kind of discrimination. One thing that emerged from the film was Reilly’s long and (to me) surprising friendship with Burt Reynolds. I would have loved to have heard a few more anecdotes like this about his friends. It just seemed like there was so much more to tell, and knowing that the stage show was longer, it made me question the directors’ decision to cut material. As well, apart from Reilly’s riveting performance, the filmmakers didn’t add much original work.

Although that makes it sound like I didn’t enjoy the film, that would be untrue. I wanted to hear even more from this fascinating man. Unfortunately, the show is back in mothballs, and I don’t see him touring it again, not at 76 years of age. Pity.

May 28, 2007: I just found out the very sad news that Charles Nelson Reilly has passed away. I’m very glad this film was able to convey a sense of the wonderful drama of his life and his skills as an actor. Try to see it if you can.

October 23, 2007: Good news. The film will be opening across the US next month, and the film’s web site has been newly redesigned with lots of content. The film will be playing at the Bloor cinema in Toronto from November 30 until December 13, according to the site. Don’t miss it!

Official site for the film

7/10(7/10)

Inside Out 2007

Inside Out Film Festival

It seems that when one film festival ends in Toronto, another begins. From May 17-27, the Inside Out Lesbian and Gay Film and Video Festival will celebrate its 17th year by showing 276 films and videos exploring the queer experience all over the world. I’ll be previewing a few of the films screening at the festival over the next week or two.

Infestors Group

Infest Wisely

I’ve been familiar with Toronto writer Jim Munroe’s work for at least the past ten years. We both attended York University in the early 90s and both of us signed up to work on existere, a literary magazine. Only Jim never showed up, and I somehow always remembered his name. (Incidentally, existere is also where I met Brett Lamb, now Art Director for the Hot Docs festival.) Jim went on to (modest) fame and (modest-er) fortune as a novelist. After his first novel Flyboy Action Figure Comes With Gasmask was released by HarperCollins in 1999, he decided to self-publish the rest of his work, and has built an amazing resource for anyone looking at DIY publishing. Now, he’s turned his attention to filmmaking.

Infest Wisely was a collaborative effort from start to finish. Billed as “lo-fi sci-fi”, the film consists of seven separate episodes which together comprise a complete feature film. Munroe wrote the entire film, but each episode was directed by a different director, and everyone worked for nothing. What’s the story? “There’s a new, chewable nanotechnology that lets you take photos with your eyes, cures cancer and eliminates body odour. But the early adopters are realizing they got extra ‘features’ they didn’t count on. And no one told them once they spread through the bloodstream, it’s harder to uninstall than your average computer virus.”

If the film, or the concept, sounds interesting to you, there are several ways to see the film. First and best, the film will be screening on Friday May 18th at 7:00pm at Innis Town Hall here in Toronto. Tickets are $5 for “Key Infestors” at the door with all proceeds going to pay for the film’s entry fees to various film festivals. If you’re not local, Munroe will be releasing the film for free via BitTorrent and podcast beginning May 20th, and there will be a DVD available at some point as well, which will include a useful commentary from the filmmakers with lots of DIY advice.

Look for a review of the film here soon.